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Electronic

Review: Banks @ El Rey in Los Angeles on 5/29/2014

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Words and Photos by Russ Ramos

Not just another singer/songwriter/producer. From Los Angeles, Ms. Jillian Banks (better known to the industry as “Banks”) detaches herself from typical genre associations. Her sold out homecoming show at the iconic El Rey on Thursday night, May 29th, was something of a statement from this proclaimed “Goddess”. For an artist whose album hasn’t even been released yet, you already get the sense that this is the last time Banks will play a venue limited to 700 attendees. It’d be a safe bet that her next Los Angeles show would easily bring The Wiltern (1800 attendees) to capacity.

Prior to the show, I’d heard a bit of skepticism from people her previous performances. People saying things like, “She’s boring, she doesn’t move, she hides behind the mic”. After hearing all of that (whilst being a fan myself), I had to check her out. To my delight, they were as wrong as I’d hoped. Banks’ seductive moves, and exponential passion tore down away any doubt. The capacity filled venue sung along, track after track. It’s incredible evidence that Banks’ exotic music, her writing, and her voice are clearly a more engaging representation of the “singer-songwriter” genre. I saw more hands in the air then I did on iPhones. That, in Los Angeles, IS A BIG DEAL.

Banks is currently on a small US tour, and will also be touring Europe for the first half of the summer. Her debut album Goddess is expected to release September 9th, and we can only hope that she’ll grace us with another tour to promote the new album.

Banks (Facebook)

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reviewed by
05-30-14

Damon Albarn Finally Strikes Out On His Own

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For Damon Albarn, making music has always been a behind the scenes venture.  He has, despite his low profile, been very successful exploring his art in new and unique ways. Albarn started his musical career in 1988 while at Goldsmiths College in London, where he and some of his classmates formed a band they would eventually call Blur. After being signed to Food Records in 1990, the band became something of the British counterpoint to the grunge movement happening in the United States at that time. They achieved critical and commercial success in England before breaking up in 2003, then reunited again in 2008.

Of course, most Americans are familiar with Albarn through his other successful venture, Gorillaz, the cartoon alternative rock band he created in 2001. The band has sold tens of millions of albums worldwide, been named the Most Successful Virtual Band by the Guinness Book of World Records, won a Grammy, won two MTV VMA’s, and changed the perception of what popular music could be.

Now, Albarn is preparing to step out on his own with his first solo album Everyday Robots, which was released on April 25th. Although, you might not want to call it a solo record to him, as he told NME  “I suppose you could call it a solo record, but I don’t like that word. It sounds very lonely – solo. I don’t really want to be solo in my life. But yeah, I’m making another record.” Keeping with that spirit of collaboration he enlisted the help of producer Richard Russell as well as singers Brian Eno and Natasha Khan, both of whom he recorded duets with for the album.

The resulting album is something of a dark day dream, recalling the hours spent in elementary school staring at rain hitting the window of your classroom. That’s not to say it’s exclusively melancholy in tone; “Mr Tembo” is a particularly uplifting track about baby elephant that Albarn met in a zoo in Tanzania. Along with Paul Simonon, he enlisted the help of a gospel choir from his hometown for the song, which was released as the fourth single from this album. Despite the brief uptick from “Mr Tembo,” Everyday Robots doesn’t shy away from heavy hitting tracks, like the autobiographical “You & Me” which references his past experiences with heroin use: “Tin foil and a lighter, the ship across, five days on, two days off.” He explained the reference to The Guardian, saying “I suppose it’s just me saying, ‘Let’s just get this out of the way. I took heroin for a while and I found it interesting and, yes, it was remarkably helpful in the creative process for a short time. I didn’t go down in the gutter, in fact I was incredibly disciplined about it. Blah blah blah. So what?'”

In an effort to promote his album, Albarn performed for at the SXSW Festival in Austin back in March, which was recorded as a part of DirecTV’s Guitar Center Sessions. Albarn’s hepisode will air on May 11th, and features an interview with Albarn about his experience making his first solo album. While there isn’t an official tour planned, Albarn plans to make a series of appearances at festivals in Europe, the US, and Japan during this summer.

Reviewed by Spencer Blohm

Damon Albarn (Facebook)

reviewed by
05-30-14

Jacques Greene – No Excuse (Fort Romeau Remix)

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UK house producer Fort Romeau headlines a new mix for Jacques Greene’s upcoming remix set for his Phantom Vibrate EP release. The remix EP also features tracks from Yung Gud, Kit Grill and Area Forty One and is out tomorrow (May 30th) on Lucky Me.

Fort Romeau england (Soundcloud)

Rating 8.4

reviewed by
05-29-14

Sivu – My Oh My (Aquilo Remix)

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Buzzing UK dream balladeers Aquilo spin a majestic cinematic melange of easy synth textures and wonder-filled beats around Sivu’s latest “My Oh My” single. Well done.

Sivu england (Facebook)
Aquilo england (Facebook)

Rating 8.3

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reviewed by
05-23-14

La Mar – Anchor

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Aussie crew La Mar make their B3 debut on the minimal minor-keyed R&B of “Anchor”. On the track, soft-touch rhodes and a layered melodic beat frame a spare but quite hypnotic vocal that we absolutely love. Give “Anchor” your attention below.

La Mar (Soundcloud)

Rating 8.3

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reviewed by
05-22-14

Lido – Money

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If Aaliyah could produce trap records from the grave (we don’t immediately discredit the possibility of it), the 90’s R&B as trap of Lido’s “Money” would be a close approximation of Trap Aaliyah’s sound. The electronic pyrotechnics are all over “Money” (your “When Will The Bass Drop” mind’s eye will not be let down in that area) but the guts of the track are firmly R&B. Love it.

Lido norway (Facebook)

Rating 8.3

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reviewed by
05-21-14

Rare Monk – Splice (4AM Rework)

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T.O. producer 4AM who scored a recent Hypem Top 3 with his energy electro mix for Zella Day lends his big room sound to the unlikely oeuvre of the Pacific NW’s defending heavyweight champs of big rhythm rock Rare Monk’s “Splice” single.

Rare Monk oregon (Soundcloud) (Purchase)
4AM canada: (Soundcloud)

Rating 8.4

reviewed by
05-20-14

Sade – Sweetest Taboo (Flava Dre / Warren Xclnce Rework)

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World golden girl Sade is remixed in the nouveau house style by the many times talented Warren Xclnce for “Sweetest Taboo”. (IS)

Warren Xclnce england (Soundcloud)

Rating 8.4

reviewed by
05-20-14

Lana Del Rey – West Coast (Grades Remix)

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Mrs. Del Rey gets a remix amuse bouche from doting R&B/disco-flavored producer Grades on spotless mix for “West Coast”. Tinkling electric pianos, buffed-down breaks, washes of sexy harp sounds; if Michael McDonald 2014’s life had a sound, Grades could reach it. “Down on the West Coast, they love their tank tops.”

Lana Del Rey newyork (Official) (Facebook)

Rating 8.0

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reviewed by
05-19-14

Chris Malinchak – Stranger (Feat. Mikky Ekko)

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Pete Tong MBE dropped the exclusive brand new Chris Malinchak firebomb on his Radio 1 show tonight with “Stranger”. The song which features the MJ-esque melodic stylings of Mikky Ekko is a steady 3:42 of funky summertime pop sure to rudder dance floors for months to come on both sides of the Atlantic. We “Stranger” 100%.

Chris Malinchak (Facebook)

Rating 8.6

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reviewed by
05-16-14

Blonde & Ryan Ashley – Foolish (KAASI Remix)

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London-based KAASI remixes “Foolish” by Blonde & Ryan Ashley into a deep, neatly vibe-y house blend. The KAASI remix is excerpted here from an upcoming EP for “Foolish” featuring remixes from the irrepressible Joe Goddard and recent hot hand Tom Misch.

england (Facebook)

Rating 8.5

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reviewed by
05-15-14