We can’t front. WeareseriousfansofMayerHawthorne. And we’re also pretty into The Heavy. And DJ Jazzy Jeff is a legend. So you can imagine the pitch of our anticipation for this show. We. were. psyched.
The Heavy mean business. That much was clear throughout the band’s 45 minute or so set. Galvanized by a 3-piece horn section, The Dirty Three (and, man, did they sound it) and buoyed by frontman Kelvin Swaby’s crazy good vocals and stage presence/persona the band growled, rumbled, shaked, thumped and roared through a sweaty selection of tunes from their first two (highly recommended) LPs. “Owwwwwwwwwwwooooooohhhhh”, Swaby, in one of many cool exchanges with the crowd, called out for all the wolves in the audience. “We play music by the devil.”, alluding to the band’s unhallowed co-contributor. “You guys are live, more live than New York last night.” “Fuck New York.”, called back an adjacent show-goer. Swaby was over. He had the crowd. The Heavy were killing it. Sixteen pounded, How You Like Me Now boomed, What You Want Me to Do thundered. The Heavy were HEAVY, the best mix of loud guitar, soulful rhythm, and raw brass. Music by the devil.
Mayer Hawthorne is a terrific performer. Mayer and his four-piece band The County sounded great. Mayer sporting a fly three piece suit with red tie, The County fitted in matching red cardigans opened the set with A Strange Arrangement standout Your Easy Lovin’ Ain’t Pleasin’ Nothin’ and it was on. Hawthorne and co. smoothed out to a set of approximately 12 songs, a survey of urban music influence spanning the last 50 years, The Temptations-y (and according to Mayer, first song he ever wrote) Just Ain’t Gonna Work Out, The Stylistics-esque I Wish It Would Rain, the 80’s r&b-influenced No Strings, and two Snoop jams The Neptunes classic Beautiful and Hawthorne’s own G-Mix re-touch of Gangsta Luv. Mayer was effortless in his engagement with the crowd, his on stage interactions with his band, and his overall ability to command the show‘s dynamic. “If you ain’t dancin tonight, best file on to the back, and let someone up front that will dance.” The kids were into it, the older dudes were into it, the girls got down. People had fun at this show. It felt great.
So we got outstanding sets from The Heavy, Mayer Hawthorne, and lest we mention opener New Wave dude Gordon Voidwell; who played a cool set of Synth bangers to the Paradise filers in, no doubt gaining fans, admirers, and Gordon Voidwell true believers in his effort. Ok, could this get any better? I mean what more? What possibly could top this killer Mazda Car tour. DJ JAZZY JEFF! YES! Jeff is a legend. And the opportunity to see the Jazzy DJ get sick with the turntables in person? Oh yes. And Jeff straight up murdered it, turning in arguably the best set of the night. Dude moved effortlessly about the 1’s and 2’s mixing up classic rock with early 90’s house, and disco jams with Lloyd Banks. She’s just like you and me, but she’s homeless, she’s homeless. Gypsy Woman turned to Seven Nation Army. Seven Nation Army blended into Teach Me How to Dougie. Teach Me How to Dougie to BON JOVI. The actual tunes playing (they were all great) became irrelevant. Jeff was that locked in. We didn’t want it to end.
b3science recently caught up with Ben and Ian from Chop Shop Records’ latest signing, Mackintosh Braun about their new LP Where We Are, the digital age, music licensing, fat free soy milk and more… check it out:
b3sci: a band of many influences, how has Mackintosh Braun evolved artistically on Where We Are from the days of your self-released debut The Sound?
Ian: we’ve been writing so much over the last couple of years that we’ve learned a lot about how we write songs together. i mean ‘the sound’ came out in 2008. but we had written all those songs in 2007, so we’ve had a lot of time to develop our sound and the way we write songs. this album gave us a chance to share a bit more of ourselves with the listener, and try things musically that we’ve always wanted to.
b3sci: If time and technology were no obstacle, and you guys could collaborate with anyone… ever, past, present or future, who would it be with and why?
Ian: Ratatat Ben: ian’s got a real Ratatat thing going right now.. they’re great. ummmm, i’m gonna have to say, steely dan. that would pretty much make my dreams come true…
b3sci: how do you feel your synch in MTV’s 2010 season promo has influenced the future and fate of your band?
Ben: i think it’s cool whenever someone wants to showcase your music, and for us it was a compliment when i saw the MTV promo. we can’t really worry about the effect it might have on our future, for us it’s just about getting the music out there and hoping people attach to it.
b3sci: music licensing has come a long way in the last 10 years for emerging and established artists. what was once considered taboo and damaging to an artist’s cred is now of the most sought after opportunities. how would you guys like to see the fate of music licensing evolve?
Ben: music licensing has come a long way, it’s pretty incredible that so many great bands are getting opportunities that they never would have before the current “anti-jingle house” era that we’ve all grown into. i think to answer the question, popular culture and music go hand in hand, so to have it all so accessible now, everywhere you turn, is pretty great in my opinion, it’s helped us tremendously.
b3sci: how does it feel to be signed to Chop Shop Records, and have your vision supported by one of the most influential tastemakers (Alex Patsavas) in the entire entertainment industry?
Ian: it feels like if we planned it from the beginning, it wouldn’t have worked out better than this. it’s a great feeling… Ben: yeah, it’s pretty great to have someone with her vision and ear for music support us like she does, everyone at Chop Shop is amazing. like ian said, it couldn’t have worked out better.
b3sci: first impressions speak millions, especially in today’s digital age of short attention spans. when somebody has the Mackintosh Braun “experience” for the first time, what is the first impression you’d like those listeners to walk away thinking?
Ian: “i’ve been waiting to hear that” Ben: i want them to first feel the goosebumpy feeling in your arms when you hear that hot ass track, then i want them to think “damn, that’s some dopness.”
b3sci: what song on Where We Are do you feel most proud of, and why?
Ben: I was just telling ian that i’m really proud of the title track “Where We Are”. i just think we did a great job on that one, the drums sound great, i love the bridge, i’m just really proud of how that song came together. Ian: I think for me it would be “Made For Us”. One of the reasons is that I love how you can hear both of our personalities come through in that song, and some of the things we tried and experimented with instrumentally, came out really well. there are a few notes in that one that really tug on my heart strings.
b3sci: what song, or artist, made you want to write and share music with people?
Ben: Led Zeppelin had a huge influence on me in my younger days, my mom got me into them when i was in 5th grade. i just always wanted to write music, and create sounds. i’ve never really thought about doing much else, it was the thing that i always had the strongest desire for. i still do. Ian: I would have to say it was The Beatles, when i was listening to the song “help”, john lennon sings the line, “my independence seems to vanish in the haze”. the feeling that line gave me was so electric, that i knew i wanted to write music and try to create that for someone else.
b3sci: given the current landscape, who would be your top three acts to tour with?
Ian: Ratatat.. Ben: how bout Daft Punk, Royksopp or even Air would be amazing. There are many, many bands that we would love to tour with. lots of good music out there.
b3sci: What’s in your iPod? What album/artist is rocking your world right now?
Ian: loving’ “The Suburbs” by the Arcade Fire, and of course anything by Ratatat. Ben: really love Wild Nothing “Chinatown” and i’m also diggin Real Estate “Out Of Tune” right now as well.
b3sci: what are 5 things that each of you guys absolutely couldn’t live without?
MB:
1) weed
2) our studio..
3) is that 5 things??
b3sci: what are 5 things that each of you guys could totally be cool living without?
MB:
1) fat free soy milk
2) third eye blind
3) people who ask about your shit, and then talk about their shit right away..
4) traffic in portland getting worse
5) the kazoo, even though jimmy made it sound awesome on “crosstown traffic”.
b3sci: What role do you think the internet will end up playing for music discovery in the future?
Ben: the largest role, it’s so important these days in discovering music. Ian: yeah, we really may not have gotten here without it.
and we dont stop. this ill toki remix is previewed from the upcoming tokyo dawn remixes record of swede:art’s emotional colors. other remixers on the boards for this project include devonwho, b. bravo, and comfort fit. that’s a pretty ridiculous lineup. tokyo dawn has been generous enough to stream this heatrock here. get familiar.
so i was watching the film Independence Day the other day, i mean why not right? it’s fourth of july weekend and i guess that’s what you do. and everytime i watch the film i think (other than, man, why wasn’t harvey fierstein’s character more developed), holy shit why didn’t the aliens invade packing mac computers? RIGHT?! i mean a computer virus actually wipes them out?! c’mon.. as was called out in the movie, the aliens knew when to attack us, how to attack us, all that bullshit, supposedly studied the human race for decades and then they neglect the whole mac/pc virus thing???
anyway, can you say bitchin’ sequel? the aliens return + macs……i see the screenplay (this is just an idea) playing out in three basic phases, 1) aliens blow shit up….this is good for at least 45 minutes of film time, 2) Goldblum’s fuckin’ puzzled…..this should go on for about 45 minutes too….Goldblum puzzled = $$$$$$, trust us! 3) we make millions. you know Vivica Fox’s plastic surgery fund is runnin’ a bit thin, she’d be down for sure and we could prob get Bill Pullman to work for weed. so Roland Emmerich, ball is in your court, dude, call us!
AHHHHHHHH! the in the mix shark is back at you, teeth flying at your face. surprise! surprise! this shark comes chomping some sick jams. mr shark, your fin, our hand. lets do it! first up is badio getting at you with “kiss the sky” (awesome beat, thumbs up badio). next up is phil ade + a bunch of dc dudes and raekwon, cool. finally, a proper “shoegaze” track from london, uk blokes veronica falls. FINAL COUNTDOWN: 3 2 1. get into it.
“Conscience Killer” is the first single off BRMC’s new LP, Beat The Devil’s Tattoo, due March 9. this tune’s got a gospel taste, and keeps their roots in check. shouts to The Mad Mackerel.
b3science counts down our choice top 40 tracks of 2009! have a happy new year, and we’ll see you suckas in 2010! check the original posts for a synopsis on the track as well as artist and purchaseinfo.
Eddy Current Suppression Ring – Which Way To Go
The Dead Weather – Are friends Electric
Bombay Bicycle Club – Magnet
The Arctic Monkeys – Crying Lightening
The Horrors – Whole New Way
Diving With Andy – Sugar Sugar
Winston Audio – Hey Anne
Fanfarlo – I’m A Pilot
The Vicounts – Broken Britain
Wale – Beautiful Bliss (Feat. Melanie Fiona and J. Cole)
Birdman – Money to Blow (Feat. Drake and Lil’ Wayne)
Magistrates – Make This Work
Little Black Dress – Robin
The Ruling Class – Marian Shine
Reigning Sound – Call Me
The Cribs – We Share the Same Skies
Lyrebirds – Closer
Basement Jaxx – A Possibility (Feat. Amp Fiddler)
White Rose Movement – Cigarette Machine
Mos Def – History (Feat. Talib Kweli)
Nas – Film
Print – Reserved for the Cool Kids
We Were Promised Jetpacks – Ships with Holes Will Sink
De La Soul – La La La
Airship – Kids
She Keeps Bees – Gimmie
Pete Yorn and Scarlett Johansson – Relator
O. Children – Dead Disco Dancer
Brakes – Don’t Take Me To Space (Man)
Fenech-Soler – Lies
Asaf Avidan – weak
The Stevenson Ranch Davidians – Feelin Good
Reigning Sound – Call Me
Depeche Mode – Wrong
White Rabbits – Percussion Gun
Sergeant – K-OK
Machine Gun Kelly – Cleveland State of Mind (Feat. Bravo & Ashley Simpson)
Grizzly Bear – Two Weeks
Edward Sharpe and the Magnetic Zeros – 40 Day dream
Doves – Kingdom of Rust
Justin Towns Earle- Midnight At The Movies
Cornershop – Who Fingered Rock ‘n’ Roll
Alberta Cross – Rise From the Shadows
Holly Miranda – Waves
Kev Brown – Hennessy Rap Pt. 3 (Feat. Kenn Star and Raheem DeVaughn)
Kings of Conveniece – Renegade
DJ Deckstream – Life is Good (Feat. Mos Def)
AFTA-1 -Love Suite 2 (Sit Still)
Omarion – I Get It In (Feat. Gucci Mane)
The Kid Daytona – The Engine
The Phenomenal Handclap Baby – Baby
if you want more, then you should read our blog
Phoenix – Wolfgang Amadeus Phoenix
K-os – Yes!
J Dilla – Jay Stay Paid
Reigning Sound – Love and Curses
Tim Hecker – An Imaginary Country
14kt – Nowalataz
Muse – The Resistance
Brittany Bosco – Spectrum
Gucci Mane – The State vs. Radric Davis
Lily Allen – It’s Not Me, It’s You
U2 – No Line On The Horizon
Horrors – Primary Colours
The Stevenson Ranch Davidians – Life and Death
Glasvegas – Glasvegas
A Sunny Day In Glasgow – Ashes Grammar
b3science reviews our choice top 10 remixes of 2009! so check’em while they’re still hot! and stay tuned tomorrow… as we count down the year’s best 20 albums and thursday as we reveal our favorite40 tracks of the year. check the original posts for a synopsis on the track as well as artist and purchase info.
from their fifth studio LP Heligoland, to be released Feb. 8 2010, Massive Attack offer “Paradise Circus”. the track treads easy and confident featuring the sultry vox of former Mazzy Star and current The Warm Inventions frontlady, Hope Sandoval. in addition, “Paradise Circus” comes in tow with a naughty as hell music video. if you haven’t seen it yet, check it below (btw this video is NSFW in case you don’t want to/can’t watch!).
COMMENTARY: Independence Day (1996) .. PC or MAC?
so i was watching the film Independence Day the other day, i mean why not right? it’s fourth of july weekend and i guess that’s what you do. and everytime i watch the film i think (other than, man, why wasn’t harvey fierstein’s character more developed), holy shit why didn’t the aliens invade packing mac computers? RIGHT?! i mean a computer virus actually wipes them out?! c’mon.. as was called out in the movie, the aliens knew when to attack us, how to attack us, all that bullshit, supposedly studied the human race for decades and then they neglect the whole mac/pc virus thing???
anyway, can you say bitchin’ sequel? the aliens return + macs……i see the screenplay (this is just an idea) playing out in three basic phases, 1) aliens blow shit up….this is good for at least 45 minutes of film time, 2) Goldblum’s fuckin’ puzzled…..this should go on for about 45 minutes too….Goldblum puzzled = $$$$$$, trust us! 3) we make millions. you know Vivica Fox’s plastic surgery fund is runnin’ a bit thin, she’d be down for sure and we could prob get Bill Pullman to work for weed. so Roland Emmerich, ball is in your court, dude, call us!