Deadboy is on some kind of run right now. The South London producer serves up another heater on this flip of the oft-remixed (seriously!) “Night Air” Jamie Woon tune. Interesting flip of the track here as the sound is sort of morphed into a 2010’d Craig David/Daniel Bedingfield kind of feel. Tell us you hear that too (We ain’t crazy!). Regardless, we’re digging it and are eagerly anticipate Deadboy’s next blend.
Jamie Woon – Night Air (Deadboy Remix)Rating: 8.3
A welcome slice of summer in L.A. on this C.A.F. (cold as fuck) New England evening. Dom Kennedy with a brief feature on the track. Let that summer shine in.
Casey Veggies – Get Through (Feat. Dom Kennedy)Rating: 8.0
The ex-B2K crooner grabs Cole for this smooth burner. Sure, Omarion sounds like Drake here (especially in the verses) but the song is good enough to still stand on its own (Aubrey Graham aping or not). Cole on point as usual.
Omarion – Morning (Feat. J. Cole) via Hip Hop Is DreamRating: 8.0
It’s. the. motherfucking. Flux. Expected to drop official sometime early 2011, “Bass Cannon” is both massive and filthy in all the right ways. Plus.. DJ Robin Banks adds a little Biggie to “I Can’t Stop” making for some knock out moments courtesy of a pleasant yet raw vocal mix.
Flux Pavillion x Biggie Smalls – I Can’t Stop (DJ Robin Banks Mash) Flux Pavillion – Bass CannonRating: 8.5
We original caught this mix during Sholhmo’s set opening for Mount Kimbie in September. It was sick then, and it’s sick now. On another level, literally. Listening to track feels like floating; floating on some sort of Soulja Boy-piloted cosmic MARTA bus bound for Fulton County’s swaggiest interstellar regions. (Bitch u ride it.)
Soulja Boy – Pretty Boy Swag (Shlohmo Remix)Rating: 8.3
I think if there’s a schedule of rules or fundamental commandments of dubstep, post-dubstep, whatever, Don’t fuck with Burial should probably be on it. And when I first heard this Burial mix done by Russian-born now U.S. musician Mokhov, I kind of feared for the worst. But maybe 15-20 seconds into the track I was already hooked, that play turned into several and before I knew by late afternoon today I had played the track maybe two dozen times. Something about the measuredness of Mokhov’s drums and how they sort of blended with the track, moved with it, inhaled/exhaled in and out with it that really drew me in. The restraint to keep the remix’s embellishments to a minimum, complementing the simplicity and spaciousness of the original mix, should be noted too. A+, well done.
Burial – In McDonalds (Mokhov Ghost Remix)Rating: 8.3
The x man continues his Worldbeating tour of nonstop jams on this flip of the Rui Da Silva track “Touch Me”. A track that minus the semi-dated turn of the century production values could be, in a parallel world of (Imagine!) The xx 10 years ago, an xx track itself. Expect a sonorous blend of caviar percussion tones and champagne synth voicings in the mix. A tip of our tumblers to the ham and eggers over at mymatestretchy on the track.
Rui Da Silva – Touch Me (Jamie xx Remix)Rating: 8.5
Yeah, so the Cavs have lost like 8 in a row, the Brownies just got beat by the worst team in the NFL, and there’s like 11 feet of snow on the ground. Head up, 216. We got you.
Machine Gun Kelly – Cleveland (Feat. Dubo) Lazy Bone – Brown and Orange (Feat. Young Shank and Tae Harlem)
Crocodiles take their Jesus and Mary Chain cover band to the next level on “Stoned to Death”. Shaking free a bit of the overtness of that influence that characterized their earlier releases and into a sound a bit more their own. Introducing a more pointed heaviness, most particulary in the punch of the bass and drum, and a inclination to more hooky melodies, a song like “Stoned to Death” is one of a band in transition, of a band finding a firmer, more individual footing.
Crocodiles – Stoned to Death via 8106Rating: 8.0
From “Paris” to “Jump in the Pool”, Friendly Fires always bring the heat on the choruses. And the out of this world choruses on the band’s cover of Depeche Mode’s “Strange Love” are no exception; a blend of atmospheric house-tinged synths and a falsetto that sounds ripped via satellite from the otherside of galaxy. You could put this cover on American pop radio right now and it’d be a Top 10 hit. It’s that good. It sounds totally fresh, new, and interesting but could still totally slice the charts apart.
Friendly Fires – Strange Love (Depeche Mode Cover) via Tastes Like CaramelRating: 8.7
Eliza Doolittle caught our ears in February with the irresistible UK hit, “Skinny Genes”. Her self-titled debut LP has found itself in heavy rotation here at b3sci HQ and Eliza is currently prepping a US debut and mega year in 2011. We recently caught up to get the 411 on her live cover of Cee Lo Green’s smash “Fuck You“, her Jamie XX collaboration, favorite recipes, Shakespeare and more!
b3sci: When will fans in the States get their next chance to experience Eliza Doolittle in a live setting?
ELIZA: Oooo! Well I’m going to be playing some festivals like SXSW and some others in 2011. And hopefully not long after that I’ll be doing some touring!
b3sci: Your live cover of Cee-Lo Green’s “Fuck You” display’s some incredible musical instincts. How do you do it… what’s your inspiration?
ELIZA: I love performing live so I hope my enjoyment translates and infects everybody watching. I love creating music and when me and my band perform live we try and take the recordings to the next level.
b3sci: On a related note, your voice just seems to find “the pocket” of a great pop melody, has Pop music always been your major vocal influence, or is there a particular style of music that you like to claim the foundation of your soulful delivery?
ELIZA: I loved a lot of different music…growing up, I sang and practiced along to Lauryn Hill, Mariah and Beyonce, really soulful pop vocalists so maybe that’s rubbed off on me but I also love sweet songs like Burt Bacharach music and Beach Boys. And rock like Radiohead, Red Hot Chili Peppers…I don’t know what has directly influenced me.
b3sci: Is there a particular track from your self-titled debut album that you feel especially connected to or proud of as an artist? If so, which and why?
ELIZA: I really love all the tracks …when writing the album I had about 25 finished songs to choose to go on the album and I really loved a lot of them so the ones I put on the album, I really, really love! I think if I had to pick one song I would pick “Rollerblades” as that was the first song I wrote where I really found my own sound for the first time and the rest of the album was based on that sound …so I owe the song a lot!
Eliza Doolittle – Rollerbladesb3sci:Can you shed some light on the happenings behind your connection with Jamie from The XX, and the “Money Box” remix?
ELIZA: I had met The XX a couple of times and am a big fan of their music. I just asked Jamie if he wanted to do a remix and he said yes… so I sent him the parts!
Eliza Doolittle – Money Box (Jamie XX Remix)b3sci: If you could collaborate with anyone past present or future, who would it be with and why? Keep in mind they wouldn’t need to be a musician, and any sort of artistic collaboration counts.
ELIZA: Hmm, Shakespeare! He is the artistic genius of the entire time we’ve been on this earth!
b3sci: We need to ask you a favorite question of ours… Hypothetical situation, you’re stranded on an island and you can only chose between having with you either 30 songs OR 10 albums! Do you chose to have the albums or songs, and why?
ELIZA: 10 albums definitely because they are pieces of art as a whole album, and I would feel empty without the other songs. Also, an album has 10 songs average on it so that would mean 100 songs!
b3sci: Haha you found the loophole! So what are a few of the albums that you would bring along?
ELIZA: Oooo… Stevie Wonder – Songs in the Key of Life, Steely Dan – Aja, Destiny’s Child – The Writings on the Wall, Beach Boys – Pet Sounds. Just to name a few…
b3sci: What’s your take on the internet and your development as an artist? How would you ideally like to see both your career and your fans affected by the internet and your message moving forward?
ELIZA: Well the internet is a blessing and a curse. Through Twitter etc, I can promote my music and shows but through illegal downloads, I can’t make very much money out of my record. I would love for people to respect the hard work that’s put into making a record and not steal the music but I don’t know if that’s ever going to happen.
b3sci: So what’s your take on the blogosphere? Do you participate?
ELIZA: I have my own blog and I love making it. I love documenting my journey and it’s a great way to interact with my listeners and show them some of my interests other than just music. So you should check it out… http://blog.elizadoolittle.com
b3sci: Is there something killer that you’re listening to and influenced by at the current moment?
ELIZA: I’m loving Cee Lo Green’s new album The Lady Killer. It’s superb! Love Janelle Monae and The Drums too!
b3sci: What are your general observations about the reception of emerging artists from the UK in the states, and the same vice-versa?
ELIZA: I’m not sure really, I hope people will listen to my music regardless of where I’m from. I hope people will like it!
b3sci: What in your eyes are some of the popular misnomers about pop stars and the music industry among the public?
ELIZA: I think people take being in the public eye way too seriously. People judge very quickly for the smallest things. Sometimes I make a spelling mistake on Twitter and have a bombardment of tweets picking me up on it and making a massive unnecessary fuss. I would love it if people just listened to my music and took me in for that rather than my grammar skills etc! Haha! And I’m sure other singers get the same jip.
b3sci: We LOVE to cook! Give us one of your favorite recipes to try out.
ELIZA: Baked beans on toast is my specialty!
b3sci: Well that’s interesting, might need to try that. We’ve got to ask you, happiness… what in this world of ours does it for you?
ELIZA:Great music, great friends and family! And lots of laughter …That’s all you need.
Yeah, we can rock with some Kate Nash. “Later On”, the newest single from Ms. Nash’s sophomore LP My Best Friend Is You, is my maybe our favorite single of her’s to date. Somewhere between the kinecticness of the rhythm tracks and the frenetic pace of Kate’s rapid fire delivery, the track totally just blows it out with hook after hook after hook; the subtle snare shuffles that introduce the verse, the jangle of tambourine into prechorus, the resolution and release of the tension of each chorus into a major key, etc etc. We could on. “Later On” knocks it out with some top shelf pop songwriting quality. We’re psyched. Get into it below.
Kate Nash – Later OnRating: 8.2
