Foals’ Holy Fire album came out last week and this third album of theirs rocks. Since dropping the well-received single “Inhaler” their lead up to the release of the entire album has seemed nothing but strong. Holy Fire delivers the goods. The guitar-oriented dance dudes in Foals explore oft different directions in their compositions, and they do so nicely with “Providence”. After a strange, dark lead-in vocal, the song kicks into one of the finest grooves I’ve heard in recent memory as momentum increases into a climax that is perfectly over the top. It will be fun to hear what Foals do with this song in concert. Be sure to catch them at Coachella this year. By Bruce Rave
Deep House and UK Funky typically have vocals. Yet, many listeners now favor club tracks with no words. The oft-overlooked style is the theme of this mixtape. And, it may just make your shy Valentine do the nasty. By Teddy Pendergrass
Dennis Ferrer – Hey Hey (Club Mix) Ramtin K – Freedom (Mory Yacel Remix) Cloud 9 – Do You Want Me Baby (Dusky Remix)Maya Jane Coles – The High LifeMario Basanov Feat. Miss Bee – Just Think AboutTripzone and Ramtin K – Empty SpaceThyladomid & Adriatique – The L Way feat. B.P JohnsonFish Go Deep, Tracy K – The Cure and The Cause (Dennis Ferrer Remix)Black Coffee feat. Bucie – Turn Me OnPete Tong – Dawn ft. S.Y.F. (Blondish Remix)Skanky – Breach
Tribes’ second album Wish To Scream won’t drop until May, but the single “How the Other Half Live” has hit the airwaves in the UK since being minted Zane Lowe’s Hottest Record In The World on Radio 1. Tribes is one of the best bands at combining older rock influences with a thoroughly modern feel. The new single not only continues in that tradition, and showcases growth on the pop side. Wish To Scream was recorded at the legendary Sound City in LA and the band stayed at a pad in Malibu with an ocean view. Talk about the best of both worlds, as Sound City of course is the subject of the new Dave Grohl film documentary. The Sound City room is famous for the drum sounds it produces, and you will appreciate that when you hear drummer Miguel Demelo’s driving beats on this track. By Bruce Rave
London quintet Eliza and the Bear have conjured up a delectable new AA single for the indie folk/pop/rock enthralled. The insatiably melodic Upon the North / The Southern Wild sees release later this month on February 25 via Generator. We recently caught up with vocalist James Kellegher to talk about songwriting, a debut album, Justin Bieber and more. Check it out below.
B3SCI: How did Eliza and the Bear come to be?
EATB: We’d all played in bands that had crossed paths once or twice. Paul, Martin and Chris were all quite local to me (James), Callie and I were in bands together. These bands ended for one reason or another and most of us decided to have a good break from all of it. There was a point in time, boredom set in and we decided to go back and write music that we wanted to hear and to keep enjoying it. We recorded our first demo “Trees” in Paul’s bedroom studio, with absolutely no plans to tour or do much with it. Eventually it became apparent that people enjoyed it, so we thought we’d better write some more songs!
B3SCI: The band explore a variety of eclectic rhythms and cultural folk and rock styles. How would you describe the musical cauldron of Eliza and the Bear?
EATB: It’s certainly a busy cauldron! We all have musical tastes that differ from eachother, but there is a overlapping section that we all agree upon. We are constantly listening to new music and branching out into different genres. We aren’t really afraid to stray from the path a little bit, which I think can limit some bands, if you think too much about what you “can’t” do, you may lose your spark. Most importantly, don’t force it, if we find ourselves trying to force a song to work we usually put it to bed for a few months and then go back to its core.
B3SCI: Speaking of various influences, how about sharing a few guilty pleasures? Any surprises with your main influences?
EATB: This band are FULL of guilty pleasures. We are all hoping to go and see Justin Bieber on his UK tour and maybe One Direction! I don’t think our main musical influences are that surprising, but they don’t particularly sound like us. Bands like: Sigur Ros, Radiohead, Coldplay, The Maccabees.
B3SCI: Much of your music feels colorful, showcasing strong range, restraint and dynamic all without saying too much. Is this a conscious effort and in any case how do you want people to feel when they hear an Eliza and the Bear song?
EATB: I don’t think its too much of a conscious effort. I think if there is a vocal line or piano line that we particularly think will stand out on its own, we will use it. I have an inability to sing about anything overly happy, so I think it’s a nice mix with the upbeat music. I think the music has quite a grand sound, it’s quite euphoric in places but we like to expose the delicate nuances of the song as well. It makes me feel nostalgic, so I hope that comes across to listeners.
B3SCI: Your upcoming double A-side / 7″ for “Upon the North” and “The Southern Wild” beckons the obvious juxtaposition curiosity. How do Eliza and the Bear see the roles of ‘North’ and ‘South’?
EATB: I think in these songs “North” and “South” play a similar role in the way that they are a direction to choose. Almost an escape/new start.
B3SCI: The single drops on the 25th of February. How will Eliza and the Bear be spending their days leading up to its release (besides sleepless nights of course)?
EATB: On the 25th we start a short tour, so I’m sure we will be keeping our minds active in the rehearsal studio. Making sure everything is ready to go!
B3SCI: What role does the live show play in the overall Eliza and the Bear experience?
EATB: I think the live environment is very important for bands. A lot of people will hear your band live before anything else, so you have to be tight. For our shows, we make sure we just enjoy ourselves and I think that can be contagious to an audience.
B3SCI: When will fans in the United States get their chance to see Eliza and the Bear? Is SXSW on the horizon?
EATB: We are all hoping to get out this year or in 2014. I think SXSW 2014 is a goal we are aiming for.
B3SCI: When can fans expect a full length release?
EATB: We are currently writing and demoing for a full length, so we are looking forward to getting into a studio at some point this year to start work on it!
B3SCI: When you guys aren’t making music, how do you bide your time?
EATB: We all still have dayjobs right now, some of us work in schools/colleges and others are labourers. If we aren’t at work, we are either sleeping or practicing!
B3SCI: In fine tradition as now B3SCI interview alumni, we’re hooking you guys up with a free ride on our B3SCI Time Machine… Where/when are you guys heading?
EATB: I think we all want to go back to the 1920’s and be gangsters running an alcohol factory. (Yes we watch Boardwalk Empire!)
Lawrence, Kansas based beat-wizard, Morri$, let fly an interesting track via FADER the other day, and it’s just too good to not share. “Ladyboy” is smooth with sporadic drums, consistent horn lines and a bouncy synth chord progression. The bass hits hard and the vocal samples are placed ever so delicately throughout the song. Having caught his opening act for Gaslamp Killer at the Central SAPC in early December of last year, Morri$ is proving to be something of a force both live and in the studio. By Brian Litwin
“Pinecone” is new from Bay Area soulstress Kacey Johansing. Melodically styled more in the lane of torch song jazz or even classic Southern soul, Ms. Johansing on “Pinecone” takes her time with the tune; let each note breathe up and out into the mix. Arranged with some beautifully atmsopheric harmonies and an instrumental that we’ll make you feel as if you’re floating somewhere just off the Golden Gate, “Pinecone” winds and ebbs, sways and flows like any great story (or Sunday afternoon in The Bay). (KKS)
French Express artist Moon Boots has most recently dropped the track “No One”. At first listen, it sounds like another stellar dance number from the ethos of the space minded DJ. He uses consistent themes from his previous works on this track, but pays particular and special attention to the vocal. Moon Boots has a small run of European dates later this month, and we’re hoping to see more U.S. dates later and in the coming summer months. By Brian Litwin
The first time I heard “Station Approach” from Elbow, I fell in love with the track and the band. The same holds true for Everything Everything’s “Duet”. It’s an absolute beauty of a track and the vocal harmonies seem to parallel Elbow at times. Everything Everything’s newest album Arc just hit the UK charts at #5, and the Cough Cough EP sees release here in the US next Tuesday. It’s way too early to start thinking about year-end lists for 2013, but “Duet” is a strong bet to land amongst my top contenders. I haven’t yet gotten my arms and ears around everything by this band, but rest assured they’ll be getting lots more of my attention. By Bruce Rave
“In the Fresh” is the debut single from newcomer artist Stroik. The playful yet snide, ebullient yet cutting “In the Fresh” is a song full of contradiction and juxtaposition. “”You’re beautiful minding yourself / But they’re watching you like hunter’s prey / We’re laughing at the funeral / And on the way back we’re cradling camo” pretty cold, right? The tension and constant push/pull that exists between the track lyrically and the sunny indie pop of its instrumental and the adept execution of that tension makes for a definite standout listen.
Saturday night February 9th, B3SCI teams up with Mouser and Origami Vinyl for an evening of music with Incan Abraham. The event is billed A Homecoming Rumpus, to celebrate the final show of Incan Abraham’s current Western Tour. Joining them on the night will be Cuckoo Chaos, Mahgeetah and a special DJ set by Honeybear. Get in the mood below with this fantastic new video for “Panama Dry” by Incan Abraham, the track is off the band’s Springhouse release. We’ll see you soon!
*The Satellite is a 21+ venue, doors open at 8:30, the show starts at 9pm and tickets are $8 presale, $10 at the door. More information can be found here and tickets are available here.
L.A. newcomers Anna Nelson and producer multi-instrumentalist Andy Toy, and their excellent indie pop track (one of our favorites of the year thusfar) “Terrible Disguise” gets a video treatment. B3sci’s got the premiere. Check it out below.