What a way to kick off Lure’s Private Label concert series. The combination of Lure being one of the hottest nightclubs in LA and having some of the hottest DJs perform is pure gold. During a Bondax and Breakbot concert that I reviewed back in late March, I noticed how the DJ stage was on the side of the venue rather than the center, making the feng shui a bit odd. On Friday night May 3rd, Lure had a nice setup with lighting rigs, an open roof and the DJs directing the crowd from a riser in the back, facing all of the audience.
First up was a man who has been everywhere in LA, and basically has a stronghold on what is popular in up and coming music, KCRW’s Jason Bentley. Being a Music Director with impeccable taste is one thing, and having a nice feature in LA Weekly is another, but the man has always been a tremendous DJ. Serving as a great opener on the night, the crowd was responsive to his bumping set.
People started to really pile in as the hands were switched to Aussie born Plastic Plates. Felix Bloxsom has amassed a nice following over the past couple of years and has been featured on a couple of Kitsune’s compilations. Being on this bill seemed to only make the most of sense. Felix’s set was a perfect prelude to Bag Raiders, using similar elements of a house heavy set. A highlight from the set had to be PP’s awesome remix on the super catchy “Cast Away” by Strange Talk.
Plastic Plates left the stage to a rowdy audience, only to usher in another Aussie act. Bag Raiders arrived to a loud applause. The house duo from Sydney, consisting of Chris Stracey and Jack Glass, got things started quickly, and everyone in the buidling was ready. The duo started playing off of their 2010 self-titled release. Momentum shifted when Chris Malinchak’s infectious single “So Good To Me” took over the speakers. Almost like a taste of what’s to come next Friday at Lure, Bag Raiders let the track just play and took it easy to enjoy the beauty of it. The rest of the set was a mix between originals, remixes and some new stuff that was very well received. The climax of the whole set was easily their big single, “Shooting Stars”. The club seemed to be sucked into a trance with the gradual rise of the verse and the monster drop into the chorus. A perfect way to end a Friday night.
We divided and we conquered. Team B3SCI took to the streets of Austin, TX this past March for the annual SXSW Music Conference. Among the seemingly infinite amount of shows we caught by bands from all over the planet, B3 was there with non-stop coverage including exclusive interviews, take-away performance sessions, and even our B3SCI Presents first ever SX-party! So check out from SXSW 2013 some of what you missed, you remember, and what you straight up forgot about with this firsthand look back:
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Sunday, March 10th
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Seryn @ Holy Mountain
I must confess that I had never heard of Seryn before SXSW. On Sunday night, after a long day of trekking about, I ended up walking into Holy Mountain. As I walked in, and took a gander at the surroundings, the bar was about half full and easily navigable. As I made my way in, the band began to play; I could feel the pulse of the kick drum as the sound waves of the low end penetrated the walls, the layered vocals came through with a bright passion, the accordion mixed with the guitar and bass and complemented the percussion, creating a powerful sound that instantly grabbed me. The growing attentive audience seemed to be in on something that I’ve been missing out on. Seryn has an appreciation for skilled musicianship, that can not be replaced by a programmed loop, and their thoughtfully crafted songs are more orchestral than folk-like. It’s not hard to become a fan of Seryn. By Desiree Autobee
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Monday, March 11th
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Poolside @ Mohawk
I’d say the best time to go to SXSW, and not feel pressure, is the day before the music portion is officially set to start. The place to be that Monday evening was Mohawk – it was a breeze to get in and it was slated with a really great lineup. The perfect band to compliment the calm before the SXSW storm was Poolside. With chill beats and solid bass lines, their songs are ripe for a groove or two. It seemed like the entire crowd sunk their bodies into each song, willingly giving up their control for the opportunity to be transported into the rhythmic world that Poolside has so expertly created. By Desiree Autobee
Vacationer @ Mohawk
If ever there was a way to escape a bad day or a general need to have a relaxing good time, I’d recommend seeing a Vacationer show. Their midnight slot at Mohawk on Monday night was packed and it set a great tone for the remainder of SXSW. Vacationer sounded just as good live as they do on the album. Kenny Vasoli does a great job as a frontman, translating Vacationer’s subtly subdued electro-pop sound into a performance that is every bit as energetic as the music is laid-back. Vasoli was genuinely appreciative of the crowd that night, mentioning the band had played SXSW the year before without much notoriety; extensive touring since then with bands along the likes of Tennis, Body Language, and Niki & The Dove, as well as music placements and coverage by the music community has catapulted Vacationer’s fan base – deservedly so. By Desiree Autobee
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Tuesday, March 12th
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Dan Croll @ Cheer Up Chalie’s
Dan Croll hit it out of the park Tuesday afternoon at Cheer Up Charlie’s. His electronic-fused singer/songwriter pop was truly infectious and took hold of the audience. He and his band played tight, sounding great in addition to being charming with banter in between songs. Croll has become a true professional in the short time that he’s made an impact on the music scene. By Desiree Autobee
Zak Waters @ Cheer Up Charlie’s
Zak Waters is a force to be reckoned with. From the moment go, he and his band made you almost forget it was the middle of the afternoon on a Tuesday. Waters’ high energy matched the high danceability to his soulful music and the crowd couldn’t move from stage-one (previous performance) to stage-two (where he was) fast enough; Cheer Up Charlie’s turned into a midday dance party. I saw many bands play at SXSW, Zak Waters was a standout. By Desiree Autobee
Guards @ Empire Control Room
New York’s Guards have been creating a stir. They delivered a stellar set at the Empire Control Room on Tuesday despite crappy sound in a room that seems mostly perfect for hardcore punk or metal bands. In a live setting Guards have a straight forward, energetic, hard pop approach that supports consistently good songs. Their debut album is yet to drop, but last song of their set, “Ready to Go” is a single that is putting people on notice that this is a band to watch. By Bruce Rave
Young Girls @ BD Riley’s
Roaming about on 6th St., I followed my ears into BD Riley’s Irish Pub. The scene was a bit strange at first, as I walked in and felt as though I had interrupted a PTA dinner convention, but the music was in wonderful stark contrast to the visual before me, and sounded like it should have been coming from a sun-kissed Levi’s commercial (or similar,etc). It became easy to forget about the people around me and the chaos outside, and to focus on the warm, retro-garage pop being played. Young Girls aren’t young girls, rather they are a quartet of young men, and their music makes you want to take a sick day and head out to the beach. Song after song, they played their hearts out and created a hazy west-coast vibe in the middle of SXSW. This Texas band is one to watch. By Desiree Autobee
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Wednesday, March 13th
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Blondfire @ B3SCI PRESENTS @ MAGGIE MAE’S
Amidst non-stop touring in support of their numerous successful and recent releases, around noon, Blondfire kicked off the B3SCI Presents dayparty at Maggie Mae’s with a line out the door. Erica Driscoll took charge of her four-piece band, initiating the first daytime of SXSW music with a high energy output of hits and fan favorites like “Where The Kids Are,” “Waves” and “Trojans.”
NO CEREMONY /// NOC @ B3SCI PRESENTS @ MAGGIE MAE’S
For their first ever show in the United States NO CEREMONY /// delivered a stirring representation of ambient pop music without hesitation. The Manchester collective performed as a trio, and their electronic set up was accompanied with live vocals, guitars, bass and a variety of percussion. Stunning graphics displayed via mounted projector on stage with the band, accenting yet another layer of depth behind the elusive band. I went on to see /// NOC three more times during SXSW and thus are one of our favorite take-aways from the festival.
Ghost Beach @ B3SCI PRESENTS @ MAGGIE MAE’S
Having seen Ghost Beach perform before, I knew to expect a high energy, electro-pop blow out from the band at Maggie Mae’s for B3SCI’s showcase. The New York duo absolutely rocked the house and have since become a favorite of mine. Playing different songs from their self-titled EP and 2012 release Modern Tongues, Ghost Beach proved to be on the lips of a lot of people at SXSW. It also helps that they would go on to play 8 showcases during the conference. Worth noting, the band had recently taken an ad space in Times Square promoting a social experiment of theirs that asks artists if they are for or against piracy. It’s pretty cool, check it out here. By Brian Litwin
Phil Beaudreau took to the rooftop at Maggie Mae’s with Grammy Award winning producer Dawaun Parker for a first time ever live performance on Wednesday at SXSW. You wouldn’t have known it though. The LA based duo root back to Berklee U in Boston and they had a certain chemistry on stage. Performing early tracks surfaced from Beaudreau’s anticipated debut, Ether, like “This Is Why,” “Anyway,” and “Take It High,” in addition to unreleased material, the two worked the stage. The group’s collaboration of progressive urban beats and new school soul is a winning sound for pop in our books. You can check some footage of their performance here.
Gold Fields @ B3SCI PRESENTS @ MGGIE MAE’S
Gold Fields didn’t merely play the B3SCI Presents SXSW party, they stormed it. The energy of their live show surprises those who only know their Black Sunday album, which the band toned down to display their electronic nuances. Their set-closer “Moves” was the most dynamic single song I heard played all week in Austin, and many people were talking about this band’s live shows. By Bruce Rave
SKATERS @ B3SCI PRESENTS @ MAGGIE MAE’S
SKATERS seemed to have a lot to say in Austin this year. The band is hot off the heels of their “I Wanna Dance” single with some major press surrounding it. Live, the band is loud, tight and singer Michael Ian Cummings was as charismatic as dare we say.. Julian Casablancas. But more than anything, the self described plasma-punks delivered the goods. Not like your too-frequent NYC guitar band, SKATERS have a direct quality. A sound that’s to the point, one that will last well beyond most basements in Williamsburg. A recently announced national tour with Portugal. The Man might serve as some indication of this bands potential and future trajectory.
The 1975 @ B3SCI PRESENTS @ MAGGIE MAE’S
One of the most exciting acts of SXSW 2013 was Manchester’s The 1975. Being big fans of this band from their early days, it was surreal to see them headline the first ever B3SCI Presents SX-event. It became clear that The 1975 raise the bar when it comes to performing. With live shows a big part of their message, the band spared no expense showcasing their major festival ready material, intricate arrangements, explosive performance and impressive musicianship. Besides the musical inclination, there is a timelessly dramatic quality to their sound, offering elements that a diverse climate of fans can relate to. With their pleathera of jukebox ready tunes, and a capitivating live performance to boot, The 1975 were a standout of SXSW for many that we talked to. Keep an eye out for a debut album from the lads dropping later this 2013.
Trails & Ways @ B3SCI PRESENTS @ MAGGIE MAE’S
Passion & belief, the two things that, for us, define a lot of Trails & Ways live show… and really much anything about the Bay Area band’s trajectory up to now. The band’s connection to their (excellent) material and to their performance is really remarkable. A singular and unique mix of indie pop, Brazilian music and R&B; songs like single “Nunca” and the sunny yet literate “Border Crosser” come off in comparable quality to the records, but with that added art-as-experience (and aforementioned) belief and passion. Trails & Ways are a band that has to make (this) music and has to make records like this. To experience it is really very powerful.
Flume @ Red 7
21 year old producer Harley Streten, has garnished a lot of attention in recent months. From releasing tracks that have exploded all over the internet and in turn making his self titled album Flume a platinum record in his home country of Australia, the hype behind him has been large. The line to see Flume at Red 7 was huge, and a lot fans waiting knew they weren’t going to get into one of the evening’s hotter showcases at the venue as well (CHVRCHES was playing just 30 minutes after in the larger patio area). Harley came out a bit slow, but things picked up quickly. He dropped familiar tracks to those who follow him like “Insane,” “On Top,” “Left Alone” and a crowd favorite “Holdin’ On”. By Brian Litwin
Autre Ne Veut @ Empire Auto Club
Arthur Ashin aka Autre Ne Veut has made waves with his new release Anxiety on Software Records. With a lot of hype comes a lot of expectations and at the Empire Auto Club Autre Ne Veut met all of them. Ripping through the album’s two singles “Counting” and “Play By Play,” he had the entire audience in awe. Though the experimental pop singer’s music is not very intense, the live performance is. Autre Ne Veut was all over the stage literally throwing himself into falsettos and dropping down to the ground with the heaviness of the lyrics. I can easily say that this was the best performance I saw at SXSW. By Brian Litwin
CHVRCHES @ Red 7
Of the last to be announced by SXSW, CHVRCHES (pronounced churches) might have won ‘the most buzz’ award at this years SXSW. The Glasgow three piece is an electropop group, consisting of Lauren Mayberry, Iain Cook and Martin Doherty. The trio fulfilled much of the hype surrounding them at Red 7 that Thursday night. Having gained numerous fans online and the attention of indie all-stars Glassnote Records, CHRVCHES came out calm and collected. Bouncing between the select amount of songs they have, they had the Red 7 crowd grooving, playing hits like “Recover” and “The Mother We Share.” By Brian Litwin
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Thursday, March 14th
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SIR SLY @ HYPE HOTEL
Given the explosive success for bands like Foster the People following SXSW 2011, Sir Sly were high on my list of bands to see in Austin this year. Like the aforementioned, the trio are from Los Angeles and only had 3 songs out before the conference. The differences are though plenty still, and definitely in tone and image. Sir Sly have a darker sensibility to their pop music. Near equally as melodic, their live show is also more refined. Sir Sly delivered a solid set of new material proving that they too are ones to be watched out for in 2013.
HAERTS @ RED EYED FLY
There was little known about Haerts leading into SXSW 2013. With no pictures of the band available on line, and only one song, “Wings” (of which is great) available, the packed back patio at the Red Eyed Fly anxiously awaited the band’s set. And the multi-cultural collective based out of NYC Hearts delivered on expectations, doing so with a dynamic performance of new material. With enough contemporary elements to maintain a progressive sound in today’s musical ecosphere, my favorite elements of the band harkened at their classic rock roots, summoning CSNY, Fleetwood Mac, and Neil Yong to name a few.
MØ @ RED EYED FLY
MØ (pronounced meh I’m pretty sure…) was a favorite surprise of the week. Also, with only a few tracks released to her name, the Danish female indie popstar in the making took to stage with an attitude that beemed nothing short of confidence. Her music is almost as unique as her name and presence: high energy, tons of odd contortions, and really really good. Excited to see what the future holds for this young artist that definitely knows how to operate outside of the box.
Phosphorescent @ Willie Nelson’s Ranch
I had the incredible opportunity to get away from the chaos of SXSW and join some of the locals at Willie Nelson’s Luck, Texas ranch for the Heartbreaker Banquet showcase. Topping the bill for this small capacity outdoor venue were Jim James and Michael Kiwanuka. Though buzzing artist Phosphorescent is who caught my eye. The booze was free that day, the weather was incredible and the fans came by the mini-van full, making a perfect setting for the Matthew Houck lead group. It was more than appropriate for Phosphorescent to play at Willie Nelson’s Ranch considering his 2009 release was titled To Willie, and his most recent album Muchacho, is getting rave reviews. The single off Muchacho, “Song For Zula,” might just be one to see some radio play in 2013. By Brian Litwin
Toy @ Cedar Street Courtyard
This was the first-ever US gig for this Brit band. They had just arrived in Austin the late night before. Their single is “Motoring” and that is a perfect description of Toy’s live show, which literally motors along. They play tight and are capable of longer jams, for example their performance of tracks like “Kopter”. Toy anticipate an extensive US tour upon approval of longer-term visas. By Bruce Rave
The Neighbourhood @ ASOS Lounge
Having exploded as one of the most talked about bands of the past year The Neighbourhood came well equipped to their first ever SXSW. Cohesive is actually a good way of putting it. The Neighbourhood is a band without identity crisis. Their look is as dapper punk as their music is similarly pop. Indie rock with the lush overtones of the pacific coast crashed through The Neighbourhood’s set of most spectacular, alternative radio friendly songs. Much more to come from The Neighbourhood.
Peace @ The Mohawk
The Birmingham, UK band Peace are still very new to the rock and roll limelight. They have a compelling, slightly dark, slightly off kilter style and look that totally works. Peace had some tight songs such as “Wraith” and “Bloodshake,” but also stretched out on a dark jam every now and then. Peace are psychedlic Brit rockers for the radar. By Bruce Rave
Palma Violets @ The Mohawk
These UK newbies showed that their pre-album NME hype was well deserved. Palma Violets had NME’s #1 track of 2012 with “Best Of Friends”. This band has an onstage confidence that would lead us to believe they’d been topping the charts for 5 years. They completely nailed “Best Of Friends” live, while the entire set hammered us with consistency, power, and intensity. By Bruce Rave
Disclosure @ 1100 Warehouse
The Disclosure duo, consisting of brothers Guy and Howard Lawrence, was a must see at this year’s SXSW. Everyone was at this show, industry players, fans, bloggers and even fellow DJ duo Bondax. The set was pure fire, blasting their singles “Latch” and “White Noise” and at the same time infusing live elements like drums, vocals and bass. People didn’t care that it was well past midnight for the beginning of their set, and that the venue was far removed from the more congested 6th street. They all came to see one the top draws of the whole festival, and Disclosure didn’t disappoint. By Brian Litwin
JAKE BUGG @ HYPE HOTEL
Jake Bugg took to arms with just his acoustic guitar at the Hype Hotel for a brief set late Thursday night. Possibly because things were delayed, and it was something like 2am, but the young lad from Knottingham brought his mod folk song sensibility to the eager crowd. The writing wisdom of the 18 years old Bugg is pretty incredible, combining influences from Dylan to Ashcroft. Only a microphone and a guitar is all Jake Bugg will ever need.
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Friday, March 15th
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Alpine @ Red 7
The debut LP from Alpine was released in their native Australia last year. It’s not often that a band can make a quality album from beginning to finish, but Alpine has done just that. The band apply that same level of craftsmanship to their live performance as well. During one of their SXSW shows at Red 7 on Friday, I noticed a few fans up front (myself included), the band played to a mostly fresh crowd, as the troves poured in during their set. Each song Alpine played built upon the previous, gaining momentum and energy as the set went on, turning a room full of unsuspecting ears into a room full of grooving SX-goers. Alpine have a unique formula for blending rock, pop, vocal and synth elements, seemingly creating new song forms altogether. Frontwomen Phoebe Baker and Lou James artfully combined demureness with high energy, for a dynamic performance that the band and the audience came alive from. By Desiree Autobee
Merchandise @ Red 7
Punks turned Artful Punks, Merchandise most definitely brought the Punk to SXSW. They rather fortuitously (or not, depending on your perspective) also brought pieces and parts of the more updated elements of their sound to their brief late afternoon set at Red 7. Aside from the weirdness (read hilariousness) of the band members accents sounding EXACTLY like some of my family from Tampa, FL., Merchandise’s performance was loud, noisy, fast and really really good.
Different Sleep @ Hudon’s on Fifth
If you read B3SCI, then you know that Different Sleep’s name pops up on the frequent. There is good reason for that. For being a sophomore in college, Rafa Alvarez amazes us constantly with his downtempo, chillers. I got a chance to chat with him and catch his set at Hudson’s on 5th. His set was dope and expect to hear my exclusive interview with him on the streets of Austin via B3SCI sometime soon. By Brian Litwin
San Cisco @ Maggie Mae’s
Keeping it in the British Commonwealth, Australia’s San Cisco has improved exponentially every time I’ve seen them perform. This very young band scoarched an onlooking crowd with tightness and energy at Maggie Mae’s on Friday. Highlights included “Awkward” and “Rocket Ships” from their Awkward EP. With talented 19 year old singer Jordi Davieson at the helm, San Cisco are proving themselves highly popular with the young girls, and they also did very well playing just before The Vaccines at a show that I had caught in LA not too long ago. By Bruce Rave
Beware of Darkness @ Blackheart
Beware of Darkness is a young LA trio that rocks hard. For a power trio this band is inventive. Think Zeppelin meets early Bowie. Like many of these more promising bands, they have yet to release an album, but their song “Howl” is a winning single. Frontman Kyle Nicolaides shows major star potential. By Bruce Rave
BONDAX @ LA ZONA ROSA
Things got down really quick at La Zona Rosa when UK DJ duo Bondax, George Townsend and Adam Kaye, took over the decks. At this venue near the river, fans got to experience what the UK has been digging for quite some time. Switching between who was at the helm, George opened the set with Moon Boots’ remix of “Gold,” which set the party off right. Throwing in some deep house and smooth samples and closing the set with the original version of “Gold,” Bondax really put their foot down on Austin. Review By Brian Litwin
Savages @ 1100 Warehouse
We’ve heard “Husbands” a lot. It’s one of those “buzz singles” that’s not easy to miss. “Husbands, husbands, husbands”, it’s all right and ok; the single plays fine enough. The walloping we got with the London band’s 1100 Warehouse set, though, was a complete surprise, and most definitely one of the strongest sets we experienced during the whole of SXSW. Heavy, and in the best sort of highly focused, highly compressed, highly syncopated kind of way; Savages live set deviates tremendously from their records. And most notably, the instinctiveness of crop-cut singer Jehnny Beth, and the quietness, rage and laser intensity through which her performance and vocal is really special, and easily one of Savages’ best assets.
FIDLAR @ FILTER CLIVE BAR
I can’t think of a better place for FIDLAR to have played late Friday night than FIlter’s Clive Bar on Rainy Street. The house party vibe is all set. It’s a house, the band is in the back yard, the beer was flowing everywhere, you could barely move an inch in any direction and the band tore the roof off (if there was one). A rock and roll band for another generation of musical youths, FIDLAR bring the party wherever they go. See this band live.
Charlotte Church @ VEVO Control Room
Yes, that Charlotte Church. The PBS “Girl With The Golden Voice of an Angel” turned trashbag pop star/tabloid pariah’s return to music ran through SXSW and a performance at the oddly named VEVO Control Room. Well… the set, the material, the performance were all phenomenal (really phenomenal). The notion that Ms. Church can sing has never really been questioned and the vocal she gave during this show was truly something special. Charlotte’s new Bjork meets Earth Mother meets Portishead meets ? sound, and the structure of her songs, really gives her the ability and opportunity to perform and showcase the outstanding quality of her singing. It’s almost as if singing in a pop format is something that she’s only now first realizing.
Ryan Hemsworth @ 512
We made it rain Pokemon cards in the club. Though beat dropper/rainman Ryan Hemsworth didn’t repeat that deluging down of Charizards & Bulbasaurs for the crowded 512 Rooftop, the Halifax native did well to translate to a live setting his realer than Real Deal Holyfield mix of electro booty rap mixes and Legend of Zelda-referencing space bass jams.
Rudimental @ Hype Hotel
You could spot all the real Britons assembled at Hype Hotel for electronic/R&B crossover act Rudimental’s late night set by who knew how to dance to drum & bass and who didn’t. Moving in time with a drum & bass rhythm is something that has alluded us Americans for what seems like millennia. Rudimental, who went 9-deep on stage, did well enough to keep all the Solange (next act on stage) kids checked into the Hype Hotel engaged and interested in material they were likely hearing for the first time. The energetic 30-40 minute set was definitely highlighted by the big energy (these Brits work on stage) performance of new single “Waiting All Night” and the impressive vocal of singer Ella Eyre.
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SATURDAY, MARCH 16TH
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Blue Hawaii @ HYPE HOTEL
Riding a wave of chill infused daytime disco, Blue Hawaii are at the front of a movement that is only becoming more popular. The male/female duo did an exempilary job of delivering their material in a live setting. Their combination of live sampling manipulation and vocal performance was both exciting and intriguing in a live setting.
Shlohmo, Mount Kimbie, Baauer @ 1100 Warehouse
Things got down right dirty at the 1100 Warehouse for the Ray Ban – Boiler Room sponsored party on the last night of SXSW. With a lineup such as the one that the Boiler Room had curated, things were bound to get weird and possibly blow up in everyone’s faces. Chief Keef was supposed to be a main draw for the show, but knowing his history and legal issues, he did not show up. The reason is still up in the air, but really, who cares. Before things even got started, you could tell the production team and people from the Boiler Room looked worried at potential technical difficulties bound to happen. Unfortunately, this was the overall theme.
Hitting the stage first was the young LA based, oddball producer Shlohmo. With all that was going on at the venue and with visuals all over the walls, Shlohmo’s beats were a perfect soundtrack to the night. Flipping through different mixes, the crowd already excited just by being in the Warehouse started really feeling it. Joining Shlohmo on stage for a track were The Underachievers, sharing only one mic.
Lunice then hit the decks, throwing together a monster set, making way for Mount Kimbie. The London duo of Dominic Maker and Kai Campos had been ‘the’ electronic act in 2010. On this night, with again all the technical issues, they played some old tunes and some new tunes. The Austin audience started to feel their unique and “post-dubstep” sounds. For their only performance at SXSW this year, they definitely made it worth it.
The smoothest set out of all of them was Baauer’s and RL Grime’s back to back. The bass was extra heavy and as the decks switched back and forth, the crowd got rowdier and rowdier. Harry Rodrigues, Baauer, and Henry Steinway, RL Grime, are both young, talented bass engineers who have incredible futures in front of them. Of course, Baauer has seen more fame with the viral craze of his hit “Harlem Shake,” while RL Grime has made a nice name for himself in the music community as well.
This party, on paper, was one for the ages, and it was, but all the issues it had hampered the overall success of it a bit. Skream closed out the show with a set, and this video [above] kind of says it all… Review By Brian Litwin
HAIM @ STUBBS
One of the most exciting acts that I’d seen come out of SXSW 2012 was Haim. Low and behold, a year later, and the sisters lead group were packing the house at one of SXSW’s largest capacity venues. Haim have done justice to their hype. There songs are anthemic and have the perfect new wave of pop, indie production and classic rock sensibility. Speaking of classic rock – ehemmm, Fleetwood Mac, the collective even shamelessly, and appropriately, covered them during their set. Haim delivered the perfect cap to a SXSW festival that had been most insightful and musically rewarding.
*See below for more pictures and a mix of tunes from our favorite artists at SXSW this year!
Kids These Days @ Hype Hotel
MS MR @ Hype Hotel
TOY @ Latitude 30
Citizens! @ Tap Room
NO CEREMONY /// @ B3SCI Presents. Maggie Mae’s Gibson Room
Humble. Exuberant. Virtuoso. Eclectic. Gary Clark Jr. is real southern blues and rock legend in the making. For the second time in just over two months, Jr. has sold out the legendary Roxy Theatre on Sunset Strip in Hollywood. His performance on Tuesday night, April 16th was of the most pure.
GCJ kicked the night off with “When My Train Rolls In” from his most recent album, Blak and Blu. This set the tone for what would come to be a very gratifying musical evening. Nearly two hours deep, Clark and his three-piece band had rolled through a flawless set. When the audiences’ eyes were finally unglued, and when my jaw was picked up off the floor, I looked around to discover that the entire room had just been hypnotized. Maybe it was the way Clark’s guitar seemed almost weightless in his gentle hands, as he swayed across the stage during “Things Are Changing”. Perhaps it was the sensational sounds and melodies of Robert Petway’s “Catfish Blues” that pumped through the speakers, or maybe it was when he played his song “Numb,” that the goose bumps and chills were simply just too hard for everyone to shake?
A succeeding two-song encore felt epic and solidified that Gary Clark Jr. could very well soon become a household name. The guitar gods are surely smiling down on him.
Join us in LA this Monday night as B3SCI teams up with the Bootleg Bar for this month’s artist in residence, Gavin Turek. If you live in LA and haven’t caught Gavin perform yet, we gotta ask – why not? She can dance; like dance so much that, by the end of the show, you’re exhausted from just watching her perform. Only other artist we saw accomplish this before was Lady Gaga in DC, 2011 (just saying). Plus the tunes are really really good, and also it’s Gavin’s birthday!
So this Monday Night at the Bootleg: Gavin Turek, be there! Also, look out for a stellar bill of buzzing supporting talent that includes Ross Sea Party, Moses Sumney and DJ sets FROM US (B3SCI DJs)! Entry for the residency night is FREE (21+) and you can get more information on the show HERE.
Join us in Santa Monica this Tuesday night as B3SCI Presents team up with the Central S.A.P.C. for a not-to-be-missed night of local music with this month’s artist in residence, L.A. based synth-pop-rockers DWNTWN.
Fresh off their noise making trek through SXSW and new single “Stood Me Up,” the Jamie Leffler fronted collective has topped music radars as of late. To add to the excitement, French label Kitsuné has just announced that their new Kitsuné America 2 compilation, due April 29th, will feature the track “Move Me,” a collaboration between DWNTWN, Jhameel, and Giraffage. And speaking of DWNTWN and Kitsuné, check out an exclusive video (below) of the band, Giraffage, and HEARTSREVOLUTION performing during the debut Kitsuné America compilation release show in Los Angeles last year.
This Tuesday night DWNTWN will be joined by a stellar bill of buzzing talent that includes Watch The Duck, The Mercy Beat, TEMP3ST and DJ sets by Hi Deaf! Entry for the residency night is FREE (21+) and you can get additional details on the show here. We’ll see y’all there!
Almost every college has a fund to bring music talent to their school and to entertain the student body at large. USC’s student run radio station put on it’s annual KXSC Fest this past weekend, boasting some serious names from the indiesphere. Last year’s festival included Starfucker and Nosaj Thing (pretty awesome), and this year, Chelsea Wolfe and Dan Deacon were mashed together, making this one of the oddest/greatest bill pairings I have ever experienced.
If there was a consistent theme of any sort that Saturday night, it was that both Chelcea Wolfe and Dan Deacon are not normal humans. For example, take Chelsea Wolfe, a stunningly beautiful, black hair, pale faced Los Angeles native that plays extraordinarily dark folk music. Performing tracks from her 2011 release Apokalypsis and 2012’s Unknown Rooms: A Collection of Acoustic Songs, Chelsea wowed the student body with her unique dissonance and foreboding tones.
Dan Deacon’s live set followed, and the experience was basically the absolute opposite of the prior. Deacon took stage – and by stage, I mean his small table with a buffet of pedals and gadgets, next to a not working light rig with a skull that lights up during different cues in his set. As weird as shit got, in typical Dan Deacon fashion, it was all about the track performances and the artist’s interactions that made this show so entertaining. Dan’s 2012 hyped release, America, has recently been one of the more talked about albums, and frankly, it is a well crafted electronic production. Deacon’s vibes were everywhere. He had students running around in a circle, high-fiving each other. He also invited everyone to download the Dan Deacon app and use it during a song, creating a crowd sourced light show, which was just brilliant. The whole experience was original and everyone, even the security guard standing next to me, was in awe.
Dan’s look is not one of a rock star or some sort of label pushed pretty face that echoes a team of writers. His look is that of his music; odd, unabashed and completely unique. I can say, for the countless shows I have been to in my short time alive, that this may have been one of the most entertaining I have ever witnessed. Please do yourselves a favor and see Dan Deacon live. Review By Brian Litwin
The nightclub scene can be a tricky beast. Clubs open and close, what’s trendy now won’t be in a year and the turn over rate is pretty high for a “sustainable business”. However, Lure (where The Cabana Club once stood) in Hollywood seems to have a something good brewing. Being opened in May 2012, Lure is not only one of the hottest nightclubs in LA right now, but seem to be on a consistent track with booking the best of new and old talents of EDM. This was ever so apparent, with the bottle service crowd in full swing, for Breakbot and Bondax on Friday night.
Having already seen Bondax at SXSW, and knowing what Adam Kaye and George Townsend would do to a crowd brimming to kick the weekend off on the right note, I just sat back and watch the madness ensue. Some highlights from the set were Moon Boots’ remix of Gold, Pharrell and Jay Z’s “Frontin'”, Mystikal’s “Shake Ya Ass” and Bondax’s monster single Gold. The young UK producers are a must see if they roll thought your town.
A friend of mine would look at the scene for the next act, Breakbot, and would say that the club was “elbow to asshole” packed. Now take that saying however you want to, but the place was at max capacity and every soul under the tented roof were getting down. French native Thibaut Berland, nonchalantly started the funk/French house explosion and the crowd, already feeling it from Bondax, went nuts. The whole set was down right awesome, but a shining moment for me was Baby I’m Yours. The Ed Banger release track is just immaculate and the video is the ultimate compliment to the track. By Brian Litwin
Django Django successfully ended their American tour at the Fonda on Saturday night, March 23. It’s been a quick rise for this refreshingly unique band, who was a Mercury Prize finalist and who made many year-end lists for 2012. A year ago, they were earnestly playing smaller SXSW venues as relative unknowns the the US. They sold out The Echo last fall, with several hundred onlookers and fans packed in and vibing to a show that was relentlessly electric. Saturday night, the guys expressed several times, their delight in playing on the Fonda stage. The venue holds about 1200, and an estimated 900 were on hand. Django Django attracted a good-natured crowd, as evidenced by the number of smiles on people during the intermission. The set sounded virtually note perfect, with all twelve songs coming from their debut album. The band has quickly moved to expand their show, with compelling lighting and some extended song versions. The tribal “Introduction” appropriately opened the festivities, leading into the popular “Hail Bop” just as on the CD. “Waveforms” has one of the band’s hottest grooves. The guys played an extended version with a nice little acapella section mid-song, followed by a jam that eased them back into the familiar tempo. Virtually every song has a dance feel and when they got to the acoustically based “Hand the Man”, it was a beautiful change of pace. The crowd was with them from the start but it was toward the end of the set when the house really got moving. As Django Django grows, it might behoove them to deliver their set with just a bit more punch to equal the impact they had at The Echo. As the show progressed, their hit “Default” and the garagy “Wor” ended things on an intense note. They returned to play “Silver Rays” for a hotly demanded encore. By Bruce Rave
“Hype for an artist can be generated from different media outlets and will always have different outcomes for that said artist. Certain times, when the spotlight is seemingly on only one artist, that act will fall short and usually go by the way side. However, other times, that one highlighted act rises from the uncertainty and leaves those doubters in the dust. On Tuesday night at The Echoplex in Silverlake, the sold out crowd may have witnessed one of those special artists in Flume.
Warming the audience up for Flume was Jean-Baptiste de Laubier aka Para One. The Parisian brought pure fire, genre hopping and mashing top 40 R&B and rap got the crowd really going. The well established producer/film director was not short on energy and if he had the chance to, he would have played for hours. The crowd really fed off the energy Jean brought and he exited the stage to a nice applause.
After a table change up, the 21 year old Sydney based producer Flume, real name Harley Streten, stepped on stage. The packed Echoplex seemed to shift closer to the stage and the set got on the way. Picking from the very successful self titled debut, Flume started to show the LA audience why there was a large spotlight on the gifted producer. Some personal favorites from the show that was just a non stop dance party were Sleepless featuring Jezzabell Doran, Insane featuring Moon Holiday, On Top featuring T.Shirt, Left Alone featuring Chet Faker and his side project with Emoh Instead monster remix of Major Lazer’s Get Free. Oddly enough, B3SCI contributor Phoebe Severin was also in attendance and she thought,”…his retouch on the Hermitude – HyperParadise remix… wow.” Believe the hype folks, this kid is the real deal.” By Brian Litwin
Catching a concert comes with a variety of experiences. For example, sometimes the headliner on a bill outshines the opening act(s) so much that those in attendance wonder, ‘why the hell didn’t I just show up for the last half of this show?’ Other times, the support on the bill is the highlight of the night, noteworthy beyond any of the predictable offerings from the headliner. And on the perfect occasion, the mix of talent at a concert is just right. At the El Rey Theater this past Thursday night we had exactly that experience with standout performances from both Jaime N Commons and Lianne La Havas.
It may come as a surprise to many that London born artist Jamie N Commons was actually raised between both Chicago and the UK. With this transatlantic savviness, the bright singer songwriter opened the evening’s show with his track “Lead Me Home”, which was also recently featured in the incredible AMC series The Walking Dead. Near the end of his solo performance of the gloomy track (which is a perfect pairing for the Georgia based zombie thiller), Commons’ band joined him on stage. Together they rocked through his 2013 release Rumble And Sway EP. With pitch perfect, four-part harmonies, and back woods rock and roll, Jaime and the gang killed it. Song after song, the audience warmed up, culminating to an apex when Jamie closed his set with “Wash Me In The Water”. The raspy, whiskey infused rock that Jaime brings, feels like a bullseye, and with more opening dates to come with folk/soul princess Lianne La Havas, Jaime N Commons fans should expect this to be one of the hotter tickets touring the states this Spring.
With a small set change and an increasingly excited crowd, KCRW DJ Jason Kramer pumped up the crowd right before Lianne La Havas hit the stage. She opened to the loving crowd with “No Room For Doubt”. A side note: while both Lianne and Jaime recently weathered SXSW, you certainly couldn’t tell any grueling signs from their haul in Austin. The young 23 London native, Lianne La Havas looked and sounded stunning as ever. The adoring crowd howled and shouted after different vocal runs. She was without doubt great, but frankly she could have probably done anything on stage and still received such a warm reception. Turning her audience into human percussionist, and in playing select songs from her standout 2012 debut Is Your Love Big Enough?, Lianne La Havas proved her powerful impact on both sides of the Pond.
Review By Brian Litwin Photography By Martin Santacruz Jr
Over the past year, Australia’s Gold Fields have proven themselves to be one of the most compelling new bands on the touring circuit. On Thursday, February 28th, the night following their TV debut on Jimmy Kimmel, and a new album release for Black Sun, The Troubadour in West Hollywood was sold out for a blazing set from the band.
The performance that night was solid. Lead singer Mark Robert Fuller and his bandmates blended hooky melodies and instrumental parts with their rather unique percussive style. Gold Fields’ playing was airtight as they moved in two gears. There were mid-tempo songs such as the successful single “Dark Again”, and all bets were off when Gold Field’s turned things up and keyboardist Rob Clifton joined drummer Ryan D’Sylva on percussion. Their perfect set closer was the blistering “Moves”, which was one of the most effective finales in my recent memory (the track was also the Jimmy Kimmel bonus track, check it out below). Other highlights that night included the softer, pretty “Happy Boy” and the band’s powerful cover of Underworld’s “Born Slippy” from the Trainspotting soundtrack. Somewhat surprising, given the dynamics of their music, Gold Fields have an unassuming way to their performing. With a certain confidence, the band and their fans let the music speak for itself.
Earlier in the night, I hung out with Mark and Ryan of Gold Fields backstage at The Troubadour for an in-depth chat. We talked about their music, touring, Jimmy Kimmel telling them “don’t fuck this up” just before the band went on the air, and of course their upcoming appearance at the B3SCI Presents Day Party during SXSW. You can check out that interview below.
Team B3 is very pleased to announce our debut B3SCI PRESENTS event during SXSW on Wednesday, March 13th at the iconic E. 6th St. venue Maggie Mae’s Rooftop.
Along with our friends at The Fold Presents, we invite you to come hang out, have some free drinks & fresh popcorn (yes, a popcorn stand!), grab some cool new B3SCI swag, and most importantly, catch live sets from some of the hottest emerging talent on the planet. RSVP [Now Closed] to this guest list only party, and we’d recommend you arrive early because we can’t guarantee entry once we’re at capacity. Details and more info below.
Wednesday March 13, 2013
Maggie Mae’s Rooftop
323 East 6th Street, Austin, TX 78701
Free Drinks + Popcorn Stand
Doors @ 11:45 am
Ages 21+
(Facebook)
