Football @ Beerland
Football are officially our favorite suprise of SXSW 2011. On our way to the Virgin Mobile Live House we saw some dude that resembled a short haired Dave Grohl rocking the fuck out on the roof of Beerland. The band played below, and their sound was as raw as anything we saw at SXSW. But the sound seemed strangely familiar…. Tons of people started to gather from the streets. We got close as well. One blood stained white telecaster, Two hand drawn white t-shirts with a sharpie…Could it be? Is it? YES! Holy shit this was our dude from AV/Murder! These guys are perhaps responsible for one of the sickest sets I have ever seen. I knew I should have bought one of those damn shirts! Dudes if you’re reading this, hook us up with some custom b3sci threads! Football are fucking sick, if you like music that makes your head want to explode from just sheer brutal awesomeness, then take notice.
AV/Murder – Glossy MagsTrouble Andrew @ Virgin Mobile Live House:
Trouble Andrew at moments seems like a sound that would have emerged from LA’s Sunset Strip if it were still relevant to music nowadays. Jeez. How many bands have we heard in LA trying do what these guys do so well? Trevor Andrew’s unique blend of raw alternative underground rock is fucking awesome. It has a hip hop sensibility, it has punk sensibility, it has commercial radio sensibility. Songs pending, these Brooklyn natives could end up everywhere. There live show is definitely an experience worth having, and after opening for the likes of Fishbone, Yelawolf, Wu Tang, and Erykah Badu during SXSW this year, they are definitely off to a right start.
Trouble Andrew – Bang Bang
Quadron @ Malverde
Everybody’s fav Danish soul duo, Quadron, played a breezy enjoyable set to Malverde’s 4th floor open-air stage. This was our first catching the duo live and suffice to say our girl Coco and our man Robin did not disappoint. Coco’s sweet sultry tones, Robin’s smooth instrumentals, Quadron’s super cool R&B-influenced pop. The prime factors were all on point during the performance. We loved Coco’s engaging yet semi-shy interactions with the crowd. “I love Texas.” “We’ve got some CDs for sale after the show. I’d love for you to buy one. Maybe I can give you a hug. I love selling.” Too cute. The set primarily consisted of songs from the band’s debut, “Buster Keaton”, “Average Fruit”, and set closer “Slippin'” were among the highlights. Malverde’s open-air 4th floor stage seemed to fit the band. It was that sort of deepest twilight, fading to night time in the day. The city glowed, buzzed behind them. The setting framed Quadron’s music perfectly. We hurriedly left Malverde in dead sprint cross town for TOKiMONSTA @ Mohawk. But we left totally pleased but what we had heard. We love Quadron!
Quadron – Slippin’
TOKiMONSTA @ Mohawk
Post-crosstown hustle we slipped into the door at Mohawk just in time to catch most of TOKiMONSTA’s set. We heard hip hop classics laced up with varying heavinesses of electrobeats. Method Man’s “How High” over a pulsing synth driven rhythm. “Forgot About Dre” blended with multi-tracked hi-hats. TOKi was flawless. She seemed to be having a great time. With every sort of sound manipulation, she would smile. Kind of like, “Yeah, This Rules!” It was great. We got down. Everyone else in the place got down. It was sick. And………..Silence. One of TOKi’s sound inputs fried and the set was finished. Bogus. Still, what we saw ruled. And we’ll take what we did see as a sick preview of what a full TOKi show might be like.
TOKiMONSTA – Almost Free
Obits @ Red 7
Obits are pioneering veterans. They blow many of today’s kids clear out of the water. Playing some of the best vintage gear we’ve seen, the band ripped through some serious time rock portal straight from Red 7 to CBGB’S (see this: http://www.youtube.com/watch?v=BnYy2x00zHU). Get Obits a time machine and put them on a bill opening for Television. What happens?
Obits – Two Headed Coin
Little Comets @ Latitude 30
Little Comets are a new talented group emerging from the UK. They fall into a space that seems to bridge today’s indie and brit-pop pockets. Sure, it seems like a likely space but who else has made a real significant impact there? Other than the “labeling” obstacle these kids have, there is some song craftsmanship in their favor. Unlike some young bands, their abundance of intricate arrangements and melodies work and contribute to an overall sound that’s definitely got us hooked and psyched to hear what’s more.
Little Comets – Isles
Charles Bradley & the Menahan Street Band @ Cedar Street Courtyard
“Heartaches and Pain”, not just Charles Bradley’s opening song but really his life. A man of obviously tremendous talent, the sexagenerian never got the breaks or the right situation to fully realize his potential as a musician. Backed by the great Menahan Street Band, Charles Bradley entered the stage at Cedar Street Courtyard to sing out the first few notes of that song. And WOW! Unbelievable! His voice! It’s really really something! We knew we were to be witness to something really special. And it seemed Charles felt the same way, this was a great moment in his life. A true realization of a lifelong dream (as cliche’ as it sounds, in his case it’s absolutely true). Mr. Bradley had tears in his eyes during that first song and well into the set. It was just an extraordinary moment. One of the coolest concert moments, I’ve certainly ever witnessed. Anyway, back to his voice. Holy shit! Bradley’s vocal ability is off the meter. Like his records are great and he sounds terrific on them. But to hear him live, like that, it’s truly something; akin to hearing the performance of one of the great soul legends. Really. He’s that good. To hear/see him emote on tracks like “Lovin’ You, Baby” and “Why Is It So Hard”, it really gives you goosebumps. It’s the expression of profound emotional pain and depth at its most visceral and immediate level, it doesn’t get much more real than that. “The World Is Going Up In Flames”, when you hear it you believe him, like you wanna grab a bucket or a firehose or something to help put it out. You’re that moved. Charles Bradley’s set at Cedar Street was no doubt one of our favs at SXSW, if not our absolute favorite. At one point during the set, Bradley looked down at his leg to see that he had been pretty severely bleeding from his knee; the blood collected in a not so small pool of blood at his feet. “Are you alright?”, you could hear his sax player motion over to him. “Oh shit.”, said Bradley. And with that he continued.
Charles Bradley – The World Is Going Up in Flames
Wye Oak @ The Parish
In our opinion Wye Oak are one of the best bands going. If you like dynamic music and beautiful melodies how can you not love this Baltimore duo? Well their label, Merge Records, certainly loves them. Catching the later half of their official Merge showcase at the Parish, Wye Oak returned some serious love to their friends at the label. It was a lovefest. Wye Oak loves their label. No shit. Debuting material from the forthcoming release Civilian, the duo seemed reallllllly into it; positively beaming, energetic; suggesting, not only that they couldn’t wait to perform the material, that they couldn’t wait to just hear it! That’s when you know a band is proud of their music!
Wye Oak – Take It In
Bombay Bicycle Club @ Latitude 30
We could tell from our Q&A with them before their set, that BBC are introverted artistic types. We, of course, mean that in the greatest way possible. These kids were able to evolve from local band to music career in their adolescence. They are supremely talented, music is their life and that shines through. We expect many great records to come from these guys. The band Followed up their early electric guitar heavy material with a largely acoustic record, last year’s Flaws. We were intrigued at what some of their new, post-Flaws, material might sound like. The answer we got was material that was somewhere in between, definitely a sound less raw than Flaws but a bit more produced and refined, like their debut. A few gems, which we’ll certainly now be anticipating on the band’s forthcoming third album, definitely stood out. Guitar and synth-layers flowed through the impressive set of about a dozen songs, and as always the bass tone was hot, especially unique and great. BBC are completely independent and seemingly less concerned with what’s happening with their peers. The band have set course to a sound that is developing more and more into something that’s wholly their own.
Bombay Bicycle Club – Magnet
Catch all of b3sci’s SXSW 2011 coverage HERE
Photography by Genevieve Sheehan
Here at b3sci HQ, we had such an overload of solid jams today, we were at a loss as to what to feature. So we said, fuck it, we’ll just throw it all up. So here goes the rock mix. New tracks from The Vaccines (An excellent follow up to first single “Wreckin’ Bar”), Wye Oak (Andy Stack’s hushed kick drumming is the best compliment to Jenn Wasner’s subtle golden tones), and Duran Duran (A strong return on this Mark Ronson produced stomper). Enjoy.
The Vaccines – Post Break Up Sex
Duran Duran – “All You Need Is Now” (Produced By Mark Ronson)
Purchase / Info
wow, awesome. this is a really great fucking song. baltimore duo wye oak’s “the knot” lp is in stores now.
rating: 8.5
What a tune. That viscous tone in the breakdown after the verse’s gentle melody, I’m mad for it.
Hailing from Baltimore, the duo’s sophomore album The Knot is released via Merge Records July 21st. gonna get it get get it
rating: 8.111317
Although we’ve come to the end of the road, still Adele we can’t let you go. We’ve reached 2011’s closing hour and now it is time: b3sci presents it’s Top 50 Albums of 2011. No one’s even come close to having the year Adele’s had. The most albums sold in a single year since 2004, two of the biggest singles of the year, etc, a truly international breakthrough both commercially and critically on a level we haven’t seen in a long time. Adele, our girl, the crown is yours. 21 is b3sci’s Album of the year.
So where the fuck is Adele on many of these respected-indie-press-dude best of lists? That period between Nov 2010 when “Rolling in the Deep” first broke and the lead up to the album’s release in late January, Adele ruled the blogosphere, the fold was united. Then “RITD” got overplayed to the point of absurdity, your mom bought the record, probably your grandma bought it too; those bros that listen to Foo Fighters and Deadmau5 started bumping “Someone Like You” out their trunk. Soon, the “wrong people” liked 21 and Adele’s brief moment atop the indiesphere was over. Right.
Thanks for reading this year, y’all. We’ve got some big plans for 2012. Stay tuned. Much love.
01. Adele – 21 (Buy It) (Read)
02. The Weeknd – House of Balloons (Buy It) (Read)
03. Drake – Take Care (Buy It) (Read)
04. James Blake – James Blake (Buy It) (Read)
05. Kendrick Lamar – Section.80 (Buy It) (Read)
06. Gil Scott-Heron & Jamie xx – We’re New Here (Buy It) (Read)
07. WU LYF – Go Tell Fire on the Mountain (Buy It) (Read)
08. Jay-Z & Kanye West – Watch the Throne (Buy It) (Read)
09. The Horrors – Skying (Buy It) (Read)
10. M83 – Hurry Up, We’re Dreaming (Buy It) (Read)
11. Wye Oak – Civilian (Buy It) (Read)
12. Girls – Father Son, Holy Ghost (Buy It) (Read)
13. Real Estate – Days (Buy It) (Read)
14. A$AP Rocky – Live Love A$AP (Buy It) (Read)
15. Sepalcure – Sepalcure (Buy It) (Read)
16. PJ Harvey – Let England Shake (Buy It) (Read)
17. The War on Drugs – Slave Ambient (Buy It) (Read)
18. Charles Bradley – No Time For Dreaming (Buy It) (Read)
19. Metronomy – The English Riviera (Buy It) (Read)
20. SBTRKT – SBTRKT (Buy It) (Read)
21. Oneohtrix Point Never – Replica (Buy It) (Read)
22. The Vaccines – What Did You Expect From the Vaccines (Buy It) (Read)
23. Destroyer – Kaputt (Buy It) (Read)
24. The Antlers – Burst Apart (Buy It) (Read)
25. tUnE-yArDs – w h o k i l l (Buy It) (Read)
26. Beyonce – 4 (Buy It) (Read)
27. Wild Flag – Wild Flag (Buy It) (Read)
28. Noel Gallagher’s High Flying Birds – Noel Gallagher’s High Flying Birds (Buy It) (Read)
29. Big K.R.I.T. – Return of 4eva (Buy It) (Read)
30. Clams Casino – Instrumentals (Buy It) (Read)
31. Gillian Welch – The Harrow and the Harvest (Buy It) (Read)
32. Low Roar – Low Roar (Buy It) (Read)
33. AraabMUZIK – Electronic Dream (Buy It) (Read)
34. Active Child – You Are All I See (Buy It) (Read)
35. Fleet Foxes – Helplessness Blues (Buy It) (Read)
36. Raphael Saadiq – Stone Rollin’ (Buy It) (Read)
37. Cults – Cults (Buy It) (Read)
38. Radiohead – The King of Limbs (Buy It) (Read)
39. Florence + The Machine – Ceremonials (Buy It) (Read)
40. Alex Clare – The Lateness of the Hour (Buy It) (Read)
41. Nicolas Jaar – Space Is Only Noise (Buy It) (Read)
42. Jhene Aiko – Sailing Soul(s) (Buy It) (Read)
43. The Stepkids – The Stepkids (Buy It) (Read)
44. Freddie Gibbs – Cold Day in Hell (Buy It) (Read)
45. Gardens & Villa – Gardens & Villa (Buy It) (Read)
46. Laura Marling – A Creature I Don’t Know (Buy It) (Read)
47. Kurt Vile – Smoke Ring For My Halo (Buy It) (Read)
48. Foster the People – Torches (Buy It) (Read)
49. Explosions in the Sky – Take Care, Take Care, Take Care (Buy It) (Read)
2011, it’s been real! To kick off our b3sci 2011 year end coverage, we start with Top 10 albums lists from each of b3science’s seven contributors. (We’ll detail our overall site picks in the next few days). 2011.
Troy:
01. Drake – Take Care
02. The Weeknd – House of Balloons
03. M83 – Hurry Up We’re Dreaming
04. Metronomy – The English Riviera
05. A$AP Rocky – Live Love A$AP
06. PJ Harvey – Let England Shake
07. James Blake – James Blake
08. Kendrick Lamar – Section.80
09. SBTRKT – SBTRKT
10. Active Child – You Are All I See
Mike:
01. WU LYF – Go Tell Fire to the Mountain
02. The Vaccines – What Did You Expect From…
03. Jay-Z & Kanye West – Watch the Throne
04. Noel Gallagher’s High Flying Birds – Noel Gallagher’s High Flying Birds
05. Low Roar – Low Roar
06. The Weeknd – House of Balloons
07. Wye Oak – Civilian
08. Explosions in the Sky – Take Care, Take Care, Take Care
09. Fleet Foxes – Helplessness Blues
10. Raphael Saadiq – Stone Rollin’
Chris:
01. WU LYF – Go Tell Fire To The Mountain
02. Girls – Father, Son, Holy Ghost
03. Giraffage – Comfort
04. The Vaccines – What Did You Expect From..
05. Washed Out – Within and Without
06. James Blake – James Blake
07. The War On Drugs – Slave Ambient
08. The Postelles – The Postelles
09. Harrison Hudson – American Thunder
10. Caveman – CoCo Beware
Trevor:
01. James Blake – James Blake
02. A$AP Rocky – Live Love A$AP
03. Wale – Ambition
04. Raphael Saadiq – Stone Rollin’
05. Harrison Hudson – American Thunder
06. Fiore – Fiore
07. Benjamin Francis Leftwich – Last Smoke Before the Snowstorm
08. M83 – Hurry Up We’re Dreaming
09. Mike Higbee – Secret Life
10. Chris Wollard & The Ship Thieves – Chris Wollard & The Ship Thieves
Erin:
Let’s be honest. I probably didn’t listen to ten complete LPs this year that I would somehow deem “best” – it just isn’t in me anymore, maybe. I did, however, have enough musical bests paired with actual full records I loved to complete a top ten. Let’s review my 2011 faves: there are ten, they are not ranked.
tUnE – yArDs, W H O K I L L (4AD)
If someone forced me to name my best record of the year, I’d bet this would be it. While I’ll never get over the late 90s stylization of her musical pseudonym, Merrill Garbus made songs that said things I wanted to hear couched in melodies and harmonies that push me from Africa to doo-wop to “America.” There is true joy in the music she makes, even if she’s talking about eating disorders or inner-city violence. High up on the “things I danced to alone in my room” list of this year.
turntable.fm/Spotify
While I’d consider turntable.fm mostly dead in my day to day life, it ruled my world for a few weeks over the summer. I heard more great stuff I know I would’ve never come upon on my own, but I guarantee you it wasn’t in dubstep rooms. I spent time chatting and playing jams with friends I wouldn’t see for months. Turntable gave me all of the plus factors of a 1996 chatroom backed with a way better soundtrack than I would’ve had then. Spotify swooped in a few weeks later, and now I find myself listening to nearly anything I want at any time while creating playlists with friends throughout the day. Not as immediate as turntable, but somehow less of a time suck. I don’t love the ads, but I know I can get rid of them if I want.
PJ Harvey, Let England Shake (Island/Vagrant)
Overwrought concept albums can be a drag. (Confessional: I am a long-time PJ Harvey fan, guilty of knowing all of the words to “Rid of Me” by heart at a very young age.) If someone had told me a concept album by Harvey about England, bloodshed and warfare would be one of my favorite releases this year, I might have been a bit perplexed. The melodies, language, and instrumentation around this record, however, do more to transport listeners rather than alienate them. “Inaccessible” is a word often used to describe records, and I could see how some of Harvey’s records may be that way. This, however, works magic.
Jay-Z & Kanye West, “Why I Love You” (Roc-A-Fella/Roc Nation/Def Jam)
I know this record is on everyone else’s list, and that’s fine, but only one of its tracks got repeat plays with me. The production on Watch The Throne is amazing, I can’t deny it, but nearly nothing about that record sticks for me. I revisited it months after it leaked and I still couldn’t get into it as a whole. Jay-Z and Kanye West are two of my all-time favorites and I thought this record would be my dream. It wasn’t. “Why I Love You”, though, is a jam. Great sample, great chorus, okay-enough rapping.
Iceage, New Brigade (What’s Your Rupture?)
There will never be a time in life that I don’t like channeling my inner teenage dude. I know he’s there, just waiting for me to listen to the Stooges for another few hours or cackle while watching episodes of Beavis & Butt-head. 24-ish minutes of gothy punk energy (the longest track at 3:08), Iceage are my Ramones for 2011.
Drake, Take Care (Young Money/Cash Money)
I can’t stop playing this record. Merrill Garbus and Drake might have to duke it out. I thought Thank Me Later was lackluster – too much bravado and cameo, not enough actual persona. With Take Care, though, I feel like Drake is getting back to a place where he’s comfortable: an introspective, lonely look in the mirror at fame and alienation from where he thought he was a few years ago to now. On hip-hop records I’m usually disappointed if they’re not full of bangers but this one tempers enough production with the same amount of restraint.
Willie Mae Rock Camp & Kelly Clarkson, “Since U Been Gone” (RCA)
Over the summer, I volunteered for the first time at Willie Mae Rock Camp for Girls in Brooklyn. I spent an exhausting and fulfilling week making sure a bunch of 8 & 9 year olds made it to their instrument class, ate their lunches, and sort-of listened during workshops about the blues, gender, and other topics regarding women in music. Every counselor had her musical kryptonite and everyone very quickly found out Kelly’s jam was mine. I danced & sang to it all week when it played during various end-of-day dance parties, and one of the campers and I shared it as our best memory of the week from songwriting class. At the showcase wrapping up camp, the volunteer band played it as their song for soundcheck. I belted it just as I had every other day.
Party of Helicopters at Death By Audio, Williamsburg, February 13, 2011
I got my knees slammed into the stage all night long at this show, with terrible bruises to show the next day, but it was well worth it. They are my favorite band from my most formative years, the one whose album art my body will carry to my grave; every opportunity to relive that time while seeing them live is worth it. Even though they’ll never play “A New Kind of Power” for me no matter how many times I request it, I don’t care. I love them. Forever.
Björk, Biophilia (One Little Indian/Polydor)
There was a time growing up that I spent most hours lying on the floor in my room listening to records. Bjork was always a part of this ritual, and listening to this record sends me back to that time in my life (I am full of memories this year). “Crystalline” is a perfect hybrid of Telegram-style remixes and Vespertine vocals. “Cosmogony” hearkens back to the antics of Medulla. Everything is nostalgic, but everything is new. The David Attenborough-narrated companion iPhone app is an excellent companion if you can’t make up your own visuals in your mind.
Sharon Van Etten, “Serpents” (Jagjaguwar)
Seeing her play this live last Tuesday only further got me stoked for her record next year. Her voice is the most haunting to me, and this is that quality at its finest. Percussion and expansion of her sound into what it is on this track alone (I hear you, Aaron Dessner) bode well for the rest of Tramp. Can’t wait.
Bruce:
01. The Kills – Blood Pressures
02. Elbow – Build A Rocket Boys
03. The Airborne Toxic Event – All At Once
04. The Vaccines – What Did You Expect…
05. Foster The People – Torches
06. TV on the Radio – Nine Types of Light
07. The Black Keys – El Camino
08. Sleeper Agent – Celabrasion
09. The Rapture – In The Grace Of Your Love
10. The Wombats – This Modern Glitch
11. Honorable mention to My Morning Jacket and Teddybears
Elliott:
01. Alex Clare – The Lateness of the Hour
02. Nero – Welcome Reality
03. Thievery Corporation – Culture of Fear
04. SBTRKT – SBTRKT
05. Tyler, the Creator – Goblin
06. Bassnectar – Divergent Spectrum
07. Dave Nada – Blow Your Head Presents: Moombahton
08. James Blake – James Blake
09. M83 – Hurry up, We’re Dreaming
10. Crookers – Dr. Gonzo
b3science counts down our choice top 40 tracks of 2009! have a happy new year, and we’ll see you suckas in 2010! check the original posts for a synopsis on the track as well as artist and purchaseinfo.
1. Electric Wire Hustle – They Don’t Want
(original post)
2. Raheem DeVaughn – Bulletproof (Feat. Ludacris)
(original post)
3. Colin Munroe – I’m Fine (Feat. Young Buck)
(original post)
4. The Maccabees – No Kind Words
(original post)
5. Jay Electronica – Exhibit C
(original post)
6. Jack Penate – Pull My Heart Away
(original post)
7. The Temper Trap – Love Lost
(original post)
8. Trailer Trash Tracys – Candy Girl
(original post)
9. Bat for Lashes – Daniel
(original post)
10. Yeah Yeah Yeahs – Heads Will Roll
(original post)
11. Lee Fields & the Expressions – My World is Empty Without You
(original post)
12. Gliss – Morning Light
(original post)
13. Rich Boy – Drop
(original post)
14. The Raveonettes – Heart of Stone
(original post)
15. Delphic – This Momentary
(original post)
16. Maino – All the Above (Feat. T-Pain)
(original post)
17. Ian Brown – Stellify
(original post)
18. Massive Attack – Paradise Circus (Feat. Hope Sandoval)
(original post)
19. Groove Armada – I Won’t Kneel
(original post)
20. Young Buck – Lord Have Mercy (Feat. The Outlawz)
(original post)
21. Phoenix – Lisztomania
(original post)
22. Yeah Yeah Yeahs – Dull Life
(original post)
23. David Dallas – Big Time
(original post)
24. Kleerup – Until We Bleed (Feat. Lykke Li) via International Release
(original post)
25. K-os – I Wish I Knew Natalie Portman
(original post)
26. Wye Oak – Take It In
(original post)
27. The Veils – The Letter
(original post)
28. Sidwho? – Millionaire
(original post)
29. The Hickey Underworld – Blonde Fire
(original post)
30. Brittany Bosco – Blues for Blue
(original post)
31. Aime – Summertime Mood
(original post)
32. Florence and the Machine – Cosmic Love
(original post)
33. Kasabian – Fire (Radio Edit)
(original post)
34. Chris Brown – I Can Transform Ya (Feat. Lil’ Wayne & Swizz Beatz)
(original post)
35. Memory Tapes – Bicycle
(original post)
36. The Maccabees – Love You Better
(original post)
37. Nouvelle Vague – All My Colours (Feat. Ian McCulloch)
(original post)
38. Sade – Soldier of Love (Casamena Basement Edit)
(original post)
39. The Roots – How I Got Over
(original post)
40. People Under the Stairs – Hit the Top
(original post)
honorable mentions:
Eddy Current Suppression Ring – Which Way To Go
The Dead Weather – Are friends Electric
Bombay Bicycle Club – Magnet
The Arctic Monkeys – Crying Lightening
The Horrors – Whole New Way
Diving With Andy – Sugar Sugar
Winston Audio – Hey Anne
Fanfarlo – I’m A Pilot
The Vicounts – Broken Britain
Wale – Beautiful Bliss (Feat. Melanie Fiona and J. Cole)
Birdman – Money to Blow (Feat. Drake and Lil’ Wayne)
Magistrates – Make This Work
Little Black Dress – Robin
The Ruling Class – Marian Shine
Reigning Sound – Call Me
The Cribs – We Share the Same Skies
Lyrebirds – Closer
Basement Jaxx – A Possibility (Feat. Amp Fiddler)
White Rose Movement – Cigarette Machine
Mos Def – History (Feat. Talib Kweli)
Nas – Film
Print – Reserved for the Cool Kids
We Were Promised Jetpacks – Ships with Holes Will Sink
De La Soul – La La La
Airship – Kids
She Keeps Bees – Gimmie
Pete Yorn and Scarlett Johansson – Relator
O. Children – Dead Disco Dancer
Brakes – Don’t Take Me To Space (Man)
Fenech-Soler – Lies
Asaf Avidan – weak
The Stevenson Ranch Davidians – Feelin Good
Reigning Sound – Call Me
Depeche Mode – Wrong
White Rabbits – Percussion Gun
Sergeant – K-OK
Machine Gun Kelly – Cleveland State of Mind (Feat. Bravo & Ashley Simpson)
Grizzly Bear – Two Weeks
Edward Sharpe and the Magnetic Zeros – 40 Day dream
Doves – Kingdom of Rust
Justin Towns Earle- Midnight At The Movies
Cornershop – Who Fingered Rock ‘n’ Roll
Alberta Cross – Rise From the Shadows
Holly Miranda – Waves
Kev Brown – Hennessy Rap Pt. 3 (Feat. Kenn Star and Raheem DeVaughn)
Kings of Conveniece – Renegade
DJ Deckstream – Life is Good (Feat. Mos Def)
AFTA-1 -Love Suite 2 (Sit Still)
Omarion – I Get It In (Feat. Gucci Mane)
The Kid Daytona – The Engine
The Phenomenal Handclap Baby – Baby
if you want more, then you should read our blog
