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Interview w/ JMSN

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Resident B3 scientist Erin Feathers recently connected with rising indie R&B producer, and all around creative-type (best watch out for those), JMSN for a brief one-on-one about the musician’s story, music, and what the future holds. Take a look at their conversation below.

B3SCI: A little background on yourself for our readers, after several attempts to be happy making music on major labels, you fashioned your own label for the release of your 2012 album †Priscilla†. Can you tell us more about your label White Room Records and how it has affected you most as an artist?

JMSN: I think that its affected me in the fact that I finally have artistic freedom. No politics. No bullshit. Just Music. Thats what it’s all about. White Room is my canvas.

B3SCI: †Priscilla† attracted a good deal of attention this past year and helped spur on a few big-name collaborations. You sang accompanying vocals for Kendrick Lamar’s Good Kid M.A.A.D City, which was one of the best albums of 2012. Has working with other artists tempered any of your darker perspectives and musical intuitions?

JMSN: Not at all. I think that life decides where I go with my music. Sure these experiences are a part of my life, but more emotional situations decide the shape my music takes from here.

B3SCI: We’re fans of your videos from †Priscilla†. Is there a particular director or film maker who inspires you most? How important are visual cues to you and your music?

JMSN: I wouldn’t say I look at particular film makers as much as I look at particular films. I love when film makers can make things move like a song. Flowing with the energy of the shots is important. It takes different approaching to think of video in a different way then just watching it.

B3SCI: Unit 6 is your latest collaboration with Ab-Soul. The lead single “You’re Gone” is a catchy club stinger with racy lyrics and a playful swagger. Did cough syrup have anything to do with it? Kind of joking, but seriously.. was there something behind the vibe on this track?

JMSN: I don’t know, honestly. This was originally gonna be a JMSN song, but the verses we’re too hip hop. So I actually had the chorus on there before Ab got on it. I was kind of making a post †Priscilla† song about closer. Ab came in and flipped it to how he saw fit him.

B3SCI: If you were ever given the choice do a project with Usher, would you be on your best soft-and-sensual-R&B-behavior, or would you try to talk him into going all out with a dark and more experimental style?

JMSN: If we’re talking about me as a producer, I cater to the artist. I would see where his minds at. Where he wants to take things. I would help him do that to the best of my ability. I mean don’t get me wrong, you’re gonna hear JMSN influences in my production no matter what, but I will never tell an artist what to write about or what kind of song to make. That’s just not something I would want to hear Usher release if it’s not him you know.

B3SCI: What was your first impression of Los Angeles after growing up in Detroit?

JMSN: Hahaha. Great question. I hated it at first. The whole “Hollywood” bullshit. I’ve found good people out here now though. When you can separate yourself from that, you’re good. I also love the weather.

B3SCI: Name a proud moment in your life that is also embarrassing as hell.

JMSN: I have no idea how to answer that question. Ha.

B3SCI: What appeals to you most about producing your own music?

JMSN: You know exactly what you want and you make it happen. As well as learning on the way.

B3SCI: You recently collaborated with Tyga on his new LP Hotel California. Can you tell us something first-hand about the experience?

JMSN: Tyga is an awesome dude. It’s all about the music with him, so we got on good. It was great to collaborate with him. I’m very proud of the song too. Came out great.

B3SCI: Can you elaborate on your plans for a solo project?

JMSN: I’m working on it as we speak. Pretty far into it. The Blue album. Just making sure the story is right for this one. I wanna make sense of all the ideas and experiences I’ve had in this amount of time, to make a good body of work. I can’t wait for people to hear the evolution of JMSN.

Ab-Soul & JMSN – You’re Gone

JMSN (Facebook)

Rating 8.1

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reviewed by
03-10-13

Fat Night – Things You Do

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“Things You Do” is the latest single from Orlando soul band Fat Night. We’re vibin’ on the track’s neat early 70’s vocal group harmonies and cool dusky chorus hook.

Fat Night – Things You Do

Fat Night (Facebook)

Rating 8.5

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reviewed by
03-08-13

Ciara – Body Parts (Prod. Mike Will Made It)

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We’re not even mad. Sure, the song title and concept are dumb, “Body Party” anyone? But melodically “Body Party” is a slice of mainstream R&B perfection. That, and an excellent A-level Mike Will Made It instrumental, make this new Ciara joint a must listen.

Ciara (Facebook)

Rating 8.1

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reviewed by
03-04-13

Terrace Martin – Poetic Justice (Saxophone Remix)

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We love Terrace Martin. The L.A.-based Producer/MC/saxophonist can seemingly do it all. Here Mr. Martin puts a Quiet Storm shine on K. Lamar’s current “Poetic Justice” hit layering with a generous smattering of dope sax leads. CC this one to yr shawty.

Terrace Martin (Facebook)

Rating 8.3

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reviewed by
03-04-13

Tuesday Born – Sleep With Stars

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“Sleep With Stars” is the just released sophomore single from after hours pop artist Tuesday Born. The single which will also include remixes from Auntie Flo and Debian Blak and is a apertif to the London-based Tuesday Born’s forthcoming “Singing in the Dark” EP, which is due April 1st. The muted rhythms and soothing electronics of the excellent “Sleep With Stars” should serve as a great introduction to this newcomer artist.

Tuesday Born england (Facebook)

Rating 8.2

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reviewed by
03-04-13

Ryan McDermott – Joy (Feat. Hit-Boy)

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G.O.O.D. Music affiliate Ryan McDermott gets the inside bounce pass from label teammate Hit-Boy and WHAM! with the right hand (word to Joe Tait) the two connect for the nicely tipped R&B-flavored pop track. It’s “Joy”.

Ryan McDermott (Facebook)

Rating 8.3

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reviewed by
03-01-13

Saux – ITAY

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Young Amsterdam producer Saux may be a bit under the radar as of yet but the 19-year old (!) has already made some pretty impressive fans including Jessie Ware, Bondax & our buddy KCRW’s Anthony Valadez (who tipped us to the track). “Itay”, which is sampled here from Saux’s new EP “Bring Me Home” marries the R&B, soul-influenced electronic sound that’s been such a major Dutch export the last several years with more modern instrumentation and rhythm structures; that and the track sports an absolute lights out vocal melody. Get introduced to Saux below.

Saux – ITAY

SAUX (Facebook)

Rating 8.4

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reviewed by
03-01-13

Tamia – So Into You (WMNSTUDIES Bootleg)

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OMG! Canadian West Coasters WMNSTUDIES get their hands into one of the best 90’s/R&B/songs maybe ever; (& because it’s WMNSTUDIES you know it’s going to be fresh) remixing Tamia’s 1998 classic “So Into You” to 100% perfection. “So Into You”!!

WMNSTUDIES (Soundcloud)

Rating 8.3

reviewed by
02-28-13

Lady – Get Ready

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Lady, the duo of 90’s R&B-stress & BlakRoc collaborator Nicole Wray and UK singer Terri Walker that we first hipped you to back in November, delivers a second single perhaps better that their first. The minor-keyed “sneaky groover” “Get Ready” is a different look as compared to that first single (the sunny skipping “Money”) for the Truth & Soul Records artists but its definitely one we’re into, like REALLY INTO. Excellent.

Lady newyork (Facebook)

Rating 8.3

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reviewed by
02-27-13

J-Louis – All About the Panties (That Mara Hruby Flow)

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Producer J-Louis goes 100% on b3 favorite Mara Hruby’s great Mos Def cover, selecting for a hypnotic after hours groove furnishing the track with a generous amount of cache and soul.

J-Louis (Soundcloud)

Rating 8.4

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reviewed by
02-25-13

Charles Murdoch – Sleeper

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The more played out the “Future Garage” sounds gets, the more it becomes “Old” Future Garage, the more difficult it is definitely to impress, stand out, make an impression with a sound that is on the definite business end of its trendiness. Charles Murdoch’s “Sleeper” is that standout and so much more. The type and timber of the beats, the pitched down vocals, the languid instrumentals, they feel real. They feel like the product of an artist who needs to make this music, regardless of it’s fashion. That, and it helps, too, that Mr. Murdoch is also extraordinarily skilled. A++

Charles Murdoch australia (Facebook)

Rating 8.5

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reviewed by
02-25-13

Kwabs – Spirit Fade

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Check out the latest Dave Okumu (Jessie Ware) collaboration in the form of the infinitely soulful & immensely intimate and affecting new track from London-based singer Kwabs, “Spirit Fade”.

Kwabs england (Facebook)

Rating 8.5

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reviewed by
02-22-13