Check out NYC hype merchants SKATERS and their hotly tipped “I Wanna Dance (But I Don’t Know How)”. The track’s disparate yet complementary parts (new wave-y verse, UK indie chorus, modern indie pop bridge, etc) showcase the interesting amalgam of influences at work within the band. Get yourself a sample of “I Wanna Dance” below.
Hanni El Khatib’s brand of blues/soul-driven rock and roll gets an assist from Akron OH guitar player Dan Auerbach on “Family”, the first single from the L.A.-based Khatib’s forthcoming Head in the Dirt. Auerbach’s hand is strong on “Family”; where the guts of 100 years of blues & soul & old-time R&B focused through the most precise and skillful arrangements Keys sort of sound helps propel Khatib into a palatability & accessbility he’s not yet not realized until now.
London quintet Eliza and the Bear have conjured up a delectable new AA single for the indie folk/pop/rock enthralled. The insatiably melodic Upon the North / The Southern Wild sees release later this month on February 25 via Generator. We recently caught up with vocalist James Kellegher to talk about songwriting, a debut album, Justin Bieber and more. Check it out below.
B3SCI: How did Eliza and the Bear come to be?
EATB: We’d all played in bands that had crossed paths once or twice. Paul, Martin and Chris were all quite local to me (James), Callie and I were in bands together. These bands ended for one reason or another and most of us decided to have a good break from all of it. There was a point in time, boredom set in and we decided to go back and write music that we wanted to hear and to keep enjoying it. We recorded our first demo “Trees” in Paul’s bedroom studio, with absolutely no plans to tour or do much with it. Eventually it became apparent that people enjoyed it, so we thought we’d better write some more songs!
B3SCI: The band explore a variety of eclectic rhythms and cultural folk and rock styles. How would you describe the musical cauldron of Eliza and the Bear?
EATB: It’s certainly a busy cauldron! We all have musical tastes that differ from eachother, but there is a overlapping section that we all agree upon. We are constantly listening to new music and branching out into different genres. We aren’t really afraid to stray from the path a little bit, which I think can limit some bands, if you think too much about what you “can’t” do, you may lose your spark. Most importantly, don’t force it, if we find ourselves trying to force a song to work we usually put it to bed for a few months and then go back to its core.
B3SCI: Speaking of various influences, how about sharing a few guilty pleasures? Any surprises with your main influences?
EATB: This band are FULL of guilty pleasures. We are all hoping to go and see Justin Bieber on his UK tour and maybe One Direction! I don’t think our main musical influences are that surprising, but they don’t particularly sound like us. Bands like: Sigur Ros, Radiohead, Coldplay, The Maccabees.
B3SCI: Much of your music feels colorful, showcasing strong range, restraint and dynamic all without saying too much. Is this a conscious effort and in any case how do you want people to feel when they hear an Eliza and the Bear song?
EATB: I don’t think its too much of a conscious effort. I think if there is a vocal line or piano line that we particularly think will stand out on its own, we will use it. I have an inability to sing about anything overly happy, so I think it’s a nice mix with the upbeat music. I think the music has quite a grand sound, it’s quite euphoric in places but we like to expose the delicate nuances of the song as well. It makes me feel nostalgic, so I hope that comes across to listeners.
B3SCI: Your upcoming double A-side / 7″ for “Upon the North” and “The Southern Wild” beckons the obvious juxtaposition curiosity. How do Eliza and the Bear see the roles of ‘North’ and ‘South’?
EATB: I think in these songs “North” and “South” play a similar role in the way that they are a direction to choose. Almost an escape/new start.
B3SCI: The single drops on the 25th of February. How will Eliza and the Bear be spending their days leading up to its release (besides sleepless nights of course)?
EATB: On the 25th we start a short tour, so I’m sure we will be keeping our minds active in the rehearsal studio. Making sure everything is ready to go!
B3SCI: What role does the live show play in the overall Eliza and the Bear experience?
EATB: I think the live environment is very important for bands. A lot of people will hear your band live before anything else, so you have to be tight. For our shows, we make sure we just enjoy ourselves and I think that can be contagious to an audience.
B3SCI: When will fans in the United States get their chance to see Eliza and the Bear? Is SXSW on the horizon?
EATB: We are all hoping to get out this year or in 2014. I think SXSW 2014 is a goal we are aiming for.
B3SCI: When can fans expect a full length release?
EATB: We are currently writing and demoing for a full length, so we are looking forward to getting into a studio at some point this year to start work on it!
B3SCI: When you guys aren’t making music, how do you bide your time?
EATB: We all still have dayjobs right now, some of us work in schools/colleges and others are labourers. If we aren’t at work, we are either sleeping or practicing!
B3SCI: In fine tradition as now B3SCI interview alumni, we’re hooking you guys up with a free ride on our B3SCI Time Machine… Where/when are you guys heading?
EATB: I think we all want to go back to the 1920’s and be gangsters running an alcohol factory. (Yes we watch Boardwalk Empire!)
Welcome UK duo Coves to B3SCI. The twosome made a bit of a blogosphere splash at the end of last year with their “Wicked Game” cover. “Last Desire”, the duo’s proper debut, is a stomper (maybe one of the spaciest, most fuzzed-out stompers of all time but still a stomper). The layered distorted syncopations of guitarist John Rigard are quite sharp and do well to complement vocalist Beck Wood’s deep-in-the-pa cool delivery. The band are playing some dates later this month in the UK, which you can scope out below.
Coves dates:
12th February – Cardiff, The Moon Club *
13th February – Brighton, The Green Door Store *
14th February – London, Hoxton Bar and Kitchen*
15th February – Birmingham, Hare and Hounds*
16th February – Manchester , The Borderline*
20th February – London, The Borderline with Night Engine
13th March – London, Birthdays – single launch show
The first time I heard “Station Approach” from Elbow, I fell in love with the track and the band. The same holds true for Everything Everything’s “Duet”. It’s an absolute beauty of a track and the vocal harmonies seem to parallel Elbow at times. Everything Everything’s newest album Arc just hit the UK charts at #5, and the Cough Cough EP sees release here in the US next Tuesday. It’s way too early to start thinking about year-end lists for 2013, but “Duet” is a strong bet to land amongst my top contenders. I haven’t yet gotten my arms and ears around everything by this band, but rest assured they’ll be getting lots more of my attention. By Bruce Rave
Vondelpark’s indie informed by R&B (& harmonica) turn on “California Analog Dream” is an absolute win. The pensive evocative track is transportive in the best sort of way; whatever a “California Analog Dream” is to the song’s writer, you no doubt feel as the listener like you’re living inside one (or it). Vondelpark’s debut Seabed LP is out April 1st on R&S Records.
Say hello to Misty Miller. The South London songwriter’s neat blend of punk, surf, and soul stands out as interesting, different, unpredictable and really really good. Spin below her single “Girlfriend”, which is taken from her EP of the same name due February 25th.
Teenagers (!) (no, really, they’re 16-17 years of age) from Hampshire UK (!) (no, really, they’re actually from Hampshire), Blaenavon strike with the precision for melody, arrangement, hooks, atmosphere, guitars, menace (pretty much any quality a great band would possess) that blows away just about anybody else in their genre, age group or otherwise. “Into the Night” double A w/ the equally fine “Denim Patches” are very special tracks indeed; involving the sort of thrill, mania & cinema that make for the most powerful & visceral of songs. A+.
Saturday night February 9th, B3SCI teams up with Mouser and Origami Vinyl for an evening of music with Incan Abraham. The event is billed A Homecoming Rumpus, to celebrate the final show of Incan Abraham’s current Western Tour. Joining them on the night will be Cuckoo Chaos, Mahgeetah and a special DJ set by Honeybear. Get in the mood below with this fantastic new video for “Panama Dry” by Incan Abraham, the track is off the band’s Springhouse release. We’ll see you soon!
*The Satellite is a 21+ venue, doors open at 8:30, the show starts at 9pm and tickets are $8 presale, $10 at the door. More information can be found here and tickets are available here.
London production duo Joe Henson and Alexis Smith have just released the first and title track from their forthcoming release as The Flight. On “Hangman”, Keaton Henson guest vocals for a bone chilling re-hatch of the classic folk song “Pretty Polly”. The Flight’s debut Hangman EP will feature a variety of vocalists, all of which assist the duo in telling their dark perspective on that same folk story. Check out the video below.
“Exactly Sharp” the b-side to the (also awesome) “I Want To Know” 7″, new from Los Angeles band HANDS. Although we can’t be sure (it could very well be a chorus effects-laced guitar or some sort of synthesizer), “Exactly Sharp” contains maybe the best indie rock vibraphone hook of all time (ALL TIME!). The rest of the track, with it’s California sunset feel & neat vocal/guitar melodic interplay, is pretty cool too. Get a sample below.
“In The City”, the first single from NYC band Caveman’s forthcoming self-titled sophomore LP, is a further more hooks-focused, more tightly-arranged exploration of the band’s warm indie rock sound. The density and stratum that made Caveman’s debut record so good is still intact on “In The City” but with a noted level pop songwriting level up. We love it.