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Rave’s Fave: The Crookes – Play Dumb

The Crookes

Many say that UK guitar bands have become less relevant and inventive as the indie pendulum has swung towards softer and more electronic music. Of course it’s only a matter of time before the guitars reclaim the throne. The Crookes consistently deliver refreshing, energetic, catchy songs. Their third album Soapbox comes in April and “Play Dumb” is the lead single. Behind the uptempo tune is a joyous vibe and monster collection of hooks. Frontman George Waite sings about hitting his midlife crisis at age 25 and about not letting a certain relationship get the best of him. The Crookes hail from Sheffield, England — same place the Arctic Monkeys come from. If there are those who feel that UK guitar-based bands fell off in the wake of the Arctics blowing up years ago, it might be the Crookes who help bring the sound back to the forefront. They will be at SXSW this year. Reviewed By Bruce Rave

The Crookes england (Facebook)

Hear Bruce’s “Go Deep With Bruce Rave” weekly new music show on Indie1031/Los Angeles and WSUM-FM/Madison. Details and archived shows can be found on his blog and be sure follow Bruce on Twitter too!

reviewed by
01-16-14

Rave’s Fave: East India Youth – Dripping Down

East India Youth

East India Youth is England’s William Doyle. His Total Strife Forever album drops next week in both the UK and the US. Doyle cites Shostakovich and Brian Eno among his influences. Imagine that unpredictable blend and you have what NME Magazine lists as one of their most eagerly anticipated releases thus far in 2014. And I couldn’t agree more. Doyle doesn’t sing on all the album tracks but when he does, such as on “Dripping Down”, he brings a mellow and confident presence to his music. The song builds with synths that surprise. It’s savory backing vocals evolve to the point where they take on a Beach Boys feel near the song’s end. “Dripping Down” is the album’s first single, and it’s got a shot to catch on quickly. He will be at SXSW this year and I hope he’s got some quality venues lined up. Reviewed By Bruce Review

East India Youth – Dripping Down

East India Youth england (Facebook)

Hear Bruce’s “Go Deep With Bruce Rave” weekly new music show on Indie1031/Los Angeles and WSUM-FM/Madison. Details and archived shows can be found on his blog and be sure follow Bruce on Twitter too!

reviewed by
01-09-14

Interview w/ Prides

Prides Aug 2013_008 promo

Glasgow trio Prides hit the radar mid-2013 with the anthemic indie strut of their single “Out of the Blue”. Since the band has played only a handful of spot shows as they prepare for the new year ahead. B3SCI writer Cher Dunn recently caught up with the band to discuss their plans for 2014, new music, their Scottish roots and more. Have a look at the chat below.

B3SCI: Glasgow is a city rich with decades of great bands. What was it like growing up Glasgow? What has Prides’ experience been with this cultural music landscape, and the live music scene?

Prides: Actually two of us are from further afield. Callum hails from the far reaches of Shetland, and I (Stewart) am from Stoke-on-Trent. I’m the token Englishman. Lewis is the only real Glaswegian, but there definitely is an amazing history of music. Simple Minds, Orange Juice, Deacon Blue, Aztec Camera, Frightened Rabbit, Blue Nile, the list goes on. Glasgow gets a lot of credit for Scottish music in general, because it really is where bands tend to gravitate, even if they’re not from there originally, and that’s down to the live scene. Not being from Glasgow originally I can honestly say it is in a league of it’s own, gigs are well attended, there are great venues of all sizes, and generally there’s very little embarrassment from crowds. By which I mean everyone just gets mad wae it. Plus its mentioned in an Abba lyric. That’s how you know it’s fucking cool.

B3SCI: Your single “Out Of The Blue” is upbeat, slightly dark, and almost has a classic 80s cinema feel. To you guys, how does the single reflect the sound of Prides now and moving forward?

Prides: Myself and Lewis had been a band prior to meeting Callum, and “Out Of The Blue” is one of the first tracks we wrote with him. It’s really what made us bring him in, change the name, and become Prides, so it’s quite an important track for us. It seemed to really encapsulate what we wanted to achieve, and we’re massively chuffed that people are receiving it so well.

B3SCI: Is there something that inspires Prides most when writing? What are you guys listening to right now that’s inspiring?

Prides: It really depends, anything can trigger an idea. Recently we’ve been listening to Joy Wave, FKA twigs, and Justin Bieber’s Music Mondays.

B3SCI: When you are in the studio writing and recording, is there a work dynamic that you guys have that’s worth sharing? In other words, is there a particular way that you approach your songs in the studio as compared to a live setting?

Prides: We generally work in our home studio at Lewis’ flat, which means me and Callum sitting at the coffee table shouting at Lewis who sits at the desk. We’ll rotate as and when someone wants to get their hands on something. Sometimes myself and Callum will write at the Piano at my flat, and bring idea’s to Lewis. Generally if someone has an idea we hear them out, if we like it, we try it. If not we mock and ridicule them. We are completely honest with each other when it comes to music, there are no pulled punches, but there are also no fall outs. We all want to write the best songs that we possibly can. Although I do have a tendency to get my own way with vocals/lyrics. I’ll bring vocals to the guys to make sure their happy, but if there’s a part I really like I can be pretty unshakeable.

B3SCI: Are there any forthcoming EPs or singles from Prides that fans can look forward to 2014? What is the band looking forward to most in 2014?

Prides: We’re going to be bringing out an EP in the new year, with some singles planned for after that. I think the thing I’m looking forward to most is getting out and playing a load more shows, especially festival season. We were really fortunate this year to get some great festival slots, so hopefully we can build on that this year.

B3SCI: When can fans expect a full-length release from Prides? Is there a name for the release that you can share?

Prides: We haven’t got a name yet, but we have the record pretty much completed! It’ll depend on how well the singles go, but it would be great to get it out next year. We’ll see!

B3SCI: Can fans expect any US tour dates? Any festivals in 2014?

Prides: Well this year marks our first year at SXSW, which we cannot wait for, after that, yeah hopefully we’ll be getting out on tour, and fingers crossed for many more festivals. Pure love festivals.

B3SCI: We’ve been in bands and know that it’s not easy performing live as a trio, but when it’s done right… it’s magic. What made you guys want to remain a three piece as opposed to adding more members and instruments. Has there ever been an appreciation for three piece bands amongst the group?

Prides: We were never adverse to getting more people involved, but once we started playing as a three it just seemed to make sense. It also informs how we write in a really positive way. It’s good to try and keep things focused, and I like the idea that you can always pick out what’s going on. We all come from a youth spent listening to bands like Blink 182, Green Day, Alkaline Trio, Nirvana, The Melvins, The Police, and so it feels pretty natural to have the three of us on stage. Christ, if A-ha can be a three piece, so can we.

B3SCI: When you guys aren’t playing music, what do you do with your time off?

Prides: We live in Glasgow, so an inordinate amount of drinking, golf, and other various stereotypes that we’re quite happy to reinforce.

Prides scotland (Official)

Rating 8.3

brown8

reviewed by
01-08-14

Rave’s Fave: TOY – Endlessly

toy

Brighton’s TOY is a band that we on the B3SCI team have followed closely in 2013. TOY’s SXSW shows were a powerfully played success and their self-titled debut EP was definitely a good listen. Songs from their Join the Dots album, coming in January, seem different in structure and less uptempo, but the band’s significant growth will be on display, especially if “Endlessly” serves indication. It took me a couple of listens but I’m hooked. “Endlessly” has a memorable chorus and a real psychedelic feel to it. Singer Tom Dougall, formerly of the Joe Lean & the Jing Jang Jong band, has a voice that reminds me of The Church’s Steve Kilby. His vocals work beautifully on this track. The synths nicely augment the dirty guitars, and an unobtrusive instrumental break suddenly explodes into a blast that this band will nail live. After dealing with visa issues that prohibited additional touring in 2013, the band will be play a strong set of January shows in American major markets. See ’em if you can! Reviewed By Bruce Review

TOY – Endlessly

TOY england (Official)

Hear Bruce’s “Go Deep With Bruce Rave” weekly new music show on Indie1031/Los Angeles and WSUM-FM/Madison. Details and archived shows can be found on his blog and be sure follow Bruce on Twitter too!

reviewed by
12-11-13

Marika Hackman – Cinnamon

marika hackman cinnamon

Brilliant songwriter and B3SCI SXSW alum Marika Hackman announces new EP “Sugar Blind” and lead single “Cinnamon”. The wonderfully kinetic and melodically adventurous “Cinnamon” is indicative in quality of quite a step forward for Ms. Hackman. We’re loving the track. Well done.

Marika Hackman (Facebook)

Rating 8.0234

brown8

reviewed by
10-21-13

Interview w/ Little Daylight

Little Daylight ELH lo res

Brooklyn based collective Little Daylight have hit the scene with an indie-pop roar in 2013. Their first single “Overdose” was a beacon of early ’13, and following they debuted their live show at SXSW with subsequent touring with Charli XCX, Bastille, and Marina and the Diamonds. It’s no doubt this trio have been hard at work in anticipation of their debut, and recently released, Tunnel Vision EP. Team B3SCI recently had the chance to catch up with the band to briefly chat about a forthcoming album, life on the road — and of course NYC in the year 2213. Have a look at the conversation below.

B3SCI: We have to ask… is the band name based any bit off of the 1871 fairy tale by George MacDonald titled Little Daylight?

LD: Now the cat’s out of the bag! Yes, we were drawn to the idea of lightness vs. darkness that is inherent in that fairy tale. This juxtaposition tends to find its way into our music.

B3SCI: The band made it’s live debut at SXSW this year. How was the experience being initially exposed in such a crowded festival style environment? How would you best explain your growth as a band since?

LD: It was awesome for us to be able to debut the band live at SXSW. We knew there would be the opportunity for a good amount of exposure in Austin, so we rehearsed a lot leading up to it. We set up a few warm-up shows under a different name in New York to get the kinks out. The whole experience went great and since then we finished and released our EP and have done a bunch of touring, with Charli XCX, Bastille, and Marina and the Diamonds. We are also at work on our full-length, which should be ready to release just in time for SXSW next year.

B3SCI: Speaking of touring with Bastille and Charli XCX, have things been any different on the road most recently now with the Tunnel Vision EP upfront on people’s minds?

LD: Yes, definitely. We can tell that a chunk of the audience now knows the songs from the EP. It’s a great feeling to play to people who know and love the songs and sing along.

B3SCI: Is there a particular track on Tunnel Vision that the band hold especially close to their heart? Is there a story worth sharing?

LD: “Overdose” definitely holds a special spot. It was not the first song that we wrote together, but it was the first one that demanded to be released. We had a bunch of songs recorded and ready to go, but we all knew that “Overdose” was something special. Once it was finished, we knew it was time to release it and begin the Little Daylight story.

B3SCI: Give us one guilty pleasure that has an influence in your writing today…

LD: Are there really musical guilty pleasures anymore? Lorde is on Z100, in between Katy Perry and Daft Punk. I think we’re living in a post-guilty pleasure world, which is a beautiful thing.

B3SCI: We’re hooking you guys up with a roundtrip ticket on our (very real) B3SCI time machine. Where are you going and why?

LD: The year 2213, New York City. Curious if it will be under water then.

*Interviewed by Brian Litwin

Little Daylight (Facebook)

Rating 8.3

brown8

reviewed by
09-28-13

Interview w/ Bo Saris

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Here at B3SCI we love nothing more than a great soul artist. With only two songs released to date, London based (by way of Netherlands) soulster, Bo Saris is one we’ve been keeping a close ear on. The recent Universal Republic signee has set the blogosphere a stir with his more than authentic Motown friendly blend of retro pop. And from our recent conversation with Bo Saris we’ve learned there’s so many more layers to know. Check out his debut EP The Addict this October and have a look at our recent chat with him below. Also for those of you in the UK, don’t miss his upcoming performance October 18th at St. Pancras Old Church in London.

B3SCI: Was there a point in your life that you knew American bred soul and pop music was the perfect sound for Bo Saris?

Bo Saris: I never really thought about it so I guess you could say I fell in love with that type of music naturally, I just connected with it without having a explanation for it.

B3SCI: We’re sure that you get this question a lot, but being from the Netherlands… how is it your sound feels so genuine and authentically from the golden age of Hitsville USA? It’s like you actually lived through it five decades ago…

Bo Saris: First of all, if that’s how I sound to you guys then I’ll take that as a huge compliment! In a way I did go through it by just growing up with that music being played in the house a lot & I could identify with it from the start.

B3SCI: You’ve collaborated with the likes of Bondax amongst others? Do you dabble much in the world of co-writes and music production?

Bo Saris: I do more now & it’s good fun! At first I wasn’t familiar with top lining/writing on dance music, I wasn’t even familiar with remixes being made of my music until last year’s remixes of “She’s On Fire”, which I loved! I guess it made me realize that it doesn’t hurt at all to become more diverse in music when you collaborate & that two styles can blend very nicely. Till now I’ve worked with Chase & Status and Bondax in the UK and both sessions were really cool & great experiences. At the moment my main focus is on the EP & upcoming album but I’ll definitely do more collaborations in the near future.

B3SCI: Has there been any other projects you were involved with that fans may come to find as a surprise, before you found your voice…stylistically?

Bo Saris: No I think that for most people it’s quite obvious that its soul music that has inspired me the most. They may be surprised by the different styles of music I’ve listened to & liked which was very diverse. For example “Rage Against The Machine” which I liked as kid to or “Frank Zappa” the weirdness/humor sometimes in his music I really enjoyed. And yes, in my teens I was a massive hip-hop head both underground & the more popular stuff. Snoops “Doggy Style” for instance was one of my favorite records back in the day, still is actually when I listen to it. But maybe that’s not such a big surprise given the fact it had such a huge “Clinton’s Funkadelic” vibe which is basically the kinda stuff I grew up with too. Soul,Funk & Jazz were my main influences so even Miles/Coltrane/Parker were well appreciated in our house. So as I said quite diverse.

B3SCI: You are currently based in London. How ids things on the UK music scene, and do you gig often? When will you come play a show in the United States and are there any plans for SXSW?

Bo Saris: Yes I’m based in London & I love it because it’s a vibrant city where lots of creative people live & work. It’s definitely the right place for me just now. We’ve gigged a few times, but that’s something we’ll start doing more & more in a few months time. I’ve just announced my first proper headline show in London on October 18th at Old St Pancreas Church.  I needed an album finished and to release some songs first. Now that the album is done I’m able to really focus on the live side. Hopefully we can start doing gigs in the US real soon. I’d love to play SXSW!

B3SCI: “She’s On Fire” and “The Addict”. Two great songs that we’ve had the pleasure of hearing from Bo Saris so far. What more can we expect on your forthcoming EP? Is there a name for the EP and a release date?

Bo Saris: The Title of the EP will be “The Addict” It will contain “The Addict”, “Little Bit More” and another track I picked only for the EP!! Some great producers have done some remixes, including a Todd Edwards mix of “The Addict” which will also be on there. The release in the UK is planned for October, it’s definitely getting released in the US as well. 

B3SCI: Is there a particular track on the EP that you feel especially proud of as an artist? Is there a story with it worth sharing? 

Bo Saris: Well actually there’s a story behind all the tracks for me. So it’s hard to just pick one. But if I had to I would choose “The Addict”.
There’s something about that song that makes me emotional sometimes because of the fact it’s drawn from my real life experiences, which most of the songs are but when you write something about the pain & struggle your friends go through, you share that pain, it’s just something that crawls into your soul & it makes you show a more vulnerable side, which is a good thing I believe.

B3SCI: There’s so many colorful tones and lush arrangements on songs like “She’s on Fire” and “The Addict”. Where does the writing process typically begin for you? Do you have a ‘go-to’ instrument that you first like to write and arrange with?

Bo Saris: I play a little guitar & piano and that’s helped but also being in the studio with a producer creating a track, laying down a groove on the spot works very well for me. I’ve had producers send me tracks and that’s also worked for me. As long as the music triggers me then melodies & lyrics come out quite easy. There are many different ways of writing for me. For example, when I got the music for “The Addict” from my record producer Andrew(Dre) Harris I knew exactly the kind of melody & story I wanted to write. And so did the guy who I wrote the lyrics with bye the way, Jones Wetterberg. 

B3SCI: We have to ask, what would you say to the Godfather of soul, James Brown if you’d ever had the chance to meet him?

Bo Saris: I would say: Let’s make it funky Godfather!! Yeahhh I feéééél good!! And of course I would want to give him a big hug & say thank you for what you’ve created & added to music history. 

Bo Saris netherlands (Facebook)

reviewed by
09-25-13

Interview w/ Max Frost

Max Frost - Main Pub - Jason Haro

It’s been a big year for Austin singer songwriter Max Frost. Post-SXSW buzz, his track “White Lies” became a blogosphere hit. Since then, this 21 years young musician has signed with Atlantic Records and will be touring this fall with Gary Clark Jr in support of his forthcoming debut EP, Low High Low. B3SCI writer Brian Litwin recently had the chance to catch up with the young pop star in the making to chat about his massive year, song concepts, Geddy Lee, Texas BBQ and more! Have a look at their chat below.

B3SCI: Please introduce yourself to the B3SCI audience.

MF: Hey! I’m a 21 year old singer/multi-instrumentalist/producer born and raised in Austin, Texas.

B3SCI: We are picking up some soul, funk and pop influences? Who specifically would you consider your main influences?

MF: I wouldn’t say I have a ‘main’ influence. I draw from lots of music that I’ve loved over my life that spans from Albert King to Bob Dylan to Led Zeppelin to OutKast.

B3SCI: Are there any influences of yours that may come as a surprise to fans?

MF: I’m a huge Rush fan! Haha…

B3SCI: What can we expect from your debut EP Low High Low out October 8th?

MF: Five songs that represent my musical evolution over the past few years and also give a window on the styles I’m developing for the upcoming album. The theme came from the emotional content of the songs as well as the lo-phi against hi-phi production style.

B3SCI: “White Lies” has gained critical acclaim from reputable online press outlets. It’s an extremely nice mix of radio ready dance and catchy pop music, but there is more to it. What was the catalyst that spawned White Lies?

MF: “White Lies” was created as an experiment like most of my songs. I drew the concept from experiences I’ve had in relationships and stylized the song with the idea of creating an old school song on a modern groove.

B3SCI: You recorded all the instruments on “White Lies”. What was your favorite instrument to play on this track?

MF: Playing the bass was the best part for sure. It’s really the most important part and provides the motion of the groove and keeps the song funky against the electronic vibe.

B3SCI: You go on tour with fellow Austin native, Gary Clark Jr. starting on September 26th at The Wiltern right here in LA. You have a major label deal and you are only 21. Life must be pretty crazy right now, how are you handling all of this?

MF: I’m just trying to stay focused on my work and not lose sight of the passion that got me here in the first place. The momentum is great and I’m trying to enjoy everything in stride, but what’s really important to me is continuing to create music that I really love and am proud of making.

B3SCI: What is one artist, dead or alive, that you would want to hang with?

MF: I would kill to be able to go back and just be in the room while John Lennon wrote a song.

B3SCI: The Hype Machine backing seemed to help you get noticed by the overall music world. Do you have any advice for other up and coming artist on how to get your music out there so the “right” people can hear it?

MF: Be patient. Only put out what you think is your best work. Surround yourself with people who truly love what you create. Respect everyone. Be humble.

B3SCI: Last question – Tex Mex or Texas BBQ?

MF: BBQ all day!

MAX FROST ON TOUR

All dates w/ Gary Clark Jr. except *

9/21 Utopia, TX Utopia Fest*
9/26  Los Angeles, CA The Wiltern Theatre
9/27  San Diego, CA House of Blues
10/2  Oakland, CA Fox Theater
10/5 Austin, TX Austin City Limits Music Festival*
10/10 Salt Lake City, UT The Depot
10/11 Denver, CO Ogden Theater
11/11 Boston, MA Royale
11/12 Washington, DC 9:30 Club
11/16 New York, NY Terminal 5
11/20 Minneapolis, MI First Avenue
11/22 Indianapolis, IN The Vogue Theatre
11/23 Columbia, MO The Blue Note

Max Frost texas (Official)

reviewed by
09-23-13

Looking Back: Lightning In A Bottle Festival 2013 @ Lake Skinner in Temecula, CA July 11th – 15th

LIB 2013 Jesse Wright 1

Review by Brian Litwin
Photos by Jesse Wright

We recently spent a weekend in Temecula, California at Lake Skinner for Lightning In A Bottle 2013. For the lack of a better term, this festival is different compared to others. With a main stage being construed around a tree, workshops regarding Yoga and healthier living, free water, and an assortment of art installations, LIB (as it’s referred to) was nothing short of a memorable experience. Here’s a collection of musical and photo highlights from the festival.

Purity Ring – Thanks to typical L.A. traffic on a Friday, getting into the secluded area of Lake Skinner where LIB was taking place was a bit of a challenge. Nevertheless, we arrived in time to catch Edmonton electronic duo Purity Ring’s set. Corin Roddick and Megan James seemed to be on a mission to please the crowd that night, with their noted stage lighting and drum pad pods. Though the set seemed a bit short of the midnight ending, Purity Ring played the majority of their 2012 release Shrines.

Odesza – Seattle duo Odesza threw down. Playing from their free album Summer’s Gone and ending with new tunes, as yet to be release, there was good reason why these guys were one of my 5 to see acts at LIB. Also, they played on a stage constructed with Bamboo (pretty awesome stuff).

Blackbird Blackbird – Over at the Lightning Stage, San Francisco based Mikey Maramag made some noise himself. Mixing in his “folktronica” sound with trap and some house, Blackbird Blackbird turned some heads. This was my first time seeing this guy live, but it won’t be the last.

Nicolas Jaar – This NY/Chile native is extremely talented and very young. His set featured loads of house and it will surely have people remembering his name long after LIB. Side note: his track “The Ego” with Theatre Roosevelt may be a single that has gone under the radar for way too long.

GRiZ – Speaking of young talent, GRiZ, aka Grant Kwiecinski from Detroit, MI, is younger than Nicolas Jaar and also plays saxophone over his produced beats. GRiZ also brought guitar player Dan Hacker on stage for some tracks. Playing selected songs off of Mad Liberation and End of The World Party releases, GRiZ ended Saturday night nicely.

Goldroom – Their sound has Southern California written all over it. It is radio ready and instead of being just the solo project of Josh Legg, it’s now a full band with Mereki Beach singing lead vocals. I saw Gold Room at Dim Mak for a DJ set and also live while during SXSW. “Fifteen”, “Only You Can Show Me”, “Morgan’s Bay” and “Angeles” should be in your next beach mixtape, and they sounded great live at LIB.

Giraffage – This is a no brainer. We love this kid. Throwing down crowd pleasers like “Close 2 Me” and his stellar remix of Janet Jackson’s “Someone To Call My Lover” really got the party started. Later, Giraffage mixed in possibly the best remix of 2013 (so far) and a personal favorite Stardust’s “Music Sounds Better With You”. However, the biggest reaction was the drop to “Money” and with friends on stage throwing out fake hundreds to the unique trap stylings of Mr. Yin, the crowd was floored. Do yourselves a favor and see this man live

gLAdiator – The LA production duo, Danl Goodman and Ian Johnson, may have had the surprise set of LIB. I had heard of them, but didn’t know what was about to transpire at this festival. How foolish of me. Their trap heavy set created so much noise that they pulled fans from other stages, who came to see what the commotion was all about. gLAdiator have a nice run of dates in the future, including a set in LA for HARD Summer. Do not miss these guys.

TychoDive might be one of the more complete albums of recent history and Scott Hansen, project leader, clearly has a great and well defined artistic vision for Tycho. Stunning live visuals were set to all of the tracks. The tightness of the band evoked an energy that flowed calmly from the speakers to the crowd, capping off the perfect set to wrap up the festival. Tycho also performed a new track that had similar vibes to Dive but was much more bass and house influenced.

Lightning In A Bottle Festival california (Info)

LIB 2013 Jesse Wright 2

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LIB 2013 Jesse Wright Gold Room

LIB 2013 Jesse Wright Griaffage

LIB 2013 Jesse Wright Purity Ring

reviewed by
07-27-13

Interview with SKATERS

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Since SXSW (incl. an appearance at our B3 party), NYC based SKATERS have been touring non-stop behind their recent “I Wanna Dance” single. They’ve supported Potugal. the Man and even headlined a 30 dates in one month tour of the UK. We recently caught up on the phone with SKATERS frontman and lead singer Michael Ian Cummings to talk about the band’s forthcoming debut album, this summer’s Lollapalooza slot, their limited edition art-zine Yonks, as well as their forthcoming US tour opening for Palma Violets and more (tour dates listed below).

The band is celebrating an NYC homecoming this Friday (7/19) with a special headlining gig at The Bowery Ballroom. Get info and tickets for the show HERE.

SKATERS newyork (Facebook)

TOUR DATES

09/15 Phoenix, AZ Pub Rock
09/17 Austin, TX Red 7
09/18 Dallas, TX Dan’s Silverleaf
09/19 New Orleans, LA One Eyed Jacks
09/21 Miami, FL Gramps
09/22 Orlando, FL The Social
09/23 Atlanta, GA Drunken Unicorn
09/24 Birmingham, AL The Bottletree
09/25 Nashville, TN The Basement
09/27 Philadelphia, PA Johnny Brendas
09/28 Albany, NY Pearlapalooza
09/30 Boston, MA The Sinclair
10/02 Washington DC DC9
10/03 Columbus, OH The Basement
10/04 Chicago, IL Lincoln Hall
10/05 Madison, WI High Noon
10/06 Minneapolis, MN Triple Rock
10/08 Denver, CO Larimer LoungeBreak
10/14 Seattle, WA Neumos
10/15 Vancouver, BC Biltmore Cabaret
10/16 Portland, OR Crystal Ballroom
10/18 Berkeley, CA UC Berkeley

reviewed by
07-17-13

Looking Back: The Great Escape 2013

The Great Escape 2013

By Bruce Rave

For years, the UK has had smaller versions of Austin’s SXSW. Several continue to thrive, and none more so than The Great Escape. It takes place in Brighton every May. 300 bands play in this charming party town, which is located on the English Channel. The event is more of a regional European festival with attendees and bands arriving from far and wide: Australians came to play even US bands like The Orwells, Phosphorescent and Parquet Courts, not only showed up, but blew people away in the process. A few established Brits such as Billy Bragg and Everything Everything played for those willing to shell out extra pounds to see them. For me, it was all about the up and coming peeps… just as it is at SXSW.

I saw about two dozen bands over the course of three days. If I were to give you one group that hit the biggest home run for me, it was The Strypes. These Irish mid-teens hammer out an intense R&B/garage blend of early Stones and Yardbirds. If you like this kind of music as much as I do, their live show is a “10” and it will be impossible not to have a smile on your face. They have amazing poise for their age, on and offstage. I interviewed them during the weekend, and that chat will soon be posted on B3SCI – stay tuned. Strypes hope to hit America next March for SXSW 2014. Another band that I interviewed was Tribes, who are also great live. Look for that post in the near future. This London band borrows more from the 70’s glam period and just released a new album in the UK. It follows up their top ten debut. They had the misfortune of following The 1975, who flashing-back had dazzled us at the B3SCI SXSW party in March. With two serious UK hits now under their belts, The 1975 drew such a huge throng that many Tribes fans gave up waiting in line. Temples matched the keen expectations I had for them, of which were mostly based on their first single “Shelter Song”. Their set contained several more songs with hit potential, and Temples absolutely deliver live. All four guys in the band ooze stardom, and front man James Bagshaw sports a perfect Tommy Bolan hairdo (bonus points). Temples played two unannounced shows, one being a few hours in advance of the also secret 2am set from Palma Violets. I didn’t see PV that night, but I recall they killed at SXSW.

Some other highlights among a slew of strong artists: Catfish and the Bottlemen came highly recommended to me by BBC honchos, and I loved their melodic, guitar-driven energy. Echotape are up and comers with huge potential that remind me a bit of The Horrors and even Temples. The Family Rain are three brothers, including two twins, who play like Wolfmother’s second album should have sounded. Owen McGarry is a promising Irish singer-songwriter with a crystal clear voice and lots of potential. Merchandise hail from Tampa and have become NME darlings with their dark and dirty post-punk power. An added bonus for me was at one point winding up in a private courtyard where Little Green Cars were taping a beautiful cover of Neil Young’s “Philadelphia” for VEVO. A major buzz artist was London Grammar. Her sweet voice attracted a huge outside line. I got in and can see why people are excited, even if her softer, slower style isn’t quite my glass of white wine.

While TGE is smaller than SXSW, it’s still impossible to cover everything due to schedule conflicts. One US band I hated to miss was electropop band Feathers from Austin. They definitely cut through the clutter and were on lots of lips. For SXSW, 6th Street in Austin has become such a shitshow that attendees avoid the street at all costs at night. Not the case in Brighton. Sidewalks, bars, and cafes were filled with college types and other mellow locals who seemed unfazed by the festival, so walking between venues was a real pleasure. We really lucked out with the weather. Brighton had endured ten consecutive stormy days, but not a drop of rain fell during the festival. One downside shared by both TGE and SXSW: As both events grow, there are more and more lines that make it impossible to gain admittance to certain showcases. Both festivals now have the task of trying to grow without being too big for their own good. I hope TGE can retain the casual intimacy that it still has at this point. I highly recommend it to anyone who can attend, but I’d do it within the next couple of years.

The Great Escape england (Official)

* Links and playlists from Rave’s weekly new music show can be found on his blog and be sure follow Bruce on Twitter too!

reviewed by
06-01-13

HAERTS – All The Days

haerts

B3 Team favorites HAERTS (mind yr A’s & E’s) come up aces on the sweeping and cinematic indie-pop-performed-at-the-edge-of-the-universe “All The Days”. Get psyched, people!

*Also be sure to check out our interview with band during SXSW 2013 here.

HAERTS (Soundcloud(/a>)

Rating 8.2

brown8

reviewed by
05-24-13