London-based quartet The Collectable Few prep a strong release in second single “Model Behaviour”. The track will sound like things you’ve certainly heard before (Maccabees, Friendly Fires, HAPPY MONDAYS) but TCF standout from their Brit guitar rock peers with their great pop songwriting ability. “Model Behaviour” toe-taps, jangles, spits and starts for most of its 2:49 duration but what makes the song of particular note are its great melodies (we’ve had that verse melody in our heads going on four days now.) Listen.
Following a set from Friendly Fires, which I sadly missed, LA’s latest talk of the town Foster The People took to the stage.. or backyard tent. Fresh off the heels off of what’s likely to be LA’s best residency showing yet in 2011, this young multi-instrumentalist and multi-tasking collective proved not an ounce short of all the hype they’ve been showered with at this their first SXSW appearance. With only their Foster the People EP available to fans right now, and their single “Pumped Up Kicks” spreading like a wild fire in the blogosphere, the band proved to also be a live force to be reckoned with. Foster the People’s performance reminded me of early MGMT shows and records; the grooves, the dance party vibes. The band’s songs seemed to translate better in a live setting vs. on record, with Mark Foster’s lead vocals especially on point. How could we not love “Pumped Up Kicks” next level chorus hooks… it’s sound immediately familar (like all good pop songs) but yet unique to the band (like all great pop songs). Set highlight “Houdini”, sounded great and has equal hit potential. The best news is that every track the band played, be it even new or forthcoming material, held up without dull moment. Foster the People’s live show is definitely one to check on. It’s happy, it’s uptempo, it’s energy, it’s happening. Into it.
Foster the People – Houdini
Between the Foster set and the prep from Mount Kimbie, Local Natives set up shop inside the club for a special DJ set. They spun Mark Ronson. We sipped the free Sailor Jerry Rum. The party was flying high.
b3sci favorites Mount Kimbie took the backyard tent next with equipment poised on a… picnic bench! Kimbie were solid as expected. We caught their LA debut back in October which at the time came in tow with some sick visuals to back up the duo’s innovative brand of multi-instrumental experimental electro. As a sign of any great artist, strip that all down and the guys still kill it. Relying on great instincts with samples and overall live musical manipulation, the act’s brief but great set was a fitting auditory illustration of Kimbie’s sound. A sound palpable enough to more casual electro fans but challenging enough to keep interested the most serious fans of the genre.
My Shih Tzu Stella (see photo) is back. In between scarfing a pizza and throwing down on some dog treats she overheard me bumping this “I Crave Paris” mash from last year, you know Aeroplane + Flight Facilities + Friendly Fires, and was like “Song rips. But you need to turn that fucker up. Pedal to the metal, baby!” And I Was like, “Yeahhhhh, Stella! Don’t we both know it. Lets get this sucker moving.” And so it was. The Stella Edit for “I Crave Paris”.
Opening for Friendly Fires at The Roxy on Wednesday following one of LA’s best residency showings in recent memory, Foster The People are one of LA’s best new offerings. How great is that hook on “Pumped Up Kicks”? At least mid-day whistle worthy? Check out their new video for the track below and catch them at this year’s sold out Coachella Music & Arts Festival… OR listen to a signed vinyl of the single that we’ll be giving away to one lucky reader! Hit up our email with “old people try to figure out computers” in the subject header. We’ll pick our winner on Tuesday. Good luck!
Sure we’re not the first to say it, nor will we be the last, but LA needs a music festival that holds up to SXSW, NXNW, In The City, CMJ, etc. We’re not talking street fests, FYF or Muse Expo, we’re talking like a downtown LA Artwalk of music. just check the Artwalk each month… the crowd is there, the scene is there, the food is there, but only on occasion the right bands are there – but never all at once. Last weekend FILTER Magazine put on the first official Culture Collide Festival at various eastside and downtown LA venues. The festival showcased their choice selection of established and emerging artists from around the world over a period of four days concluding with a free outdoor festival on the last. And so blahblahblahscience has put together an overview of our favorite moments for those who may have missed it:
Electro-pop collective KAMP! (Poland) were a pleasant surprise at the Echoplex. ‘Euro’ blends of synths, live instrumentation, and vox (not short on David Bowie homage) paints a pretty good picture. Not your typical ‘yeah were an 80’s new wave flashback here to prove something’ group, but rather it’s like KAMP! share their take on 1980’s dance parties into the future, the near future. A young band that does what they do well, and worth their notice.
3 piece Kordan (NY), has a pretty good sound on tape. That being said low-fi, electro-pop bands should hit up their producer ASAP. The trio lurped their way through a rough set. We here at b3sci are all for sloppy and simple musicianship, as long as it’s got a soul to it, and there’s a tune there. but not this time, sorry guys… write some tunes and do some rails if you must. Other disappointing acts included City Riot (Australia), and The Boxer Rebellion (UK)… who btw we were pretty stoked for (Union has some good tunes on it).
Black Lips (Atlanta) closed the Echoplex opening night with a set that proved difficult for any to live up to the following days. The band came out sporting t-shirts, button downs, and ever classy K-mart, native american’esque ‘half-zip’ fleeces (circa ’95). These dudes played fucking LOUD. Their songs translated live and they were tight, but when they weren’t it didn’t matter… because of the sheer passion they played with. Not many bands can pull off ‘everybody sings in our band’ with such non-contrived class. The band tore through their set of strat-jangled pop jams with early Beatles/Quarrymen craft and a shameless new born CBGB mentality. Black Lips are a group with seemingly substantial influence on many punk inspired Indie acts of the day, and they showed why they’ll remain relevent.
Other highlights and honorable mentions during the 4 days of Culture Collide include:
Casiokids (Norway) with their take on obscure dance-pop that seems to live somewhere between The Rapture and a toned down Friendly Fires, just add nice pianos and jonsi-ros vox.
White Lies (UK) continue to deliver 5-piece layered synth and guitar based rock done right. The band split their set with tracks from To Lose My Life.. and their forthcoming LP due in January (which a listening party on Monday proved material worth another spin or two in our books).
Phantogram (NY) who continue to deliver great ideas with a mid-90’s Cardigans like sensibility, though their fill-in drummer still didn’t seem to be doing them any favors.
Amusement Parks On Fire (UK) are worth keeping an eye on, with a nice aggressive layered-guitar sound, but they are young and have some growing to do in terms of chemistry and performance.
Cass McCombs (California) was a pleasant listen, debuting some of his new material while Darker My Love bassist Rob Barbato backed as part of the band.
Tokyo Police Club (Canada) once again proved they should be the official college pizza-party band of the decade! Their catchy Pop/Rock with just the right attitude, energy, and touch obscurity is hard to deny. Dudes know how to have a good time. Even Jeff Apruzzese from Passion Pit showed up to rock the bass and join the party on “Your English Is Good”. Conclusion, if i worked for Pizza Hut then my commercials would have/sound-like TPC songs.
Sunday headliners and last minute additions, Jenny and Johnny (Los Angeles) closed the outdoors part of free festival day. Like true Indie Rock royalty, Siverlake Darling, Jenny Lewis and the crew arrived 40 minutes late. They opened with “Committed” closing track and personal favorite from the Im Having Fun Now LP, and closed with “The Next Messiah” off Jenny’s Acid Tongue LP. Still things were testy… there were sound issues, and during one of the band’s 2-3 minutes of nothingness in between songs a fight in the crowd began causing Jenny to intervene. All in all, Jx2 were great live and if all of Im Having Fun Now was as good as “Scissor Runner”, “Big Wave” and “Committed” then we’d have ourselves one of our choice albums of the year.
our final highlight from Culture Collide is Fran Healy (Scotland), front man of late 90’s and early oughts darlings Travis. Rather influential to my musical coming of age, it was incredible to not only shake Fran’s hand that night but to also watch him perform his Shakespeare-like pop/love songs in such an intimate setting. Perhaps the most witty songwriter I have ever seen perform live, Fran owned the over-capacity church of standing room only, and line outside the door. Telling jokes, timeless stories about, and tricking the crowd into believing that major collaborators from his new debut solo effort Wreckorder were there to perform with him (namely Neko Case and Paul McCartney). Having seen Fran perform with Travis several times before, his voice wasn’t in top form, which could have had something to do with the 90 degree non-air/conditioned/stuffy church, or the sound problems, but regardless Fran made his way through a set that included Travis tracks like “Writing To Wreach You”, “Sing”, and “Driftwood” in addition to new solo material like “Buttercups” and standout Wreckorder favorite “Sing Me To Sleep“. His set ended with a standing ovation, and one well deserved for one of the best songwriters of the last 15 years.
In conclusion, FILTER’s first Culture Collide fest proved a succesfull showcasing of emerging global talent. Should be interesting to see how the fest evolves, and is recieved by LA next time around. If you missed it this year be sure to hit it up next.
b3science reviews our choice top 10 remixes of 2009! so check’em while they’re still hot! and stay tuned tomorrow… as we count down the year’s best 20 albums and thursday as we reveal our favorite40 tracks of the year. check the original posts for a synopsis on the track as well as artist and purchase info.