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Electronic

Naomi Pilgrim – No Gun

NaomiPilgrim_3

The bimodal “No Gun” with its sunny pop chorus but broody gritty verses reflects in a way songstress Naomi Pilgrim’s geography (she’s Swedish via Barbados).

Naomi Pilgrim sweden (Facebook)

Rating 8.4

brown8

reviewed by
10-10-13

Memory Cards – Designated

memorycards

We’re digging the new Chain of Memories EP, from L.A.-based electronic musician Memory Cards. Spin below, the lights down melancholic space-trap of “Designated”, our pick from the six song set.

Memory Cards california (Bandcamp)

Rating 8.2

reviewed by
10-09-13

Supreme Cuts – Gone (Feat. Mahaut Mondino)

supremecuts

Supreme Cuts shod a beautiful R&B-inflected tableau of synth atmospheres, orchestration & piano for new track “Gone” featuring teenage French chanteuse Mahaut Mondino. Wrested melodically from somewhere deep deep inside the mid 90’s R&B/house, the genre jumping vocal stylings of Ms. Mondino create a cool dynamic against the more contemporary R&B of SC’s production. “Gone” is sampled here from Supreme Cuts’ upcoming Divine Ecstasy LP.

Supreme Cuts (Soundcloud)

Rating 8.3

brown8

reviewed by
10-09-13

GEMS – Medusa

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D.C.’s GEMS (& ATG/B3/TMD’s CMJ (enough acronyms?) Hit Parade act) let loose the dramatic & soulful boy-girl synth pop of their upcoming EP’s title track “Medusa”. Forty fathoms deep in reverb and Lean-esque in its cinematic quality, “Medusa” for its instrumental ornamentation is really quite visceral melodically (hit us straight in the gut) and we really really like that. Hit Parade.

GEMS (Official)

Rating 8.4

brown8

reviewed by
10-08-13

Gold Panda – Brazil (Slow Magic Remix)

gold panda slow magic

No bio electronic producer (& a favorite of b3) Slow Magic lends his complex, varied, exotic production style to tourmate Gold Panda’s “Brazil”. Quiet at the start and slow to build, the mix’s big payoff in its fourth minute (when the oceansized mid 80’s synth introduce into the track) is quite special. Get with it below.

Slow Magic (Facebook)

Rating 8.0

brown8

reviewed by
10-08-13

RAC – Let Go (ft. Kele & MNDR) (Robert Delong Remix)

delong let go RAC

Undefeated champ of new wave tech house Robert Delong mixes up something very special with the neon plastic glow of his “Let Go” remix. “Let Go” is the lead single from the great RAC’s upcoming debut “Don’t Talk To” EP.

Robert DeLong (Facebook)

reviewed by
10-04-13

Misun – Promise Me (The Hood Internet Remix)

misun hood internet

The mighty Misun get an assist from Chicago remix collective The Hood Internet on “Promise Me”. Sonically somewhere between a Super Mario Brothers underwater level (see Mario swim) and a Caribbean cruise leisure deck, THI have us diddy bopping w/ a fire flower in our hand. Watch out for the fireball.

The Hood Internet (Twitter)

Rating 8.4

reviewed by
10-03-13

Mapei – Don’t Wait

meipi

Downtown Records artist Mapei returns with the release of the inventive R&B-leaning pop of “Don’t Wait”. On the song, a complex rhythm track (incl. kicks, finger snaps, & some sort of synth’d up drum that sounds like it was recorded inside a dungeon) frames up Mapei’s breezy but effective vocal. We’re into it.

Mapei sweden (Soundcloud)

Rating 8.4

brown8

reviewed by
10-03-13

Interview with Digital Farm Animals

Digital Farm Animals

By Mike Olinger

Music junkies looking to the UK, and London in particular, for inspiration will likely fix their gaze on Digital Farm Animals. Their eclectic mix of bouncing nu-wave is lighting up the blogosphere Stateside and making London locals proud to call them an export. As 2014 approaches, fans can take the opportunity to catch DFA come into their own as a live act. As for more tracks, we are likely to see some insanely great collaborations with new vocalists on their forthcoming full length. If your M.O. is to “feel good” this fall, then keep the Bugged Out EP’s summer vibes in the air.

Check out our chat with the band below and grab a free download of the new EP via Digital Farm Animals’ Facebook page here.
UK dance act Digital Farm Animals dial up guest vocals from songstress Holly Partridge & Rudimental collaborator MNEK outfitting them with shimmery 80’s R&B-leaning synths and a limitless spread of end of summer beach vibes. “Bugged Out” is the new EP from Digitial Farm Animals.

B3SCI: First, we have to ask. Where/when can we catch you spinning?

DFA: Well we’ve actually taken a break from playing live over the last few months as we’ve been focusing really hard on getting material together. We played a few one off gigs…did a really cool show last month supporting De La Soul at Soho House (Where I strangely had a drink with MF DooM….that was pretty cool).

Now that the first EP is out & we’re underway with some pretty cool stuff to follow up with, we’re going to start putting a lot of time into our live side of things. There will definitely be a lot more on the performance side in 2014. Watch this space.

B3SCI: What influence has growing up in London played on your music?

DFA: I’m lucky to have travelled quite a bit growing up & London undoubtedly has one of the best, if not the best scene in the world. There is so much experimentation happening & so many really unique artists popping up everywhere…It’s meant that I’ve always been able to listen to such a variety of music. I also think that right now people are looking to the UK, and London in particular for inspiration. People are interested in that Burial, 2-steppy sound. That’s a sound that I’ve been fascinated by since a kid (when it was huge back in the 90’s) & it’s definitely helped shape my sound.

Aside from the music itself, London is a great place to be as an artist…there is so much opportunity for collaboration…it can also be overwhelming at times.

B3SCI: How do you see American Disco, R&B and Funk influencing this Bugged Out EP?

DFA: It’s funny – I mentioned above that Garage/2-step has featured a lot in my influences & then I’ve gone and put out quite a synthy/80’s sounding EP. Whilst I’ve always had a few funk/disco records around, it’s not something that I’ve gotten that into. I mean I love disco, but I just haven’t really spent time studying that scene yet. What I have always loved though is the 80’s New Romantics sound – artists like Duran Duran, Art Of Noise, Gary Numan etc. I was playing a lot of that around the time of writing this EP…but I suppose I’ve tried to give my own take on it.

It’s always a difficult balance between adopting elements of influence & adding your own contemporary spin.

B3SCI: The cover and colors of the new Bugged Out EP conjure up west coast / Florida keys. Did geographic location have any influence on the sound of this album?

DFA: Well I was actually in Australia at the time of writing a lot of this EP & whilst Melbourne is nothing like Miami! It is sunny & beautiful. I definitely wanted this EP to have a sense of ‘feel good’ about it. To me those colours capture the essence of how I felt when writing the EP.

B3SCI: The opening track “Adore You” has a particular positive tone to the lyrics. Was this a result of the collaboration between you and Ofei?

DFA: When we started writing Adore You we had it in our minds that the track should be really positive, but also emotional at the same time. We also wanted to keep the lyrics/concept really simple. And so whilst the production & melody is quite sad, the outcome is still positive – which was an interesting way to write. Ofei is exceptionally talented & a really interesting guy to work with. We are actually in the process of writing some more material together right now.

B3SCI: At what point during the funked out production on “Buggin Out” did you know Tyson was the perfect vocalist for the job? With his star on the rise, he has been described “the new disco ham, with plenty of cheese” by the Guardian.

DFA: Tyson is THE MAN for funk vocals. It was a no brainer.

B3SCI: How might you say Kitsune and Ed Banger have influenced your record making / branding process?

DFA: Ha.. it’s weird you ask that I’ve just pulled out a Cassius CD this morning after about 3 years. I’ve always followed Ed Banger really closely. It’s a legacy of amazing electronic talent & so it’s it’s definitely influenced me in some way over the years. I love Mr Oizo!!!

B3SCI: What can we expect from Digital Farm Animals in 2014?

DFA: Wow…how the hell is it nearly 2014!? We’re really really excited for next year. There will be lots more music to follow this EP & I’m already in the studio working with some amazing artists (including a few out in the States). So definitely more music….but we are looking to make our Live Show really fun & interactive too so that’s a real priority for us too. 2014 will be busy!!

B3SCI: What’s in store for your full-length debut?

DFA: We like to experiment with quite a few different styles of music & whilst its unusual for an artist to cross genre’s…I don’t know if we could stick to just one style…so it will definitely show a number of sides to what we do. Of course there will be themes running through the record, but we’re going to make sure its interesting. Lot’s of amazing vocals, weird synths & hopefully great lyrics are my criteria -outside of that I’m not setting any boundaries.

B3SCI: What current song are you dying to remix?

DFA: CHVRCHES – The Mother We Share

Digital Farm Animals england (Facebook)

Rating 8.3

brown93

reviewed by
10-03-13