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Interview with Lincoln Jesser

lincoln jesser

It wasn’t long for Cali synth-pop artist Lincoln Jesser to set the music blogosphere a-buzz. After circulating online a series of high-flying tracks, the young songwriter looks toward his latest creation, debut album Modern Color. B3’s Geovani Donaires recently had the chance to catch up with the rising pop star to chat about his production prowess, high school bands, and (…of course) Elton John. Have a look at their conversation below.

B3: It’s an exciting time for you. Your debut album, ‘Modern Color’ drops on the 23rd of this month. Is there a theme to the album? And, were there any noteworthy inspirations while working on it?

LJ: It is an exciting time! This album has been in the works for about a year literally, but from a philosophical standpoint I’d say I’ve been building up to it since I moved out to LA 5 years ago. It’s a reflection of who I am not only as a musician but as a human being, about who we all are, about what we have in common and the things that distract us from happiness. But it’s also about remembering that most of the time, it’s better to say “fuck the over-analysis” and just enjoy life for what it is. Each of us has so much power to paint our individual realities the way we desire, more power than any generation of humans has ever had, so it’s up to us to use Modern Color to our advantage.

B3: You produce and write everything yourself, do you ever find that as a liberating or more confined experience?

LJ: Most of the time I find it liberating because I’m a bit of a control freak, but it can definitely get lonely and frustrating too. When I’m in the thick of working on a song, I find myself unable to really focus on anything else…if I’m stuck for a while on a particular lyric or passage, my life tends to go on standby. And there have definitely been times where my relationships have been affected by that. But the feeling when I finally connect the dots makes the loneliness and frustration worthwhile…and my real friends forgive me 🙂

B3: You’ve been in bands before. You were Yuna’s guitarist before going solo. Was being a solo artist always Plan A? When did the idea of starting your own band cross your mind?

LJ: I started writing my own solo songs at 13, but didn’t really begin performing until I started a band with my friends in high school. While I was involved with it, the band was pretty much my main musical focus. The summer after graduation was when I first really began exploring what I could achieve on my own, via a more electronic musical medium. I never had a very specific vision of what my long-term project would look like beforehand, I think it evolved pretty naturally. Yuna and I share management (Indie-Pop) which is how we met and became friends; she needed a guitarist/programmer and I was of course a huge fan of hers with a huge desire to get out and learn and experience live music on a much larger scale than anything I’d done before. But yeah, throughout all our touring together, I tended to spend my downtime in the green room corners, making my own stuff with a laptop and headphones (sometimes to everyone else’s dismay, haha).

B3: I noticed on Instagram you have a picture of Elton John. What’s interesting and awesome about this picture is the comment you posted stating, “he hit replay so many times that he hurt himself.” Tell us about that?

LJ: It’s so funny, so many people have asked me about that. Unfortunately, I’ve never actually met Sir Elton…I just came across that image and decided to Instagram it as a joke! I guess it looked like a real iPhone snap though. lol

B3: You recently performed at the Sunset Music Festival. How did you prepare yourself before stepping out on stage? Do you have any special or crazy rituals?

LJ: Yeah, I performed at The Roxy, which was a big milestone for me. I’ve seen a ton of inspiring shows there since I moved to the city…to perform there myself was definitely an honor. I like to do some pushups before my sets, to get the blood pumping a little bit. And occasionally a shot of Jameson.

B3: What’s next for Lincoln Jesser? What does 2015 hold?

LJ: I’ve got some visuals on the way for a few songs off Modern Color. Besides that, plenty of new music. I don’t plan on slowing down any time soon.

Lincoln Jesser california (Soundcloud)(Facebook) (Spotify) (iTunes)

Rating 8.4

reviewed by
09-26-14

ZHU – Gun. (CHVRCHES Cover)

ZHU - Gun. (CHVRCHES Cover)

Still a mystery to the masses, ZHU puts together an impressive cover of the blog fave CHVRCHES’ “Gun”. ZHU’s twist on “Gun” is a unique and pleasant one; giving the track a proper dance floor treatment. By Brian Litwin

ZHU (Soundcloud)

Rating 8.3

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reviewed by
09-25-14

Blood Moon – Ghost

blood moon ghost

“Ghost” by Blood Moon is a fresh dance-floor ready jam from the newly formed Imaginary Friends label. The track Brooklyn-residing Jesse Brickel is a great 8-bit-styled hazy 80’s-evoking dreamscape. The tap-along song “Ghost” serves as a noteworthy debut for both artist and label. By Brian Litwin

Blood Moon newyork (Facebook) (Purchase Info)

Rating 8.3

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reviewed by
09-24-14

Kiesza – Bad Thing (Feat. Joey Bada$$)

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Kiesza’s “Hideaway” is one of indie in 2014 biggest success stories. The dance-flavored track topped the UK single chart in April and the song’s video has amassed over 100M views on YouTube. “Bad Thing”, Kiesza’s new track, is not “Hideaway” but it is very good. The R&B-styled and Joey Bada$$-featuring (!) song has the accompanying weight and believe-ability that much of the oft-maligned alt R&B blog genre is missing in Sept 2K14. Kiesza is real and “Bad Thing” is great.

Kiesza canada (Soundcloud)

Rating 8.3

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reviewed by
09-23-14

Premiere: Field Division – Of Lives We’ve Never Known

FieldDivision2

The majestic and cinematic pop of “Of Lives We’ve Never Never Known” is new from Nashville duo Field Division. Excerpted from the twosome’s forthcoming EP “Reverie State”, “Of Lives We’ve Never Known” lilts and pulses about its 4:48 duration where whirling reverbed atmospheres and a layered far-off vocal work well symbiotically as a singular and quite powerful instrument. Enjoy the B3 Premiere of “Of Lives We’ve Never Known” and look for Field Division’s Konrad Snyder-produced (Kopecky Family Band, Night Beds) EP “Reverie State” on October 28th.

Field Division tennessee (Facebook)

Rating 8.1

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reviewed by
09-23-14

Striving Vines – Sound of Tomorrow

strivingvines

“Sound of Tomorrow” is pinpoint perfect new indie pop from Denmark via band Striving Vines. Catchy, instantly accessible, instrumentally interesting; many of the component pieces for indie pop breakout success are evident on “Sound of Tomorrow”. “Sound of Tomorrow” is excerpted from Striving Vines new Obstacles LP which is out today.

Striving Vines (Facebook)

Rating 8.6

reviewed by
09-22-14

Josef Salvat – Open Season

Sam Hiscox - Josef Salvat - Beach

Josef Salvat shares the impeccably-crafted new one “Open Season”. The follow-up to EP “Your Prime”‘s great first single “Shoot and Run” , “Open Season” has the anthemic component composition to make a crossover impact on UK radio. “Your Prime” is due September 23rd on Columbia.

Josef Salvat australia (Facebook)

Rating 8.3

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reviewed by
09-19-14

Zella Day – Compass (Louis The Child Remix)

zella

Zella Day gets a Flume-esque helping hand via Windy City producers Louis The Child on new remix. LTC select for staccato electronics and a boosted-up rhythm track which do well to complement in addition to flipping the dynamic on the original track’s ballad-y vocal.

Louis The Child (Facebook)
Zella Day arizona (Facebook) (Pre-Order EP Vinyl Here)

Rating 8.3

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reviewed by
09-19-14

Premiere: CRUISR – Don’t Go Alone

cruisr

CRUISR is the latest find of the excellent Vagrant Records (The 1975, Active Child, Ben Leftwich, James McMorrow, etc). The Philly band traffic in forward-thinking and innovative indie pop as evidenced by the infectious but stylistically interesting “Don’t Go Alone”. CRUISR have an EP “All Over”, their debut, due next week on Vagrant (Sept. 23) and you can sample the B3 premiere of “Don’t Go Alone” below.

CRUISR pennsylvania: (Facebook) (Pre-Order ‘All Over’ EP)

Rating 8.3

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reviewed by
09-18-14

Johnny Stimson – Obsession

johnnystimson

“Obsession” is the latest bit of inventive (and excellent) synth-tinged new-funk from rising Dallas, TX genre-hopper Johnny Stimson.

Johnny Stimson (Facebook)

Rating 8.1

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reviewed by
09-17-14

Karen Harding – Say Something (Zac Samuel Remix)

karenharding

Zac Samuel, who’s remix of Kiesza’s “Hideaway” is off the chain, applies his piano-driven house-flavored sound to new Capitol-signee and X-Factor-alum Karen Harding’s current “Say Something” single.

Zac Samuel england (Soundcloud)

Rating 8.5

brown8

reviewed by
09-16-14

Laurasia – Rainmaker

laurasia

Laurasia are Australia’s latest minimalist R&B-inspired exports. Led by vocalist Jessica Wigglesworth’s Ellie Goulding-esque melodic phrasing, “Rainmaker”, while certainly relevant to current trends, does well to carve out a unique path sound-wise (which is what drew us to the band in the first place).

Laurasia australia (Soundcloud)

Rating 8.8

brown8

reviewed by
09-16-14