STéLOUSE covers one of 2017’s biggest tracks “Rockstar” by the dynamic duo of Post Malone and 21 Savage in the style of Soundcloud in 2014; adding woozy synths and a new vocal track (Still Haze is an MVP here) in making over “Rockstar” into a great big sounding club winner.
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Hip hop and R&B seem to be scooting closer and closer together these days. Lando Chill has dropped “Fwm,” and you can barely classify it as rap. Dreamy kaleidoscopic synths stream in and out of awareness. Maya Vera slides in under Lando’s refrains with her sweetly tranquilizing voice. We’re ready to be snowed in with our significant other, trapped in a mountain of blankets by the fire.
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Nothing gets me going more than a track with chill production and breathy verses. “Discovery” by Kailee Morgue is straight up captivating. Check out this hypnotic, heartfelt, and haunting soundscape.
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NAO is serving up something new yet familiar. In her new single “Nostalgia” her words soar over thumping synths and a fast paced drum kit. But I can’t help but hear some Michael Jackson or Madonna in the bouncy guitar riff. I’m seduced by the same accoutrements of “Beat It” or “Material Girl.” The jagged funk vibe almost feels anachronistic, and yet that makes it all the more alluring.
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Sticking to his signature hypnagogic sound, S. Carey is preparing to release his third full-length album, Hundred Acres. Prior to its scheduled debut of February 23, the Eau Claire-based musician has decided to give us a taste of what’s to come. “Fool’s Gold” sports an unprecedented raw confidence. Compressed reverb from an assortment of acoustic guitars sputter and pang ever so gently. S. Carey’s voice is central yet tempered. Is it folktronica or just a highly produced singer-songwriter? I suppose that’s up to you. Check out his Bandcamp to listen in.
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Holy Motors, out of the Estonian capital city of Tallinn, stream stark Mazzy Star-like in aesthetic new track “Honeymooning”. With an emphasis on space in the arrangement, “Honeymooning” takes that reverb-heavy deep in the p.a. vocal style perfect by Mazzy or Chris Izaak, and more recently The xx, and casts a darker (slightly menacing) thematic tone. Holy Motors’ debut LP Slow Sundown is out February 9th.
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It’s nice when a song not only has great production, but an even greater message. “Take Me” (Feat. Ally Ahern) by Solstis is definitely one of those tracks. If you’re not familiar with these guys, they won the Discovery Project for Electric Forest in 2015 with their track “Forever In Silence.” I’m predicting big things for these Chicago natives, keep your eye out for them in the future.
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TDE’s next man up is SiR on the ScHoolboy Q featuring “Something Foreign”. Set to a Saxon-produced instrumental driven by jazz-referencing piano chords and rhythm structures, “Something Foreign” is a subtle standout.
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Mind of a Genius artist KWAYE nimbly channels the sound of multiple eras of R&B to a compact modernly arranged new track “Lost in My Boots”. A percussive main guitar, choral-reminiscent harmonies at the track’s most key dynamic points, and a cool neatly syncopated bassline frame up one of R&B (and indie music’s) best tracks of 2017.
Stream the best new songs in emerging music with our Top 12 of the Week playlist
This Tuesday(!) B3 and Danger Village are back with a show at Dirty Laundry in Hollywood featuring a pair of L.A. pop acts, Still a Great Night and MRY. The free show jumps off at 10 PM this Tuesday. Be there!
