We love the fresh and emotive wisdom-pop wonder track “Enough to Love” from an immensely talented pop artist and new-discovery Miles Clark Wallace a young British lad who possesses a similarly excellent and accomplished beyond-his-years depth-of-humor lyricism, inviting folky-sensitive vibe and subdued indie instrumental sense of style as the one and only godfather of anti-folk, Beck. Great track! Reviewed by Erin Shay.
Miles Clark-Wallace 
(Soundcloud)
Get caught up in the vibrant hypnotic rhythm between beat, percussion and synth on cinematic-vibe expansive instrumental melodic-techno track “Cupid” from German label-owner DJ/producer and visual artist Aybee Deepblak who is also known as Prof. Delacroix and better known as his DJ/producer name Deepblak. Aybee (who is veteran artist entrenched in the music scene for about a decade now) fashioned label Deepblak Recordings to “create a home for all things Avant-Garde, Kosmic and Soul”. Aybee has only released one other track “Build Her” under the name Prof. Delacroix (it’s also very good) and few under Deepblak as of late so we feel honored to cross the soulful techno-stunner “Cupid’s” path. Be sure to check out his Deepblack label webpage and Soundcloud for some very well-selected genre-fusion tracks and featured artists as well as Aybee’s own excellent Berlin-techno-bent music. Reviewed by Erin Shay.
Prof. Delacroix 
(Soundcloud)
New York duo Lewis Del Mar go beyond cool with their artfully-bombastic softly-brazen instrumentally-stunning new debut track “Loud(y)” (also dubbed “Sit the Fuck Down”) which obviously stews in an attitude problem. We totally love this track; from its hazy boldly-wrought guitar riffs, juicy synth-laden drive and emotion-heavy electronic-beats to its hot-and-bothered incessantly-changing vocals and cerebral obscurely-fuzzy spoken word portions. “Loud(y)’s sounds-capes embody an avant-garde edge-pushing style that reminds us a bit of Alt-J. Wow, we are listening Lewis Del Mar. Reviewed by Erin Shay.
Lewis Del Mar 
(Soundcloud)
Get into the the forward-thinking, cool R&B-infused, and cheerful-uprising vibe on new Two Inch Punch-assisted track “Gemini” from Anne-Marie, a multi-faceted London artist (including martial) and outstanding Rudimental-protege vocal-talent who is set to release her career-debut “Karate” EP on July 10th (via Major Toms). Anne-Marie who worked on “Gemini” with Two Inch Punch, a.k.a gifted musician/producer and talent-magnet Ben Ash launches her new solo EP in style. Well done, this is a beautiful collaboration. The dualistic “Gemini” excels for its well-written outwardly-stormy verse and creative true-to-life female-emotional love/hate-perplexed vocal delivery that contrasts nicely with Anne-Marie’s positive firey-opposite come-hither interludes, enticing sensual rhyme flow and catchy all-encompasing blissfull-resignation melodic hook. If you are into her sound (like we are) also check out Ann-Marie’s recently released career-debut electro-pop single ‘Karate’. Reviewed by Erin Shay.
Anne-Marie (Soundcloud)
Talented Japanese-bred LA-based multi-instrumentalist musician/producer and Soulection artist starRo, who excelled on his Jan-released euphoric seduction of the senses remix of “At Your Best (You are Love)”, impresses again on his new smoothy melodic gorgeous-beat-driven original “I Will”; which began as an instrumental/beat track until the song met its perfect match with the mellow-poet vocals of rising star London rapper Jay Prince, who we last covered on B3 for his sultry beat-poppin R&B/hip-hop fusion anthem track “Polarioids”. Reviewed by Erin Shay.
starRo 
(Facebook) (Soundcloud)
Tune into the straightforward-vibe female-wile lyrics, stunningly sensual golden-touch Syd Tha Kid vocals and captivating experimental-flow R&B-blessed sweet-rapture ending of “Girl” the fastidiously-crafted Kaytranada-produced second single off Ego Death which is the third album from LA-based collaborative The Internet. Ego Death releases on June 30th via Colombia Records and it apparently features some big name vocal talents such as songstress Janelle Monáe, rapper Vic Mensa and singer-songwriter James Fauntleroy. Stay tuned. Reviewed by Erin Shay.
The Internet 
(Twitter)
SoCal-based producer/beatcrafter/DJ and Soulection artist ABJO who we recently covered for his synth-driven atmospheric track “To The Edge” turns in an absolute-scorcher beat-centered R&B-melodic Nami Ramo flip called “Honey”. Reviewed by Erin Shay.
Abjo (Official)
Toronto-based beatmaker-producer and Bevstmode artist-collective member E.DOZA elevates Ms. Jackson’s bold and beautiful track to new subtly sexy heights on his fresh and dazzling (if you’re nasty) new remix of “Would You Mind” which revels in the distinctly sensual artistic bent and lyrics of Janet’s and adds a perfectly layered percussive sound and robust synth accents that we totally dig. We just covered E.DOZA’s luminous and timeless blend of soul-touched R&B and hip-hop on his bright and lively “house-hop” bootleg mix of Internet track “Special Affair”. Reviewed by Erin Shay.
E.DOZA 
(Soundcloud)
We love the slightly-intense mismatched interludes of beats and guitar as well as the beautifully spun wandering-debate I-am-human emotional lyricism and heart-felt falsetto vocals of Melbourne multi-instrumentalist musician-singer and producer Fractures on his fresh new track “Reactor” which is the first song the solo artist has released since his atmospheric self-titled EP that includes B3 highlighted winner track “Cadence”. We look forward to hearring more tracks off Fractures’ debut early-2016-release full album. Reviewed by Erin Shay.
Fractures 
(Soundcloud)
We’re into the infinite charms and heady-atmosphere of “Down” a beauty from French producer Andrea who creates a gorgeous soulful vibe on the track with his outstanding harmonious male-female vocal duet; which features sultry-vocaled Australian songstress Vanessa Elisha who we recently discussed on B3 for her sensational talents on B.Lewis collaboration “Down For This”. Great track. “Down” is presumably the first to release off Andrea’s “Black Magic” EP which is out on July 10th via Jakarta Records. Reviewed by Erin Shay.
Andrea 
(Facebook)
