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Interview with Lincoln Jesser

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It wasn’t long for Cali synth-pop artist Lincoln Jesser to set the music blogosphere a-buzz. After circulating online a series of high-flying tracks, the young songwriter looks toward his latest creation, debut album Modern Color. B3’s Geovani Donaires recently had the chance to catch up with the rising pop star to chat about his production prowess, high school bands, and (…of course) Elton John. Have a look at their conversation below.

B3: It’s an exciting time for you. Your debut album, ‘Modern Color’ drops on the 23rd of this month. Is there a theme to the album? And, were there any noteworthy inspirations while working on it?

LJ: It is an exciting time! This album has been in the works for about a year literally, but from a philosophical standpoint I’d say I’ve been building up to it since I moved out to LA 5 years ago. It’s a reflection of who I am not only as a musician but as a human being, about who we all are, about what we have in common and the things that distract us from happiness. But it’s also about remembering that most of the time, it’s better to say “fuck the over-analysis” and just enjoy life for what it is. Each of us has so much power to paint our individual realities the way we desire, more power than any generation of humans has ever had, so it’s up to us to use Modern Color to our advantage.

B3: You produce and write everything yourself, do you ever find that as a liberating or more confined experience?

LJ: Most of the time I find it liberating because I’m a bit of a control freak, but it can definitely get lonely and frustrating too. When I’m in the thick of working on a song, I find myself unable to really focus on anything else…if I’m stuck for a while on a particular lyric or passage, my life tends to go on standby. And there have definitely been times where my relationships have been affected by that. But the feeling when I finally connect the dots makes the loneliness and frustration worthwhile…and my real friends forgive me 🙂

B3: You’ve been in bands before. You were Yuna’s guitarist before going solo. Was being a solo artist always Plan A? When did the idea of starting your own band cross your mind?

LJ: I started writing my own solo songs at 13, but didn’t really begin performing until I started a band with my friends in high school. While I was involved with it, the band was pretty much my main musical focus. The summer after graduation was when I first really began exploring what I could achieve on my own, via a more electronic musical medium. I never had a very specific vision of what my long-term project would look like beforehand, I think it evolved pretty naturally. Yuna and I share management (Indie-Pop) which is how we met and became friends; she needed a guitarist/programmer and I was of course a huge fan of hers with a huge desire to get out and learn and experience live music on a much larger scale than anything I’d done before. But yeah, throughout all our touring together, I tended to spend my downtime in the green room corners, making my own stuff with a laptop and headphones (sometimes to everyone else’s dismay, haha).

B3: I noticed on Instagram you have a picture of Elton John. What’s interesting and awesome about this picture is the comment you posted stating, “he hit replay so many times that he hurt himself.” Tell us about that?

LJ: It’s so funny, so many people have asked me about that. Unfortunately, I’ve never actually met Sir Elton…I just came across that image and decided to Instagram it as a joke! I guess it looked like a real iPhone snap though. lol

B3: You recently performed at the Sunset Music Festival. How did you prepare yourself before stepping out on stage? Do you have any special or crazy rituals?

LJ: Yeah, I performed at The Roxy, which was a big milestone for me. I’ve seen a ton of inspiring shows there since I moved to the city…to perform there myself was definitely an honor. I like to do some pushups before my sets, to get the blood pumping a little bit. And occasionally a shot of Jameson.

B3: What’s next for Lincoln Jesser? What does 2015 hold?

LJ: I’ve got some visuals on the way for a few songs off Modern Color. Besides that, plenty of new music. I don’t plan on slowing down any time soon.

Lincoln Jesser california (Soundcloud)(Facebook) (Spotify) (iTunes)

Rating 8.4

reviewed by
09-26-14

PHOTOS: Meg Myers @ The Echo in Los Angeles on 9/18/2014

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Photos and Words by Russ Ramos

It’s been a short minute since Meg Myers played a show in Los Angeles, and so this intimate homecoming gig at The Echo was a must see. I can safely say that with every show Meg plays, the bar is raised – something of which more artists need to take note. Meg Myers proved to the soldout Echo that night that she’s here to stay. Myers had the entire venue singing along to “Desire”. For the few lucky fans that were able to grab a ticket, she also played new tracks that have not yet been heard live. Meg will be opening for Royal Blood at The Troubadour at the end of the month. If you’re fortunate to have tickets, you don’t want to be late for Meg.

Meg Myers (Facebook)

Tour Dates

09/20 Iowa City, IA @ Blue Moose Tap House (w/ Royal Blood)
09/21 St. Louis, MO @ 105.7 The Point Big Summer Show
09/22 Chicago, IL @ House Of Blues
09/23 Houston, TX @ The Studio at Warehouse Live (w/ Royal Blood)
09/24 Dallas, TX @ Trees (w/ Royal Blood)
09/26 Tucson, AZ @ The Rock (w/ Royal Blood)
09/28 Los Angeles, CA @ Troubadour (w/ Royal Blood)

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reviewed by
09-23-14

Angel Olsen – All Right Now

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The great Angel Olsen announces the deluxe edition of her Burn Your Fire For No Witness LP (one of 2014’s best albums) for Jagjaguwar with plaintive new track “All Right Now”.

Angel Olsen (Purchase)

Rating 8.1

reviewed by
09-17-14

The Barr Brothers – Love Ain’t Enough

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“Love Ain’t Enough”, new from Canadian band The Barr Brothers, is quite a special track. “Love Ain’t Enough” is the sort of tune that breaks out bands, that’s propels them into new and bigger levels of success. “Love Ain’t Enough” is a major moment for The Barr Brothers, do not miss it. Look for The Barr Brothers Sleeping Operator LP which is out October 4th on Secret City Records.

The Barr Brothers canada (Facebook)

Rating: 8.7

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reviewed by
09-05-14

Nick Hakim – Lift Me Up

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“Lift Me Up” is the latest example of Nick Hakim’s stunning D’Angelo-influenced indie pop. Taken from Hakim’s just announced second EP of 2014 “Where Will We Go Pt. 2” (pt. 1 is one of our favorite debuts of the year), “Lift Me Up” is outfitted excellently within the Brooklyn-based songwriter’s vast and varied palette.

Nick Hakim newyork (Soundcloud)

Rating 8.4

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reviewed by
08-27-14

Preview and Win Passes to San Diego Music Thing on September 11-13

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SoCal music aficionados mark your calendars for the anual ‘San Diego Music Thing’ conference to take place on September 11-13. The Thursday to Saturday of non-stop jams (and events) is held in the heart of gorgeous San Diego, CA at venues like Casbah, Bar Pink, Soda Bar, The Birch North Park Theatre, The Griffin and The Irenic (to name a few). This year the conference will host a variety of critically acclaimed and emerging talent including MOBY, LIARS, Barcelona, Fenech-Soler, Deap Vally, Dengue Fever, Moving Units, The Hood Internet, CULTS, WATERS, Zella Day, Cherry Glazerr, Slow Magic, Hunny, The Bilinda Butchers, Wild Ones, The Griswolds and many more!

B3SCI is giving away one pair passes for this event to one lucky reader! To win just email us here and let us know you’d like to go to the San Diego Music Thing conference, and we’ll enter you into our drawing to win! (one entry per person.) Our winner will be picked at random from the pool of submissions on Wednesday 9/10, so keep an eye on your inbox. You can get additional details, full line-up, schedules, on the show as well as purchase passes at the San Diego Music Thing website. Good luck!

San Diego Music Thing california (Official) (Facebook) (Twitter)

reviewed by
08-21-14

Shannon Saunders – Sheets

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Shannon Saunders star-making single “Sheets” is also her debut for Warner UK. Strong pop sensibilities and lovelorn sentiment frame “Sheets” which maintains its relevancy through its house-leaning compositional idiom. Look out.

Shannon Saunders (Soundcloud)

Rating: 8.8

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reviewed by
08-18-14