Producer duo Snakehips is accompanied by Chance the Rapper and Tinashe for the first single off of what it appears to be a new Snakehips project. Despite Chance’s busy tour schedule, Snakehips got him to drop a set of his always-solid bars and Tinashe’s hypnotic alto vocals are variably featured throughout the whole song adding into the track its feel good vibe. Reviewed by Jake Goldstein.
Favorite Moon Boots drops off a warm-touch house-y new one called “Red Sky”. The minor-keyed dance number traverses a more obtuse broader region of the Moon Boots sound that inhabits somewhere near the orbit of artists like Darius and Cherokee. We like it. “Red Sky” is out now on Anjunadeep.
We are completely enthralled with the feisty-bizarre straight-shooting vibrantly-underplayed philosophical-bented lyrically-phenomenal guitar-drenched raw-sensed attitude of Cornwall, UK singer-songwriter solo-artist-troubadour Richard Barry also known as Acoustic Growl and his new track “One Of These Days”. Reviewed by Erin Shay.
We’re digging the sexy-sultry mild-trap-y hip-hop beats-driven r&b-vocals-dipped electro-effects-laced “Back It Up” a beautifully-heated slow-burner tune from LA-based duo THEY who recently released their short yet very impressive bright- guitar-touched Mind of a Genius-rep’d debut EP “NU Religion” (which also includes the insanely-catchy lead single “Motley Crue”). Keep your ears peeled for more from this uniquely fashioned versatile multi-genre-straddling dynamo duo who are one of the best new acts we have heard as of late. Reviewed by Erin Shay.
Mikky Ekko has been busy the past couple of years, and this year is no different. After writing 250 songs and narrowing it down to a cool 14, Mikky Ekko released his debut record Time. Each song on the record is raw, real, unapologetic and true only to the unique sound of Mikky Ekko. The talented singer, songwriter and producer has been touring the album, and we caught up with him over the phone to discuss his writing process, his first headlining tour, love for his fans, and his first taste of what it feels like to be Justin Bieber on stage.
How has the tour been so far?
“It’s been absolutely amazing. We approach it like a band, so everything from the album has been reworked to really make sure it feels like a live show. Like you’re going to see a band and you are going to see something which is as dynamic as the album, but has that kind of intimacy and rawness that you want to get at a live show.”
Do any songs take you by surprise when you perform it live?
“It creates an entirely new bond with the audience, with my fans. I think that for me is special about playing these songs. It doesn’t feel like you’re playing the same show every night. It’s just four guys on stage going for it.”
What’s your writing process like?
“I write a lot. I push myself to write even when I don’t really feel like writing. Sometimes it’s faster than others. Sometimes it takes a process of not getting the production right or bringing in other people. So I just really try to capture that lightning strike.”
How did you choose who to collaborate with on the new album?
“My goal when I set out was to write the absolute best songs I could write. To keep the album and the verses the music I listen to. So it’s everything from R&B style to punk rock and then to keep it vulnerable. That for me meant finding the best producers and writers I could for all the styles and that was a big part of me accomplishing what I wanted to do because I do like to do so many styles. So I worked with everybody from Dave Sitek who’s done Yeah Yeah Yeahs, TV on the Radio, to Benny Blanco at Stargate, to underground hip hop guys like Clams Casino.”
Where did you write and record the new album?
He laughs, “Everywhere. I wrote about 250 songs for the debut. It was a process and elimination for me and keeping what was most important. But the songs that were on the album were written in everywhere from Stockholm to LA, a few were written on tour buses, just while we were literally on the road. Then, Nashville and New York.”
Did all the places you wrote have any influence on the songs?
“Wherever I am I’ll wind up being influenced by that culture a little bit or that sound. I did a lot of the early writing in London and it was my first time spending time in London and I was there alone a lot. So a lot of the songs kind of reflect a melancholy and a desire to connect.”
Do you have a favorite song from the album, either to play live or just based on where you were in your life when you wrote it?
“Honestly, I am so happy with all the songs it’s hard for me to pick one. But if I had to pin one down, it would probably be “Time.” Just because it’s the simplest song on the album. For me, it was- I was in a place where I really wanted to write a song that felt classic and I think that song really embodies the push and pull of the album.”
What are you looking forward to most with this tour?
“It’s all about connecting with the fans for me. I love my fans and I love creating a moment with them that we can all remember forever, you know? For all the people coming out to these shows, it’s only going to get better.”
Is there a particular place you are excited to play?
“We are in Minneapolis right now and Mini is always pretty crazy!” He laughs, “It was crazy we played a Salt Lake City…it’s crazy I don’t even know what day it is. We played Salt Lake City three or four nights ago and I had no idea what to expect because the only other time I’ve played there was with Broods and when we hit the stage,” he laughs before continuing,”it was almost like being at a Justin Bieber concert I mean it was like everything we did people were just screaming, going crazy. It was so unique and city to city it’s just exciting for me. This is my first headlining tour. So I’m getting to see how all these cities are reacting to the music in their own way and that’s really special.”
Do you have any free time to explore the cities you are playing on tour?
“Sometimes. You know, I’ll throw a tweet out just asking for a park because we like to kick a soccer ball around while we’re in town. Then sometimes I’ll go for a run and just put on music while I’m running and that’s how I’ll explore cities. Or I’ll just Yelp stuff,” he laughs.
What can fans look forward to from you for the rest of the year? Mainly touring? Will you be releasing any new music?
“I’ll be touring up until November, but I don’t know…I don’t like to talk too much about what I’m doing,” he says apologetically before continuing, “Right now there’s definitely new music in the works, just because I’m always working on music. We’re out here touring an album I’m super proud of and I’m already working on what’s next.”
What are some musicians or bands you love that you think everyone should listen to?
“I really drew from the heartache of Elliot Smith, so pretty much any Elliot Smith record, but my favorite is From a Basement on the Hill. Then Jeff Buckley’s Grace and maybe Bjork’s Vespertine.”
THU / OCT 22
ALLSTON, MA / BRIGHTON MUSIC HALL
FRI / OCT 23
PHILADELPHIA, PA / UNDERGROUND ARTS
SAT / OCT 24
WASHINGTON, DC / U STREET MUSIC HALL
MON / OCT 26
CHAPEL HILL, NC / CAT’S CRADLE – BACK ROOM
TUE / OCT 27
ATLANTA, GA / CENTER STAGE
THU / OCT 29
NASHVILLE, TN / MERCY LOUNGE
London producer fwdslxsh woos us with a slow and sensual voluptuously-synthed-out picturesque-nature-inspired symmetry on his cooly dynamic quiet-moody delight called “Enough” which we are especially vibing with for its sublime-wallowy vocals and sweet tranquil-side guitar accents from Kiran Kai. Reviewed by Erin Shay.
“Sweet Enough” is the debut track online for South London songwriter Ben Hobbs. “Sweet Enough” is a perfect and precise bit of hopeful broad-palette indie pop that just teems over with breakout/crossover potential. We are very pleased to B3SCI Premiere “Sweet Enough” from Ben Hobbs. Listen below.
B3 favorite DJ/producer remix-extraordinaire Pat Lok wows us with a superbly-understated upbeat-mellow bright-side acid-jazz-tinged version of his distinctly-flaunty vibrant-synth-shaped producer style on “Your Lips” a new impeccable disco-centered falsetto-vocals-led original which features the r&b-appointed vocal charms of Canadian indie/electro/r&b trio Dirty Radio. “Your Lips” is out on November 10th via Hear This Records. Reviewed by Erin Shay.
11/14 Seattle, WA @ ReBar
12/03 Los Angeles, CA @ Sound
12/04 Costa Mesa, CA @ The Wayfarer
12/10 Austin, TX @ Kingdom
12/11 Boston, MA @ Wonder Bar
12/12 Montreal, QC @ Newspeak
12/15 Miami, FL @ Bardot
12/17 San Francisco, CA @ Audio
12/18 Denver, CO @ Church
12/31 Toronto, ON @ The Black Eagle
POWERS do like the song says on new single/gem “Legendary”. Riding an infectious call and response chorus and a roller disco whirl of Donna Summer guitar chords and washes of synth atmospheres, “Legendary” is another A++ bit of pop songwriting from Team POWERS. POWERS’ “Legendary” EP is out Friday.