L.A.-based Banks does dark pop to perfection on new track “Before I Ever Met You”. (And we mean this in the most complimentary way) If Fiona Apple were 15 years younger and just emerging into music right now, her sound likely wouldn’t be too far from Banks on “Before I Ever Met You”. We are in love.
R&B upstart Phil Beaudreau and producer Dawaun Parker convert another track to the gem category (each track’s been a diamond thusfar) with the beautiful conscious-driven “This Is Why”. The production (between the soulful horns and gloomy textured atmospheres) is absolutely lights out; and that dreamy falsetto chorus hook? Heavenly. Get familiar ASAP.
Tribes’ second album Wish To Scream won’t drop until May, but the single “How the Other Half Live” has hit the airwaves in the UK since being minted Zane Lowe’s Hottest Record In The World on Radio 1. Tribes is one of the best bands at combining older rock influences with a thoroughly modern feel. The new single not only continues in that tradition, and showcases growth on the pop side. Wish To Scream was recorded at the legendary Sound City in LA and the band stayed at a pad in Malibu with an ocean view. Talk about the best of both worlds, as Sound City of course is the subject of the new Dave Grohl film documentary. The Sound City room is famous for the drum sounds it produces, and you will appreciate that when you hear drummer Miguel Demelo’s driving beats on this track. By Bruce Rave
London quintet Eliza and the Bear have conjured up a delectable new AA single for the indie folk/pop/rock enthralled. The insatiably melodic Upon the North / The Southern Wild sees release later this month on February 25 via Generator. We recently caught up with vocalist James Kellegher to talk about songwriting, a debut album, Justin Bieber and more. Check it out below.
B3SCI: How did Eliza and the Bear come to be?
EATB: We’d all played in bands that had crossed paths once or twice. Paul, Martin and Chris were all quite local to me (James), Callie and I were in bands together. These bands ended for one reason or another and most of us decided to have a good break from all of it. There was a point in time, boredom set in and we decided to go back and write music that we wanted to hear and to keep enjoying it. We recorded our first demo “Trees” in Paul’s bedroom studio, with absolutely no plans to tour or do much with it. Eventually it became apparent that people enjoyed it, so we thought we’d better write some more songs!
B3SCI: The band explore a variety of eclectic rhythms and cultural folk and rock styles. How would you describe the musical cauldron of Eliza and the Bear?
EATB: It’s certainly a busy cauldron! We all have musical tastes that differ from eachother, but there is a overlapping section that we all agree upon. We are constantly listening to new music and branching out into different genres. We aren’t really afraid to stray from the path a little bit, which I think can limit some bands, if you think too much about what you “can’t” do, you may lose your spark. Most importantly, don’t force it, if we find ourselves trying to force a song to work we usually put it to bed for a few months and then go back to its core.
B3SCI: Speaking of various influences, how about sharing a few guilty pleasures? Any surprises with your main influences?
EATB: This band are FULL of guilty pleasures. We are all hoping to go and see Justin Bieber on his UK tour and maybe One Direction! I don’t think our main musical influences are that surprising, but they don’t particularly sound like us. Bands like: Sigur Ros, Radiohead, Coldplay, The Maccabees.
B3SCI: Much of your music feels colorful, showcasing strong range, restraint and dynamic all without saying too much. Is this a conscious effort and in any case how do you want people to feel when they hear an Eliza and the Bear song?
EATB: I don’t think its too much of a conscious effort. I think if there is a vocal line or piano line that we particularly think will stand out on its own, we will use it. I have an inability to sing about anything overly happy, so I think it’s a nice mix with the upbeat music. I think the music has quite a grand sound, it’s quite euphoric in places but we like to expose the delicate nuances of the song as well. It makes me feel nostalgic, so I hope that comes across to listeners.
B3SCI: Your upcoming double A-side / 7″ for “Upon the North” and “The Southern Wild” beckons the obvious juxtaposition curiosity. How do Eliza and the Bear see the roles of ‘North’ and ‘South’?
EATB: I think in these songs “North” and “South” play a similar role in the way that they are a direction to choose. Almost an escape/new start.
B3SCI: The single drops on the 25th of February. How will Eliza and the Bear be spending their days leading up to its release (besides sleepless nights of course)?
EATB: On the 25th we start a short tour, so I’m sure we will be keeping our minds active in the rehearsal studio. Making sure everything is ready to go!
B3SCI: What role does the live show play in the overall Eliza and the Bear experience?
EATB: I think the live environment is very important for bands. A lot of people will hear your band live before anything else, so you have to be tight. For our shows, we make sure we just enjoy ourselves and I think that can be contagious to an audience.
B3SCI: When will fans in the United States get their chance to see Eliza and the Bear? Is SXSW on the horizon?
EATB: We are all hoping to get out this year or in 2014. I think SXSW 2014 is a goal we are aiming for.
B3SCI: When can fans expect a full length release?
EATB: We are currently writing and demoing for a full length, so we are looking forward to getting into a studio at some point this year to start work on it!
B3SCI: When you guys aren’t making music, how do you bide your time?
EATB: We all still have dayjobs right now, some of us work in schools/colleges and others are labourers. If we aren’t at work, we are either sleeping or practicing!
B3SCI: In fine tradition as now B3SCI interview alumni, we’re hooking you guys up with a free ride on our B3SCI Time Machine… Where/when are you guys heading?
EATB: I think we all want to go back to the 1920’s and be gangsters running an alcohol factory. (Yes we watch Boardwalk Empire!)
Here’s something you don’t hear blaring out of Dim Mak HQ everyday. UK trio New Ivory will release their latest EP via the famed Hollywood based label tomorrow, February 5th, and b3sci has a first listen to one of the cuts. It’s “Something You Should Know”, and you know Noel Gallagher knows a thing or two about that coda riff. Press play and get familiar below.
“In the Fresh” is the debut single from newcomer artist Stroik. The playful yet snide, ebullient yet cutting “In the Fresh” is a song full of contradiction and juxtaposition. “”You’re beautiful minding yourself / But they’re watching you like hunter’s prey / We’re laughing at the funeral / And on the way back we’re cradling camo” pretty cold, right? The tension and constant push/pull that exists between the track lyrically and the sunny indie pop of its instrumental and the adept execution of that tension makes for a definite standout listen.
UK R&B ingenue Indiana (shout to all our friends in the Hoosier State) first hit our radars last year with her sweetly lugubrious cover of Frank Ocean’s “Swim Good”. On new track “Bound”, the British newcomer has delivered a gem. Built on a deftly evil bassline & minimalist production, “Bound” succeeds on ellipsis, on what’s omitted. The drama, cinema & tension created by the track’s relatively simple instrumentation is transfixing really. To move, to break from that tension, is to invite that character of menace that exists within the spaces and gaps in the track.
Check out the subdued R&B-informed tones of b3 faves Gold Fields’ excellent latest track, “Happy Boy”. Replete with tidal washes of synth & guitar, 80’s soul-style production, aerophone percussion & a great live strings track “Happy Boy” indicates a further high water mark for the Aussie band. If you’re in the US, and in a place like our hometown of Cleveland (!), get psyched because Gold Fields have just announced their first headlining American dates, which you can scope out below.
Gold Fields U.S. Dates:
02/04: Washington @ U Street Music Hall
02/05: Baltimore @ Rams Head Live
02/06: New York @ Bowery Ballroom
02/07: Philadelphia @ TLA
02/08: Boston @ Brighton Music Hall
02/09: Providence @ The Met
02/11: Toronto @ The Drake Hotel
02/12: Detroit @ The Shelter
02/13: Columbus @ The Basement
02/14: Cleveland @ Beachland Ballroom
02/15: Chicago @ Lincoln Hall
02/17: Minneapolis @ Triple Rock Social Club
02/19: Colorado Springs @ The Black Sheep
02/20: Denver @ Larimer Lounge
02/22: Salt Lake City @ In The Venue
02/23: Missoula, MT @ Elks Live
02/24: Seattle @ Crocodile Cafe
02/25: Portland @ Crystal Ballroom
02/28: Los Angeles @ Troubadour
03/02: Santa Ana, CA @ Constellation Room
03/05: San Diego @ The Casbah
03/06: Phoenix @ Crescent Ballroom
03/08: Las Vegas @ Hard Rock Cafe
Mmoths, fresh off a UK tour with The xx, release this gloriously serene track “All These Things” featuring Holly Miranda and announce a date for the next EP Diaries – due March 4th. By Nathan Hetherington
L.A. newcomers Anna Nelson and producer multi-instrumentalist Andy Toy, and their excellent indie pop track (one of our favorites of the year thusfar) “Terrible Disguise” gets a video treatment. B3sci’s got the premiere. Check it out below.
The great Chlöe Howl, who’s breakout “No Strings” killed the blogosphere at the end of last year, returns with a track that arguably surpasses her breakthrough track in quality. “Rumour” turns up the drama, tension & minor keys for an expertly crafted and paced (and we don’t claim this lightly) nearly perfect pop song. Do not miss.