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Track Reviews

Review: London Grammar – If You Wait [LP]

London-Grammar-If-You-Wait

Reviewed By Mike Olinger

Last year English trio London Grammar posted their debut single “Hey Now” on the Internet. There was something immediately gratifying about the warm female vocals, liquid guitar playing and industrial rhythm section and by 2013; the song went on to receive over 800,000 hits on YouTube. The same song was also chosen to kick-off their debut album If Your Wait, released by Columbia Records earlier this month.

The buzz has only snowballed since the inception of London Grammar less then a year ago. It’s tempting to pop a hole in the hype balloon that has been fed by a Mercury Prize nomination and glowing reviews from cream blogs like Pitchfork and Consequence of Sound. Their reverb-heavy pop fits a little too well next to the burgeoning Alternative Mainstream and sometimes comes off as a well-calculated move towards that marketplace.

Sounding something like the love child of The xx and Florence Welch, the London three piece do manage to keep an evocative edge on their sometimes overly plaintive songs. Their single “Strong” is particularly poignant in its admission “excuse me for a while, while I’m wide eyed and so damn caught in the middle.” It’s confessional and the narrative lends itself beautifully to the band’s speedy rise to prominence, while lead singer Hannah Reid demonstrates just how powerful her vocals can get.

There are some subtle hints to golden era of 90’s trip-hop on “Strong” and “Stay Awake”, and key track “Metal & Dust” conjures up the irresistible vocal breaks of Imogen Heap. There is definitely a synergy between the rhythm section and the vocals of Hannah Reid, one that is captured perfectly throughout the eleven tracks on If You Wait by producer Dot Major. The majority of the album feels intentionally contained and streamlined, which is a positive for people who gravitate towards bands that can recreate their recordings live. No bells and whistles are needed to communicate the impressive dynamics of this band.

London Grammar has certainly answered the call for a stylish debut. It is indeed a slow building, sweltering collection of translucent electronica that calls out for a winter evening and a glass of red wine. Their melancholy lyricism and soft soundscapes seem to be the thread that connects to the majority of their listeners. If You Wait is a little bittersweet, a little over dramatic, but also lovely and confessional. For such a new group, it is an album brimming with graceful sophistication and the promise of greater horizons.

London Grammar england (Facebook)

Rating 8.3

brown93

reviewed by
09-23-13

Batwings Catwings – September

batwings catwings

Give a spin to “September”. It’s one of the better 2-minutes you’ll have spent in a while. The song is excerpted here from Batwings Catwings’ new WHOA EP. Listening to “September” is like when you flipped on your favorite college radio in the early 90s only to discover to your next favorite band. And no that’s not Joey Lawrence on the EP cover (at least we don’t think it is).

Batwings Catwings california (Facebook) (Twitter)

Rating 8.1

brown8

reviewed by
09-23-13

Little Daylight – Glitter and Gold (Kulkid Remix)

Glitter and Gold (Kulkid remix)

Hot streak French producer Kulkid gives a fresh look to the ever-catchy “Glitter and Gold” from Little Daylight in anticipation of the band’s new remix EP dropping tomorrow. The remix is another winner for the LD trio, as Kulkid’s touch is subtle yet effective, true to the song’s pop nature while uniquely reminiscent of early Lykki Li. We’re into it.

Kulkid (Facebook)
Little Daylight newyork (Facebook)

Rating 8.2

brown8jah one

reviewed by
09-23-13

Bipolar Sunshine – Love More Worry Less

bipolar sunshine

“Love More Worry Less” sounds like a hit. From it’s initial Drake-like diction to it’s dynamic indie-rock swell and climactic refrain, we are loving the prolific nature of this lead single from Bipolar Sunshine’s forthcoming Drowning Butterflies EP. Check out Bipolar Sunshine touring this fall in the UK on headlining/support slots with the likes of Haim, Bastille and Rudimental.

Bipolar Sunshine england (Facebook)

Rating 8.2

brown8

reviewed by
09-20-13

Jaymes Young – Moondust (Ianborg & Bronze Whale Remix)

Jaymes Young - Moondust (Ianborg & Bronze Whale Remix

Producer/DJs Ianborg and Bronze Whale have teamed up to sprinkle “Moondust” on the recent soulful single from electro pop sensation Jaymes Young. On this remix the duo showcase a robustness which captures everything we’re loving about progressive EDM. Keep your electro radars finely tuned to these talents.

Ianborg (Facebook)

Rating 8.4

brown8

reviewed by
09-20-13

Rave’s Fave: Avicii – Liar Liar

Avicii-Album-Cover-True

Review By Bruce Rave

If anything, Avicci’s meteoric rise to the cream of the EDM crop will accelerate with his recent True LP. His worldwide hit “Wake Me Up” showed that this dude is more than ready to blur genres, something very evident on “Liar Liar”. This retro-sounding track features lead vocals from Blondfire singer Erica Driscoll. If you love a Farfisa organ straight out of the 60’s, that’s even more reason to give this a listen. Avicci may cross the lines but can you dance to this? Of course!

Avicii – Liar Liar

Avicii (Facebook)

Hear Bruce’s “Go Deep With Bruce Rave” weekly new music show on Indie1031/Los Angeles and WSUM-FM/Madison. Details and archived shows can be found on his blog and be sure follow Bruce on Twitter too!

reviewed by
09-20-13

Travis Bretzer – Low Volt

bretzer

Review by Nathan Hetherington

“Low Volt” is a fine slice of chorus drenched guitar pop, slowed down just right for that extra smooth ride. It looks like there’s a new addition to Canada’s ‘laid back and kinda goofy cool guy’s club’, his name is Travis Bretzer and (above) that’s him there hitting a melon with a baseball bat.

Travis Bretzer canada (Purchase)

Rating 8.3

brown8

reviewed by
09-20-13

Allison Taylor – Open (Rhye Cover)

allison taylor

Los Angeles newcomer Allison Taylor debuts with this delectably delicate rendition of “Open” from Rhye’s celebrated 2013 Woman LP. Lush in arrangement and tactful in subtle delivery, Taylor peaks our curiosity. We’re eager to hear more. Sample “Open” below.

Allison Taylor (Soundcloud)

Rating 8.2

brown8

reviewed by
09-19-13

Triptides – Prediction

triptides

Triptides demonstrate music appreciation on their newest track, “Prediction”. Harpsichord and Rubber Soul (.. and others) aside, “Prediction” draws an ace with it’s transatlantic trip through time. As if it weren’t incredible enough that this Indiana based trio managed the genuine surf-rock / west-coast vibes of their earlier material, the fact that Triptides has dialed British psychedelia of the 60s in such a short breath is noteworthy alone. Any band with a nimble knack for rock and roll will always have a slot ready for them at B3SCI H.Q. Check out Triptides with “Prediction” below.

Triptides indiana (Official)

Rating 78.3

reviewed by
09-19-13

Holychild – Happy With Me

holy child

“Happy With Me” hits hard with a melee of rhythmic synth. Demanding your attention, Holychild play the irony card on this track with a vocal melody that forces a feel good smile. Simply put “Happy With Me” is a relatable anthem for the masses. Check out Holychild on tour throughout the US this fall.

Holy Child (Facebook)

Rating 8.1

brown8

reviewed by
09-19-13

The Black Hollies – Somewhere Between Here And Nowhere

the black hollies

The Black Hollies are certainly “Somewhere Between Here And Nowhere”. After all, how rare is there a mainstream appreciation for classic rock roots amidst today’s melee of slick-toned indie pop/rock? The truth is that some sounds are evergreen and thus rock and roll will never die. The Black Hollies give us something more to groove to, something anthemic to sing along to, and most importantly something to rock-out to. Press play and turn up “Somewhere Between Here And Nowhere”.

The Black Hollies (Facebook)

Rating 8.4

brown8

reviewed by
09-19-13

Being There – In The Dark

'In The Dark' by Being There

Most bands do it (whether or not you’ll ever get them to admit it is another story), but a name/line-up/sound change for most bands is often a necessary and healthy evolution. Consider it a growing pain. UK collective Being There have recently returned to the scene with a similar statement of sorts. The driving bass line of “In The Dark” and the counter melodic tendencies of the song speak volumes to pop maturity. As the band explains, “The song is a little about someone close to you moving abroad…. It’s also about the anonymity of cities – in the dark you can be whoever you want to be. And it’s also about mirrors, once experience mirroring another, one person mirroring another, the water of the canal mirroring your image.” Well put – Being There have got our attention.

Being There (Facebook)

Rating 8.0

brown8

reviewed by
09-19-13