Image

blahblahblahscience

b3sci exclusive: Summer Fiction

summer-fiction

Summer Fiction are one of our favorite surprises of 2010. b3sci recently had the chance to catch up with frontman, and singer/songwriter, Bill Ricchini to ask him a few questions about music and life. Check it out:

b3sci: Where can fans expect to see Summer Fiction perform in 2011?

Bill: We mostly play on the east coast, in NY and Philly, but yes, we’re coming to a town near you, hopefully. We’re planning some touring and speaking to some possible booking agents. We also just booked PopFest in NYC for the spring. Possibly SXSW…

b3sci: When people experience Summer Fiction for the first time, is there a particular message that you’re hoping translates?

Bill: I like to leave it pretty open ended and hope the audience or listener brings their own thing to the songs and performances. I will say the music is coming from a place of sincerity and hopefully that comes across on an emotional level.

b3sci: Just listening to the album, you can tell songwriting seems to just resonate in your bones. While your songs seem basic at the core they are complemented by fairly intricate arrangements and counter melodies. What has inspired you to be a songwriter, and what sort of education, experience, or vision leads you down your path of record production?

Bill: Thanks! I’m pretty obsessed with songwriting and arrangement. While I never studied music formally, I think I studied all of my favorite records growing up and somehow that is all in my DNA. I also enjoy producing, I feel it would be hard to give that up to someone, although maybe I will try it if Jon Brion calls.

b3sci: What’s your dream collaboration?

Bill: I’d love to write an album for a female singer and produce it. There are lots of gorgeous pop and torch songs I have ready to go but just need to find my muse… I’d also love to meet Brian Wilson. A while ago, one of the guys from Wondermints passed him one of my demos.. and I heard he liked it! That was kind of surreal… Music for film also excites me. I think Wes Anderson would like this record for some reason. Maybe it is the font choice.

b3sci: Is there a particular track from the album that you feel especially connected to or proud of?

Bill: I think “Kids in Catalina” has been really popping live. I like the construction of that song, the vocal choir and the vibraphone.

Summer Fiction – Kids in Catalina

b3sci: How would you say the music scene in Philadelphia has or hasn’t helped Summer Fiction along?

Bill: Philly has been 100% supportive. Bands, journalists, fans all came out for this record and many good friends from other bands contributed.

b3sci: Here’s a question we love to ask people… hypothetical situation, you’re stranded on an island and you can chose between having with you either 30 songs OR 10 albums? Which take the space?

Bill: 10 albums; no question. I like the thematic element of my favorite records, call me old fashioned but I like the way songs brush up against one another and form a complete thought. That’s what I went for with Summer Fiction. One of my choices would be It’s a Shame About Ray which is a perfect record.

b3sci: What are five things you can’t live without?

Bill:
1) Guitar
2) Digital voice recorder
3) Marble notebook
4) Good food
5) Books

b3sci: What are five things that you could totally be cool living without?

Bill:
1) Rent
2) TV
3) East coast winters
4) Hangovers
5) Traffic

b3sci: Has the internet played a role in the development of you as an artist?

Bill: Uh not sure. I tend to focus more on the message than the media, but the fact that the web is a great tool to share my art is gratifying.

b3sci: How do you discover new music?

Bill: Online, jukeboxes, shows, SXSW, radio, my friend Mike…

b3sci: What are you listening to at the moment? Anything influential?

Bill: The last Beach House record kills me. Arcade Fire and Deerhunter are really on their game… Kurt Vile is great too.

b3sci:In your opinion, what are some of the popular misnomers about being an independent and emerging artist/songwriter in today’s music industry, and with the general, casual listening public?

Bill: Maybe just how much discipline and focus it takes to make a good record.

more Summer Fiction on b3science HERE

Info on Summer Fiction / Purchase the Album at Bandcamp

Summer Fiction – Throw Your Arms Around Me

Summer Fiction – To: Alone

Summer Fiction – Chandeliers [FREE DOWNLOAD]

reviewed by
12-10-10

TICKET GIVEAWAY: Nas and Damian Marley in Manchester April 2, 2011

nasanddamien

B3SCI TICKET GIVEAWAY! Hip-Hop icon, Nas, and Reggae royalty, Damian “Jr. Gong” Marley have announced three UK live dates that are surely to be among the most anticipated events in Spring 2011. Experience Nas and Damian perform choice material from their own solo catalogues as well as tracks from their recent collaborative effort Distant Relatives. A definite highlight from 2010, Distant Relatives explores the musical and ethnic roots of both artists and the connections between them and features tracks with Lil Wayne, K’NAAN, and more. Get it here!

blahblahblahscience is giving away a pair of tickets to their April 2nd performance at the O2 Apollo in Manchester! Just drop us a line here and let us know you want them… simple as that. Also, if you dont win the tickets from us, don’t fret, you can still get your hands on some here. For more performance dates and information check out www.distantrelatives.com.

LIVE DATES
London – 31st March – Wembley Arena
Glasgow – 1st April – O2 Academy Glasgow
Manchester – 2nd April – O2 Apollo Manchester

Nas – One Mic

Damian Marley – Road to Zion (Feat. Nas)

Nas & Damian Marley – As We Enter

reviewed by
11-28-10

Eliza Doolittle – Fuck You / J. Cole – I’m Coming Home / Machinedrum – Let It Feat. Melo-X (edIT of The Glitch Mob Remix)

bsci fave Eliza Doolittle holds nothing back when she throwsdown on this soulful cover of Cee-Lo Green’s “Fuck You”. shit is live, and damn it’s HOTTT! Eliza we’d never treat you wrong, call us!

Eliza Doolittle – Fuck You
info / purchase

j-cole

J. Cole keeps the streak alive with this latest track surfaced from his anticipated Cole World LP. Alex da Kid works the boards for this gem that has hit written all over it..

J. Cole – I’m Coming Home (Produced by Alex da Kid)
info / purchase

machinedrum

Stones Throw let loose on yet another killer jam, this b-side is edIT of The Glitch Mob’s take on Machinedrum’s 2009 cut “Let It” feat. Melo-X. GET IT NOW on 12-inch!

Machinedrum – “Let It” Feat. Melo-X (edIT of The Glitch Mob Remix)
info / purchase from Stones Throw

and for those in the Halloween spirit… and who haven’t seen the following, check it..

reviewed by
10-30-10

b3SCI mixtapes: Halloween II

panama_monster_450x338

HALLOWEEN.. AWWW YEAH!!! and this years mixtape kills it. so again we ask is the monster mash played out? yeah! do we give a fuck? no!

01. Curtiss King – Are You Afraid of the Dark
02. Smashing Pumpkins – Zero (Le Castle Vania Remix)
03. Colin Munroe – Bulletproof Monster (Feat. Nicki Minaj and La Roux)
04. Green Go – Brains for Breakfast
05. Grinderman – Hyper Tapeworm (UNKLE Remix)
06. Yeah Yeah Yeahs – Heads Will Roll
07. The Diamonds – Batman, Wolfman, Frankenstein or Dracula
08. Roky Erickson – I Walked With A Zombie
09. O. Children – Dead Disco Dancer
10. Outkast – Dracula’s Wedding
11. NASA – Chase The Devil (Max Romeo Cover)
12. The Sonics – The Witch
13. Bobby “Boris” Pickett – Monster Mash
14. Death in Vegas – Aisha (Feat. Iggy Pop)
15. Swede:art – I’m A ROBOT (TOKiMONSTA Remix)
16. Natalia Kills – Zombie (Does It Offend You, Yeah Remix)
17. Screamin Jay Hawkins – I Hear Voices
18. The Cramps – Zombie Dance
19. The Misfits – Halloween
20. Autolux – Headless Sky
21. LAWS – Hold You Down (Feat. Big K.R.I.T. and Emelio Rojas)
22. Small Black – Weird Machines
23. The Specials – Ghost Town

download the full mixtape here

check last year’s mixtape here

buy music

reviewed by
10-27-10

B3SCI EXCLUSIVE: Ticket Giveway – Saint Saviour @ Bush Hall, London UK 10/23/10

saintsavour

ATTN: b3sci UK fam. ex-Groove Armada frontwoman Saint Savour is playing a SOLD OUT gig @ London’s Bush Hall TOMORROW NIGHT (SATURDAY). SOLD OUT FOLKS! No more tickets left. Awwwwwwwwwww ……..but wait! You know b3scis got you. Thanks to our UK CONNECTS, You can be there! (We know we would want be!) Just be the first to hit our email and two free passes will be waiting for you at the Bush Halls door. This promises to be a fantastic gig as Saint Saviour is nothing less than world class on stage. You want these tickets.

Peep Saint Saviour’s bomb new single Woman Scorned:

Saint Saviour performing with Groove Armada at Glastonbury this year. Yeah!

Saint Saviour on Soundcloud
Saint Saviour on Youtube
Saint Saviour on Myspace

reviewed by
10-22-10

b3sci exclusive: Mackintosh Braun

mackintosh5

b3science recently caught up with Ben and Ian from Chop Shop Records’ latest signing, Mackintosh Braun about their new LP Where We Are, the digital age, music licensing, fat free soy milk and more… check it out:

b3sci: a band of many influences, how has Mackintosh Braun evolved artistically on Where We Are from the days of your self-released debut The Sound?

Ian: we’ve been writing so much over the last couple of years that we’ve learned a lot about how we write songs together. i mean ‘the sound’ came out in 2008. but we had written all those songs in 2007, so we’ve had a lot of time to develop our sound and the way we write songs. this album gave us a chance to share a bit more of ourselves with the listener, and try things musically that we’ve always wanted to.

b3sci: If time and technology were no obstacle, and you guys could collaborate with anyone… ever, past, present or future, who would it be with and why?

Ian: Ratatat
Ben: ian’s got a real Ratatat thing going right now.. they’re great. ummmm, i’m gonna have to say, steely dan. that would pretty much make my dreams come true…

b3sci: how do you feel your synch in MTV’s 2010 season promo has influenced the future and fate of your band?

Ben: i think it’s cool whenever someone wants to showcase your music, and for us it was a compliment when i saw the MTV promo. we can’t really worry about the effect it might have on our future, for us it’s just about getting the music out there and hoping people attach to it.

b3sci: music licensing has come a long way in the last 10 years for emerging and established artists. what was once considered taboo and damaging to an artist’s cred is now of the most sought after opportunities. how would you guys like to see the fate of music licensing evolve?

Ben: music licensing has come a long way, it’s pretty incredible that so many great bands are getting opportunities that they never would have before the current “anti-jingle house” era that we’ve all grown into. i think to answer the question, popular culture and music go hand in hand, so to have it all so accessible now, everywhere you turn, is pretty great in my opinion, it’s helped us tremendously.

b3sci: how does it feel to be signed to Chop Shop Records, and have your vision supported by one of the most influential tastemakers (Alex Patsavas) in the entire entertainment industry?

Ian: it feels like if we planned it from the beginning, it wouldn’t have worked out better than this. it’s a great feeling…
Ben: yeah, it’s pretty great to have someone with her vision and ear for music support us like she does, everyone at Chop Shop is amazing. like ian said, it couldn’t have worked out better.

b3sci: first impressions speak millions, especially in today’s digital age of short attention spans. when somebody has the Mackintosh Braun “experience” for the first time, what is the first impression you’d like those listeners to walk away thinking?

Ian: “i’ve been waiting to hear that”
Ben: i want them to first feel the goosebumpy feeling in your arms when you hear that hot ass track, then i want them to think “damn, that’s some dopness.”

b3sci: what song on Where We Are do you feel most proud of, and why?

Ben: I was just telling ian that i’m really proud of the title track “Where We Are”. i just think we did a great job on that one, the drums sound great, i love the bridge, i’m just really proud of how that song came together.
Ian: I think for me it would be “Made For Us”. One of the reasons is that I love how you can hear both of our personalities come through in that song, and some of the things we tried and experimented with instrumentally, came out really well. there are a few notes in that one that really tug on my heart strings.

b3sci: what song, or artist, made you want to write and share music with people?

Ben: Led Zeppelin had a huge influence on me in my younger days, my mom got me into them when i was in 5th grade. i just always wanted to write music, and create sounds. i’ve never really thought about doing much else, it was the thing that i always had the strongest desire for. i still do.
Ian: I would have to say it was The Beatles, when i was listening to the song “help”, john lennon sings the line, “my independence seems to vanish in the haze”. the feeling that line gave me was so electric, that i knew i wanted to write music and try to create that for someone else.

b3sci: given the current landscape, who would be your top three acts to tour with?

Ian: Ratatat..
Ben: how bout Daft Punk, Royksopp or even Air would be amazing. There are many, many bands that we would love to tour with. lots of good music out there.

b3sci: What’s in your iPod? What album/artist is rocking your world right now?

Ian: loving’ “The Suburbs” by the Arcade Fire, and of course anything by Ratatat.
Ben: really love Wild Nothing “Chinatown” and i’m also diggin Real Estate “Out Of Tune” right now as well.

b3sci: what are 5 things that each of you guys absolutely couldn’t live without?

MB:
1) weed
2) our studio..
3) is that 5 things??

b3sci: what are 5 things that each of you guys could totally be cool living without?

MB:
1) fat free soy milk
2) third eye blind
3) people who ask about your shit, and then talk about their shit right away..
4) traffic in portland getting worse
5) the kazoo, even though jimmy made it sound awesome on “crosstown traffic”.

b3sci: What role do you think the internet will end up playing for music discovery in the future?

Ben: the largest role, it’s so important these days in discovering music.
Ian: yeah, we really may not have gotten here without it.

Mackintosh Braun info
purchase Where We Are

mackintosh3

reviewed by
10-16-10

Pavement / Sonic Youth / No Age @ the Hollywood Bowl, Los Angeles 09/30/10

pavement

…And the last band left standing shall receive the spoils, but these are metaphysical spoils, which shall not be quantified by ticket sales or legions of fans, but rather by the knowledge that your music inhabits a space within the sinuous web of rock and roll, and that every afternoon new bands are forming everywhere, inspired by a specific set of your songs…

Few bands over the past 25 years exhibit the level of influence wielded by Pavement or Sonic Youth, and we would have to go back a half-decade and across the sea to find bands like Joy Division, Gang of Four, and The Clash, who lay claim to a greater circle of followers.

That being said, the September 30th Pavement / Sonic Youth show at the Hollywood Bowl was a lineup for the ages, at one of the most beautiful venues in the world, a venue almost out of antiquity, so complementary with its natural surroundings that it couldn’t be man-made, or at least originally conceived by the father of the great Frank Lloyd Wright, who was called simply Lloyd Wright.

The up-and-coming Los Angeles band No Age opened the show. They are about to embark upon a European tour, which will be followed by an American tour, including a show at Cleveland’s Grog Shop, an old b3sci stomping ground. This is a band to watch. From what I’ve heard, they’re still in the process of amalgamating their influences, but their measures of experimentation show a band without a clearly defined ceiling, for whom the sky’s actually the limit, creators of music which belongs to “no age”.

Sonic Youth played for about fifty minutes, and they absolutely slayed it! Kim Gordon is 57 years old. She’s the hottest rockin’ grandma I’ve ever seen! The tightness of this band is unbelievable, the result of long periods of incessant, generally uninterrupted touring. They’re like Phish, where even if you’re predisposed against the style, witnessing their live performance is enough to baptize the neophytes. They stopped playing at approximately 9:35, waving and leaving without an encore, to the dismay of thousands of old and new converts.

My friend and I walked around the structure during intermission. Except for the steep incline up to the nosebleeds, there isn’t a bad seat in the whole bowl, thanks to the convex arrangement of seats. The consensus is that the new shell, added between the 2003 and 2004 season, has greatly improved the sound quality. Also worth noting, Heineken costs eight dollars at the Hollywood Bowl… we should’ve gone to a liquor store beforehand.

Pavement took the stage a little before ten o’clock. They opened with “Cut Your Hair”, which was the song they played on Leno back in ’94 (watch below). When we see the popular disregard in Malkmus’ falsetto, it’s easy to understand why they weren’t invited back for a second performance. Still, with its hooks and harmonies, “Cut Your Hair” could’ve been a single on the level of Weezer’s “Buddy Holly”, if only it had a Spike Jonze directed memorable music video. Other highlights included “Gold Soundz” (which was voted top song of the 90’s by Pitchfork) , and the transition into Shady Lane. Other set highlights included “Summer Babe” and “Range Life”.

Malkmus had a wry smile as he trotted off the stage, and I figure they’d be back in 90 seconds for an encore, which of course would include “A T & T”, my favorite Pavement song. But the house lights went up immediately, along with some barely audible PA music, a not-so subtle way to tell the masses to exit the premises. Sadly, the band were hoping to play an encore, which would’ve included “A T & T”, but couldn’t due to time constraints.

It was a fantastic show, and I couldn’t have asked for anything more. But Pavement only played 17 songs, totaling an hour, as opposed to their NYC concert, where they played 27. Hopefully I’ll still see them play “A T & T” someday.

Contributed by: Christopher Gedos

hollywood-bowl

reviewed by
10-06-10

The Temper Trap / Delphic Live @ House of Blues, Boston 09/29/10

temper

Melbourne, Australia’s wonderboys The Temper Trap continued their worldbeating tour of nonstop jams this past Wednesday at Boston’s House of Blues. The band rolled into the burger and fries venue accompanied by NYC duo The Hundred in the Hands and UK Mancunians Delphic.

We love NME hype bands so much it isn’t even funny. So when we heard NME it girls Delphic were on this bill, we were super super psyched. Their debut LP Acolyte is one of our favs of the year. The band’s brand of synth-driven Manchester-driven rock dance pop came off tremendously well live, suprisingly so. The interplay/coordination between various band personnel was phenomenal, between synthesizers and drum machines, guitars and bass, frontman James Cook’s killer vox and keyboardist Rick Boardman’s equally killer backup vox. The band was really really solid, on top form. Due to their still relative obscurity in the States outside the circles of serious NME hype loving anglophiles like us, Delphic hit the stage to maybe 80% crowd indifference but left it to near total venue admiration.

The Temper Trap have crazy fans and their numbers seems to grow exponentially by the day. The band’s potential is unlimited. These guys could totally be a Coldplay-level band in 5-7 years, they’re that kind of band. This was my first time seeing the band, and wow. All I can really say is wow, I was that impressed. The band, itself, sounded massive. Singer Dougy Mandagi is totally a star. The band’s brand of thoughtful, hopeful, artful pop just straight up destroyed I think everybody in attendance. Think about the word choice in that sentence thoughtful, hopeful, artful & destroyed. The Temper Trap are that kind of band. It’s truly remarkable what these guys are doing. Highlights for me from the set were second song Fader with its mega, dare I say Hutchence-esque, hooks and killer rhythmic elements and mid-set jam Love Lost which does sort of sound like what the aforementioned Coldplay might sound like if they were still hungry.

Potential. Potential. Potential. Both The Temper Trap and Delphic have a veritable shitload of it; Delphic, likely, more so in the UK but really with The Temper Trap, its’ worldwide. They’re that kind of band.

The Temper Trap: Info / Purchase
Delphic: Info / Purchase

reviewed by
10-03-10

Mount Kimbie Live @ the Downtown Independent, Los Angeles 9/26/10

dscf0813

The UK duo, Mount Kimbie, made their Los Angeles debut Sunday night at the Downtown Independent, an indie film theater which doubles quite nicely as a concert venue. After a chill on the venues rooftop patio, began the evening’s run of five plus hours of electro, experimental, urban, dub, and pop inspired acts. Classic mob’esque and big band sample-saavy MC’s, 5 O’Clock Shadowboxers, got things started sporting gun holstered costumes and some notable ‘Dharma Initiative’ references. Other support worth mentioning includes Sahy Uhns, Strangeloop, and Shlohmo; all who gave inspired performances.

Mount Kimbie hit the stage near midnight for their self-proclaimed first ever gig in LA. Experiencing first hand Mount Kimbie’s manipulation of electronic and live-instrumental (guitar, drum/symbol, and vox) sound layers offered an exciting glimpse at this duo’s potential, and that of a growing niche of electronic acts. What sets Kimbie’s compositions apart is the group’s ability to take the sonics apart, stretch them, ply them, break each of the sounds they produce into their simplest nuances. Less visually focused than any of the acts earlier that night, their songs and brilliant transitions lead to an inspiring set from an aspiring young group.

While the duo seemed concerned about some minor monitor issues, the sound was rather good and the crowd was no doubt pleased, and familiar, with the set consisting mostly of material from Mount Kimbie’s Maybes and Sketch on Glass EPs and their most recent LP Crooks & Lovers. The second to last track of the set, and released single, “Field” became the clear standout song of the night. A faint electronic texture looped with crescendo as a simple electric guitar lick sneaked in to build an hypnotic atmosphere.. when suddenly gears shifted, and another world of composition began. A basic progression of loud, driven guitar chords played out until electronics entered to bring the song back to a level reality; showcasing an ideal sound marriage of innovative electronic music and straight forward rock and roll. Other highlights of the set included their performance of the track “Would Know”, some interesting improv on eastern world melodies, as well as a next level-type manipulation of a “don’t go and tell my baby” vocal line.

In conclusion, Mount Kimbie’s first show in LA seemed to be, by their account a gracious one. Fans with open minds found their solace. The night served as yet just another shimmering example of music evolution across the pond. A duo with much more to them than any niche they fall into, Mount Kimbie prove, in their own way, that simple ideas can still lead to musical innovation.

dscf0814

dscf0810

photo

rating:
mayor-quimby

reviewed by
10-01-10

B3SCI EXCLUSIVE: Ticket Giveaway – Pavement / Sonic Youth @ Hollywood Bowl, This Thursday, Sep 30

pavement

If that headline got you as psyched as we are for this show, then you, my friend, are in the right place. Two of the coolest bands in history are headlining the Hollywood Bowl THIS THURSDAY and YOU, blahblahblahscience reader, have the shot at two free passes! Yeah! Just be the first rock and roller to tell us whether Stephen Malkmus or Thurston Moore has the better hair and the tickets are yours. Its that simple! We do have a definite opinion on this matter, but here at b3sci, we are gentlemen and never tell.

If you don’t win this giveway, keep cool, fool, you can still score some tickets here. get it girl!

reviewed by
09-28-10

B3SCI EXCLUSIVE: Ticket Giveaway – Phoenix @ Hollywood Bowl, This Saturday, Sep 18

phoenix

everyone’s favorite french dudes, phoenix, are on the run! and they’re headed to your town! and if you live in LOS ANGELES the band, along with Grizzly Bear and Girls, will be in your city this Saturday the 18th @ the Hollywood Bowl. People of b3sci nation, have we got a deal for you! Hell yeah, we’re giving away a pair of free tix to this Saturday’s Phoenix show! The first francophile to hit our email us here with their prediction of this year’s Ligue 1 football champion wins the tickets. (b3sci favs Girondins de Bordeaux have been major league eating it.)

if you make like RC Lens and don’t win tickets this time you can still score them here. we’re super pumped about this show. we’ve had it circled on our calendars longtemps. and we’ll be there with cloches on!

Phoenix – If I Ever Feel Better

Phoenix – Run Run Run

stay tuned to b3sci in the coming weeks for further LA ticket giveaways to come:

Sept. 26th: Vampire Weekend/Beach House/The Very Best
tickets

Sept. 30: Pavement/Sonic Youth/No Age
tickets

reviewed by
09-15-10

B3SCI EXCLUSIVE: Ticket Give Away – This Sunday September, 19th with Calexico and Ozomatli at the Hollywood Bowl

calexico

if you’re like us and Robert Rodriguez’s Machete wet your Viva Mexico! palette, then get your full fix this Sunday at the Hollywood Bowl with an A-List line-up of Mexican-American music including sets from Calexico, Ozomatli, and MORE! stoked?!? we are, and in fact we’re so psyched about the gig that we’re gonna spread the love and share some free tickets with you guys! just be of the first to shout us here and give us some espanol – ie. ME GUSTO CALEXICO, HOLA B3SCI, blahblahetc… and we’ll hook you up!! simple as that.

if you don’t score the tix from this us time around, you can still get your paws on some here. also be sure to check out these other happenings at the Hollywood Bowl as summer winds down and stay tuned to B3SCI for more ticket giveaways to come:

Sept. 18th: Phoenix/Grizzly Bear/Girls
tickets

Sept. 19th: Viva Mexico!
tickets

Sept. 26th: Vampire Weekend/Beach House/The Very Best
tickets

Sept. 30: Pavement/Sonic Youth/No Age
tickets

reviewed by
09-14-10